As a result, the Fujifilm X100VI hasn’t seen as much use as it once did. That doesn’t mean I’ve fallen out of love with it though. In fact, after more than two years of ownership, I still consider it one of the most enjoyable cameras I’ve used. I’ve covered my experience in much greater detail in my Fujifilm X100VI review.

That changed this week.

A family walk through Strathearn Castle Estate gave me the perfect excuse to take the X100VI out again and remind myself why I enjoyed it so much in the first place. I’ve also been taking out the X-T5 more recently too.

A Camera That Fits Around Life

The main purpose of the walk wasn’t photography.

It was family time.

My wife, Sofia, Isobelle, my mum and I wandered through the estate’s old woodland, following the main track towards the lake below the castle.

Before long Sofia and my mum had wandered off together, leaving me pushing Isobelle’s pram for most of the walk.

That was exactly where the X100VI made sense.

It’s small enough that bringing it along never feels like a commitment. If I use it, great. If I don’t, it never feels like a burden.

After carrying the Nikon Z8 with various lenses on recent outings, the X100VI felt tiny by comparison.

Not in a bad way.

Just refreshingly light.

Relearning an Old Friend

Initially I found myself needing a few minutes to readjust.

After shooting Nikon almost exclusively lately, the Fuji controls felt slightly unfamiliar.

That didn’t last long.

The old muscle memory quickly returned.

I shot in manual exposure mode using Classic Chrome, a simulation I’ve always enjoyed for its slightly muted colours and gentle contrast. It looks great straight out of camera while still providing an excellent starting point for later editing.

One thing I had to consciously remind myself was depth of field.

Having spent so much time shooting full-frame cameras recently, I automatically found myself thinking in terms of f/8. With the APS-C sensor in the X100VI, I often found myself comfortably working at f/5.6 instead.

Woodland and a Familiar Perspective

The woodland looked as beautiful as ever.

Scots Pines, birches and mature broadleaf trees filled the estate, their branches gently swaying in the breeze.

The light was subdued.

Not dark, but certainly flatter than when I visited recently with the Nikon Z 20mm f/1.8 S.

That brought another adjustment.

The X100VI’s 35mm equivalent field of view felt almost conservative after spending so much time shooting 20mm. In many ways, this walk reminded me why I continue to enjoy the X100VI despite owning larger and more capable cameras. I’ve previously compared it directly against an interchangeable lens setup in my X-T5 and 23mm f/2 vs X100VI comparison, and many of the same strengths became obvious again here.

At first my images felt a little flatter.

Less dramatic.

Less immersive.

But after a while I began to appreciate what the 35mm perspective offers.

The photographs remain about the subject rather than the lens. That’s one reason I continue to recommend the camera so highly for travel. It remains one of the few cameras that genuinely encourages me to carry it everywhere.

You don’t get the immediate visual impact that ultra-wide lenses can provide, but you gain flexibility and simplicity. Compositions become easier to arrange, and the field of view rarely calls attention to itself.

The result feels natural.

Perhaps that’s why the 35mm focal length remains so popular.

Why I Still Love the X100VI

What stood out most wasn’t image quality.

I already knew the image quality would be excellent.

What struck me was how enjoyable the camera remains to use, even after more than two years of ownership. In an industry where the excitement of new gear often fades quickly, the X100VI still feels like a camera I genuinely want to pick up and use.

The colours are beautiful.

The film simulations are still among the best available on any camera system.

The camera itself encourages me to stop thinking about equipment.

Actually, forget my understated British ways for a second.

I’ll just say it.

It felt great to be back shooting with the X100VI.

Its fixed lens, its constraints and its simplicity force me to stop thinking about lenses, specifications and endless choices.

Instead, I simply focus on photography.

And honestly, I think I need more of that.

Final Thoughts

This wasn’t a dedicated photography outing.

It wasn’t a review session.

It wasn’t a carefully planned landscape shoot.

It was simply a family walk through one of my favourite local woodlands.

And perhaps that’s exactly why the X100VI felt so at home.

Over the past few months I’ve spent a lot of time thinking about cameras, lenses and systems. Yet a simple afternoon in the woods reminded me that sometimes the best camera isn’t necessarily the most capable one.

Sometimes it’s simply the camera you want to carry.

And after more than two years of ownership, the Fujifilm X100VI remains one of those cameras for me.

It’s been exactly one week since we finally touched down in Scotland.

All those weeks and months of preparation didn’t really take the stress out of the move, nor the 28-hour journey back. We’ve left a lot of things in the Philippines — some not important, others more sentimental in value. Despite my best efforts, I couldn’t ship everything to the UK that we wanted to keep. We had to make a lot of choices and, in the end, Sofia, my mum and I arrived in Scotland with just four suitcases, three camera bags and two laptops to our name.

We’ve been sleeping on the floor while we wait for beds to be delivered — in fact I still am — but after one week we are slowly getting there. Furniture is ordered and starting to arrive, Sofia’s new toys to replace those she left behind turned up today, and today is actually the first day I’ve even had a moment to consider getting outside and taking a proper look at the area we’ve moved to.

Our first outing at Macrosty Park

It was raining, of course, but Sofia — armed with her new warm and waterproof gear — was more than up for a bit of exploration. This little outing was more about seeing our local area than getting great photos, but I wanted to take a camera along with me.

One of the only things I managed to successfully negotiate on our transcontinental journey was bringing all of my cameras and lenses, split into three camera bags, while wearing my Nikon Z8 around my neck with my heaviest lens attached. That was about 30kg of gear in total, and I felt every bit of that weight in the aches and stiffness in my muscles for a few days after we arrived.

Why I reached for the X100VI

Constant decisions and compromises have been the core of my life in the last few months, so naturally I gravitated toward grabbing my Fujifilm X100VI — a camera that removes many of a photographer’s indecisions about focal length.

A fixed-lens camera with a wide 35mm equivalent field of view is incredibly versatile; it can handle everything from landscapes to portraits, and with its 40-megapixel APS-C sensor I knew it would give me some nice files if any opportunities appeared.

The light was incredibly flat when we arrived at our local park and a fine rain was drifting down — very much like I remember from my time in the Outer Hebrides. With the X100VI worn casually around my neck, we got out of the car and ventured into a beautiful local park that sits on the banks of the River Earn.

As the rain got heavier, I did briefly question the weather sealing on the X100VI. The thought crossed my mind that it would be a bad omen if the weather broke my camera on my very first outing here — but I needn’t have worried. The Fuji performed flawlessly, which is more than I can say for me. To ensure your X100VI is fully weather sealed like mine, see my Fuji X100VI accessories post.

Shaking off the rust

I haven’t really picked up a camera for at least six weeks and it took me a little time to get back into the swing of things.

My eye was slow to spot compositions, I fumbled slightly with the controls because my hands aren’t used to the cold anymore, and I pushed the limits of Fuji’s IBIS further than I should have with shutter speeds I remember being able to handhold years ago but perhaps can’t any longer.

But what stood out to me wasn’t the photos I took — it was the absolute contentment I felt simply walking again, camera in hand, my daughter by my side, and the sounds of nature all around us.

Realising we now live here

This move from the Philippines has been one of the most stressful experiences of my life. I’ve been juggling things that I simply can’t write about here.

But in those moments by the River Earn — watching the water thunder downstream while Sofia threw pine cones in and raced them along — it really dawned on me for the first time since landing that we now live here, in this beautiful country, and that this is where our future will be.

Why the X100VI mattered today

The X100VI was the perfect camera for today.

It gets out of your way when you just want to be immersed in your surroundings, yet still lets you take photographs when the moment appears. No swapping lenses, no agonising over focal lengths — just you, the camera, and the world in front of you.

That’s why it was the first camera I picked up, and why I’ll continue using it for a long time.

Looking ahead

In the coming weeks and months I’ll gradually start getting out more with various cameras.

But a recurring theme in my life is that when I simply want to capture moments — without being burdened by choice — the X100VI is the tool I reach for. Whether documenting places my dad loved in Devon, or Sofia and my new life here on the edge of the Scottish Highlands, the X100VI has been a dependable companion that just gets out of the way.

I own both the Fujifilm X100VI and the Ricoh GR IV, and I’ve also shot extensively with the Ricoh GR III. Recently, I’ve been using the GR IV quite a lot and spent time comparing it directly to the GR III. While it is a better camera overall, I’ll be honest — the updates feel a little underwhelming, especially given how strong the GR III already was.

I’ve been shooting with the X100VI since I pre-ordered it, and it has firmly taken on the “bring-it-everywhere” role in my kit. That said, it’s simply not as small as the GR series. It’s also more expensive, harder to get hold of, and — despite being compact — asks more of you in terms of size and commitment.

So the question is obvious: can the Ricoh GR IV replace the X100VI? And is it actually the better compact camera? If you want to see which compact cameras are the best heading in to 2026 then I’ve written a full article on just that subject.

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Size, Handling, and Everyday Carry

I’m going to cut straight to the chase here: these cameras simply don’t function in the same way.

The Ricoh GR IV is genuinely pocketable. It’s tiny and slips into almost any pocket without effort. You can take it out with you and genuinely forget it’s even there. This has nothing to do with style or how the camera looks — it’s about always having a camera on you for everyday life, or being as unobtrusive as possible to get shots you simply wouldn’t if you’d left your camera at home.

In my view, the X100VI is not this kind of camera. While it is relatively small — and some people say it fits comfortably in their pockets — it doesn’t fit in any of mine. It’s also too nice an object for me to want to squeeze it in alongside keys and other items. This is a camera that asks to be carried with a bit more care.

That’s because it offers more in terms of the shooting experience. The X100VI has a hybrid optical/electronic viewfinder, dedicated physical dials for shutter speed, ISO, and aperture, and a beautifully machined tilting rear LCD. All of that makes it more engaging to use, but it also means there’s a greater level of commitment involved in taking it out with you. It’s not a “throw it in your pocket and forget about it until you need it” kind of camera.

That said, it is compact and lightweight enough to be far more suitable as an everyday carry camera than most interchangeable-lens systems.

Which camera is actually “better” really comes down to how you plan to use it, and a set of very personal preferences around how you like to shoot. What I will say is this: both cameras are excellent at what they’re designed to do — they just approach the problem from completely different directions.

Viewfinder vs Screen-Only Shooting

The Ricoh GR IV uses the same rear LCD screen as the GR III. It’s perfectly usable in dull to normal light, but here in the Philippines — especially in bright sunlight — I do sometimes struggle to see the screen clearly enough to compose precisely. You can work around it by finding a bit of shade or adjusting how you hold the camera, but it does make accurate composition more difficult at times.

The screen is also fixed, so if you want to shoot from more unusual angles you either have to move your body into position or shoot blindly and hope you get what you want. It’s not a huge issue — and, as I’ve said, there are workarounds — but it does affect how fluid and precise the shooting experience feels.

The X100VI, by contrast, offers a completely different way of working. Its hybrid optical/electronic viewfinder allows me to immerse myself far more fully in the act of photographing, and I find I’m simply more accurate with my compositions when shooting through a viewfinder. The tilting rear screen also makes low- or high-angle shots much easier without resorting to guesswork.

Shooting via an LCD screen feels more casual to me. That’s not a criticism — some people will actively prefer that approach. But if, like me, you value immersion and precision in how you frame your images, the X100VI’s viewfinder makes a meaningful difference. Others will feel the exact opposite, and that’s perfectly valid too.

Autofocus and Responsiveness

Neither the Ricoh GR IV nor the Fujifilm X100VI is known for lightning-fast autofocus, but both are more than capable of getting the shot in most everyday situations.

This is an area where the GR IV has improved significantly over the GR III. In daylight, autofocus is now genuinely usable as long as your subjects aren’t moving too quickly. I can, for example, get sharp photos of Sofia playing at the playground — just not when she’s racing around at full speed. The camera can keep up with casual movement, but not fast, unpredictable action.

The X100VI is a little better, but it’s not in a different league. It won’t suddenly let you track fast-moving subjects with confidence, and neither camera is designed for that kind of shooting. If your main priority is reliable subject tracking at speed, neither of these is the right tool.

Low-light autofocus is where the gap widens.

On a recent trip to Dumaguete, the GR IV struggled noticeably at night. In a poorly lit restaurant, it hunted back and forth repeatedly and often took multiple attempts to lock focus. In that scenario, I’d estimate my focus hit rate was around one in four — workable if you’re patient, but far from ideal.

The X100VI isn’t fast in low light either, but it does perform noticeably better. Focus acquisition is more reliable, and the f/2 lens helps here compared to the GR IV’s f/2.8, giving the camera a small but meaningful advantage when light levels drop.

In terms of overall responsiveness, the X100VI always felt quicker than the GR III, but the GR IV has clearly caught up. Menu navigation, changing settings, and general operation now feel much more modern. Both cameras feel responsive, efficient, and up to date in everyday use.

28mm vs 35mm Equivalent: Lens and Focal Length Philosophy

I want to start this section by saying something that often gets overlooked in comparisons like this: image quality really isn’t a deciding factor between these two cameras, at least in my opinion.

Both use very good APS-C sensors — the Ricoh GR IV with 26 megapixels and the Fujifilm X100VI with 40 megapixels. On paper, that gives the X100VI a slight advantage for cropping, which may matter to some people. In reality, the difference is far smaller than it sounds. I’ve printed images from both, and I’d wager that 90% of people wouldn’t be able to tell the difference based on image quality alone.

Where these cameras genuinely differ is focal length and field of view.

The Ricoh GR IV uses an 18mm lens (28mm full-frame equivalent), while the X100VI is built around a 23mm lens (35mm equivalent). That might not sound like much — after all, what’s a few millimetres between friends — but in real-world shooting, the difference is very noticeable.

The 28mm equivalent field of view lets a lot more into the frame, which means you need to be much more careful about what’s happening around the edges. It encourages you to move closer and immerse yourself in the scene, but it also demands greater awareness of perspective and distortion, particularly when people are involved. For street and travel photography, it’s incredibly popular for good reason — but unless you’re being deliberate, it’s not the most flattering focal length for people.

The X100VI’s 35mm equivalent, on the other hand, is just that bit narrower, and that makes it more flexible. It can still give a wide, expansive feel when needed, but it’s far easier to include people in your images without worrying as much about distortion or exaggerated verticals. It’s simply more forgiving.

Personally, I like both — but for different reasons.

I tend to enjoy 28mm for Alex Webb–style compositions, where you’re consciously organising multiple elements in the frame and creating depth. It asks more of you as a photographer, and nailing a composition takes work, but when it comes together the results can be exceptional. The 35mm equivalent of the X100VI, though, is easier to live with day to day and works well across a broader range of subjects and situations but if you’re not deliberate, images can stray into feeling a little safe and boring.

Ultimately, this is one of the most important differences between these two cameras, and it really does come down to personal preference and how you like to see the world.

Who Each Camera Is Really For

Ultimately, I think this matters far more than whether one camera is slightly better than the other at autofocus or low-light performance. In my view, these are the two best compact cameras available today — but they suit different people and different styles of photography.

The Ricoh GR IV is, for me, the perfect everyday carry camera. It’s especially well suited to photographers who already shoot with a full mirrorless system but don’t want to haul that kit around everywhere just in case they see something worth photographing. It’s so compact, yet still offers the things we actually care about — excellent image quality, full manual control, and a now-improved lens — that you can simply slip it into a pocket and take it everywhere.

The GR IV’s appeal lies in its minimalism. There’s no fuss, no excess, no attempt to be anything other than a tool that does its job quietly and efficiently. It prioritises function over form, and for many photographers, that’s exactly what they want from a second camera.

The Fujifilm X100VI, while capable of filling a similar role, is better suited to photographers who value the shooting experience as much as the utility of having a light, compact camera with them. The physical dials, the hybrid viewfinder, and the overall design create a very different relationship with the camera — one where form and function are balanced rather than purely utilitarian. Let’s not forget that it also offers a built in flash and a 4-stop ND filter compared with the GRIV’s 2 stop ND.

I wouldn’t slip the X100VI into my pocket and grab shots in quite the same carefree way I do with the Ricoh. But I can see the X100VI satisfying me as an only camera — and it has, in the past. The X100T was my sole camera for over a year, and I never felt limited by it.

The GR IV’s higher launch price compared to the GR III brings it closer to the X100VI financially, which makes the choice more nuanced than it once was. If I were advising a friend, my recommendation would be simple:

• As a second camera to a larger system — something genuinely compact for everyday carry — the Ricoh GR IV is hard to beat, provided you’re happy shooting without a viewfinder.
• As a single do-everything camera, one that delivers strong results while also making the act of photographing enjoyable and immersive, I’d recommend the Fujifilm X100VI.

Neither choice is wrong — but they’re right for different people.

Frequently Asked Questions

Is the Ricoh GR IV better than the Fujifilm X100VI?

Neither camera is objectively “better” — they’re designed for different purposes. The Ricoh GR IV is ideal as a genuinely pocketable everyday carry camera, while the Fujifilm X100VI is better suited as a primary camera with a viewfinder, physical dials, and greater overall versatility.

Can the Ricoh GR IV replace the Fujifilm X100VI?

For most photographers, no. The GR IV works extremely well as a second camera but lacks a viewfinder, tilting screen, built-in flash, and the immersive handling that makes the X100VI suitable as an only camera.

Which camera is better for travel photography?

If you want something you can carry everywhere without thinking, the Ricoh GR IV is hard to beat. If you want one camera that can comfortably handle street, people, landscapes, and low-light situations, the Fujifilm X100VI is the more versatile option.

Is 28mm or 35mm better for photographing people?

The 35mm equivalent lens of the X100VI is generally more forgiving for people photography, with less distortion and easier composition. The Ricoh’s 28mm equivalent works well for immersive street photography but requires greater care with framing.

Does the Fujifilm X100VI have better image quality than the Ricoh GR IV?

In real-world use, image quality is very similar. Both cameras use high-quality APS-C sensors, and most differences come down to focal length, handling, and shooting style rather than outright image quality.

I won’t list everything here, except to say this: I’m not short of choice. When I go out with my family or head somewhere without a specific plan to photograph, I can take almost anything.

And yet, more often than not, I still reach for the Fujifilm X100VI.

Why is that?

I pre-ordered the X100VI knowing exactly what I was getting. Before that I owned the X100V, and earlier still I spent more than a year travelling around the Philippines with an X100T as my only camera.

The form factor, the fixed lens, the way the camera encourages you to slow down — none of this was new to me. I wasn’t buying into an idea or chasing something different.

Even so, the X100VI has proved to be more of a constant companion than I expected. With so many other cameras around me at any given time, that’s not something I take for granted.

What the X100VI offers

The X100VI has been incredibly popular since its launch. It would be easy to dismiss that popularity as TikTok or Instagram hype — and yes, I’m sure some of it comes from people wanting the latest “cool” camera. But if the camera were genuinely rubbish, that interest would fade quickly and people would move on to the next shiny thing.

The reason it hasn’t is because the X100VI doesn’t rely on one headline feature. Instead, it combines a number of strengths into a package that, taken as a whole, I haven’t found another camera that truly matches.

First, it’s small. That alone matters more than most specifications. When the primary purpose of an outing isn’t photography, size determines whether a camera comes with me or stays at home. The X100VI hits that balance point where bringing it “just in case” still feels reasonable.

So why not take something even smaller, like the Ricoh GR III or GR IV? For me, particularly here in the Philippines, the lack of a viewfinder becomes a real limitation. Bright light makes composing on a rear LCD unreliable, and more importantly, I’ve never been as comfortable working from a screen as I am from a viewfinder — even when visibility isn’t an issue. I’m old-fashioned in that sense.

The X100VI’s hybrid optical/electronic viewfinder solves that problem completely. I always know what I’m shooting, regardless of conditions.

Image quality matters too. The lens is sharp, with lovely rendering, and the files are consistently pleasing. So why not reach for something like my Nikon Zf instead? Simply put, it’s larger and heavier. It requires a level of commitment that turns a casual decision into a conscious one. The X100VI doesn’t feel like a burden in the same way — it slips into life more easily.

Autofocus is now good enough that it rarely gets in the way. Tracking fast-moving subjects isn’t its strength, but that’s not what I’m usually shooting on casual trips or family outings anyway. In real-world use, it does exactly what I need it to do.

It also helps that the camera is genuinely nice to use. The design is simple and understated, and while it may not be quite as striking as something like the OM System OM-3 or Nikon Zf, it’s still a camera I enjoy picking up. Physical dials for shutter speed and ISO, along with an aperture ring on the lens, make a real difference to how fluid the experience feels.

When I’m out with family and just want to capture moments as they happen, being able to glance at my settings without lifting the camera to my eye matters. I can stay present, keep an eye on the kids, and only bring the camera up for a second to make the photograph. There’s also a simple pleasure in using physical controls when shooting primarily for enjoyment rather than output.

Battery life is good enough that it doesn’t become a concern, and when the purpose is memory-keeping rather than art, I’m perfectly happy shooting JPEGs and relying on Fujifilm’s colour science and film simulations. The results are dependable and consistent.

But more than anything else, what keeps me coming back to the X100VI is the simplicity of a fixed-lens camera. It removes choice. I can’t zoom. I can’t change lenses. That limitation clears my head and allows me to focus entirely on seeing.

The 35mm full-frame equivalent focal length happens to be my favourite. It’s flexible enough for landscapes, street photography, and contextual portraits without feeling overly wide. With something like a Leica Q3, you have the resolution to crop from a 28mm lens, but the perspective still feels like 28mm — and for photographing people, that can feel too expansive and detached.

I have no doubt that a Leica would be a remarkable camera, but at around $6,700 the last time I checked, it’s a purchase I’d struggle to justify — especially given how many cameras I already own (according to my wife, at least, it’s too many). The X100VI isn’t cheap, but it sits in a range where I don’t feel guilty owning it, and that matters more than people like to admit.

For me, the X100VI is about the joy of seeing and making photographs, not about productivity or coverage. It’s not a workhorse; it’s a companion. It’s unobtrusive, doesn’t draw attention, doesn’t slow you down, and yet remains deeply satisfying to shoot.

There are very few compromises that feel like deal-breakers. As a result, it’s become something I keep coming back to — always available, never in the way, and perfectly suited to enjoying photography even when photography isn’t the point.

Who the X100VI is really for

The X100VI is a great camera — if you know what you’re getting into. I see it less as an all-rounder and more as the ideal second camera for photographers who already shoot seriously with another system.

I originally bought mine to accompany my X-T5, but it fits just as naturally alongside Nikon Z bodies. If you shoot professionally or seriously with cameras like the Z6 III or Z8, the X100VI makes a lot of sense as a lighter, more discreet camera for off days — something you can enjoy using without feeling weighed down.

It’s not the camera I’d reach for when shooting fast action. It’s not my first choice for demanding low-light work, even though its performance there is perfectly respectable. And while it can be used as a sole camera — I did exactly that with the X100T for a year — it wouldn’t be my default recommendation for most people as an only camera.

Where it excels is as an everyday, “just in case” camera. One you actually want to bring with you. One that doesn’t feel like a commitment, but still delivers serious image quality when the moment matters. Despite its size, the files hold up well for printing, and the APS-C sensor, colour, build quality, and handling feel more than good enough.

Crucially, it does all of this without drifting into Leica pricing. The X100VI isn’t cheap, but it sits in a space that feels justifiable — and guilt-free — for what it offers.

That’s ultimately why it continues to earn its place in my kit. It’s there for enjoyment rather than obligation, for seeing rather than producing. Unless a future model fundamentally changes the equation, I can’t see a reason to let it go, and I expect to shoot a lot more with it in Scotland in 2026.

Last updated 6th July 2026: I’ve continued shooting Fujifilm heavily throughout 2025 and 2026. The X-Series still offers my favourite prime lens lineup — a rare mix of lightweight travel lenses and genuinely professional-grade glass. Since my move to Scotland at the beginning of 2026 I have started to shoot and test a few more zooms. I’m currently testing the Fuji 16-55mm f/2.8II as the weather here, out in the Scottish Highlands is not the place to be changing lenses regulalry. If any of the zooms I’m testing are good enough, I will add them to this article in due course. If you simply want to see the best Fuji lenses without specifically being for travel then this guide will help you.

Fujifilm’s lens lineup is now pretty mature. Going into 2026, my recommendations remain very similar, with one addition — the kits below are still the ones I actually use for travel

If you’re looking for the best Fujifilm cameras and lenses for travel photography in 2026, this guide breaks down the top, high-performing options for every kind of trip.

Jump straight to the kits ↓

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My love affair with travel photography began on a round-the-world trip in 2006/2007. I started out with a compact Casio camera in South Africa — which promptly vanished during a vineyard-fueled night out with Stellenbosch university graduates. From there, we scraped by through Argentina, Peru, the U.S., Canada, and Tahiti using disposable film cameras… until I landed in New Zealand. Where, I finally began to understand the value of having a proper camera — something I reflect on in my guide to the best compact travel cameras in 2026. I’ve also put together a dedicated guide to the best mirrorless travel cameras in 2026 — including Fuji, Nikon, OM System, and more.

Recommended Fujifilm Travel Kits (2026)

If you are looking for the best lens combinations for your next trip, here are the configurations I recommend depending on your style of photography:

Lightweight Flexible Kit: X-T5 + 23mm, 35mm, and 50mm f/2 WR primes. This setup is compact, fully weather-sealed, and covers almost every scenario you’ll encounter on the road.

Check current pricing for this kit

Premium Primes Kit: X-T5 + 33mm f/1.4 WR + 56mm f/1.2 WR. Use this when your priority is portraiture, low-light performance, and maximum subject separation without moving to the GFX system.

Check current pricing for this kit

Best Travel Zooms Kit: 10–24mm f/4 WR + 70–300mm WR (optionally add a 33mm or 35mm prime). This is your best choice for maximum focal range coverage, taking you from ultra-wide vistas to long-distance telephoto reach.

Check current pricing for this kit

One Lens Kit: After buying and heavily testing the Fujifilm 16-55mm f/2.8II lens I would now recommend it as a one lens solution.

Check current pricing for the Fujifilm 16-55mm f/2.8II

The stunning beauty of that country was too much to ignore. I bought a little Sony compact, and while the photos weren’t amazing, they sparked something permanent: a desire to keep improving and keep exploring.

Fast forward a few years and I was working professionally as a landscape photographer, lugging around a Canon 5D Mark II and tripod wherever I went. It wasn’t exactly travel-friendly. But when mirrorless cameras emerged, I became an early adopter — eventually settling on the original Fujifilm X-Pro1 with a couple of the first XF primes. Since moving out of the UK in 2014, travel has remained at the center of my life, now shared with my wife and daughters.

I’ve tested just about every major camera system, but Fuji hits that rare balance of image quality, portability, and soul — especially important now that I’m traveling as a dad. See my gear list if you’re curious just how deep the Fuji rabbit hole goes, but suffice it to say: I’ve built what I consider to be the ideal Fujifilm travel photography setup — one that balances size, speed, performance, and joy.

So if you’re planning your next trip and wondering which Fujifilm lenses (and cameras) are best suited for travel, here’s what’s worked for me — across solo adventures, family holidays, and once-in-a-lifetime locations. If you already have an X-T5 then these are the best accessories for it. If you’re still considering the X-T5 then here’s my long term review.

Let’s break it down into the four travel kits I actually use:

1. The Ultra-Light Everyday Kit — when photography isn’t the focus, but I still want to capture memories.
2. The Balanced Travel Kit — for family trips where I need flexibility in a small, weather-sealed setup.
3. The Premium Kit — when I’m traveling solo or prioritizing photography without going full GFX.
4. The Ultimate Kit — for trips where image quality trumps everything else.

Recommended Fujifilm Travel Photography Kits for 2026

The Ultra-Light Everyday Kit (X100VI)

When I just want to bring a camera, not a whole bunch of gear.

I still remember family holidays when my dad was the photographer. He’d pause whatever we were doing and ask us to pose for a quick shot on his 35mm film camera — the same one he left to me when he passed away a couple of years ago. My sister and I would groan at the interruption, of course. That memory made me conscious of being that dad — so my super-lightweight kit is built to let me document freely, without becoming “photo dad” and annoying everyone too much. (Though I still annoy them a little… obviously.)

For those moments, the Fujifilm X100VI is unbeatable. See my Fuji X100VI review and how the X100VI compares to the X100V . Read this if you want to know if the X100VI is worth the hype.

It’s small, discreet, and doesn’t demand much. There are no lenses to swap — just one fixed 23mm f/2 lens that encourages you to shoot freely. I grab the shot, and everyone moves on.

Weight of This Kit

Fujifilm X100VI Travel Setup

For a balanced and protected travel configuration, this is my current setup:

• Fujifilm X100VI: 521g (including battery and card). Check current price.
• Lens Protection: Haoge filter adapter and lens hood combined with a 49mm UV filter (approx. 70–80g total).
  • Haoge adapter and lens hood
  • 49mm UV filter

Total weight: ~590–600 g ready to shoot, fully weather-sealed

It’s rare to get this level of image quality, weather sealing, and capability in a sub-600g package — which is why this kit gets so much use.

Why This Kit Works

• Weather-Sealed Simplicity
  I pair the X100VI with a Haoge lens hood and UV filter adapter, making it weather-sealed. It gives me peace of mind in dusty or rainy conditions — no need to hide it away at the first sign of a downpour. Here are the accessories I use with my X100VI.
• Incredible Image Quality
  The 40MP sensor delivers beautiful, printable images with plenty of flexibility in editing. The JPEG engine is superb, and I often shoot JPEGs when I know I’ll want to share photos that same evening. (My wife handles the social media — I’m more of a dinosaur in that area.)
• Perfect Travel Companion Features
  • IBIS and a fast f/2 lens mean I can shoot in low light without hassle.
  • The built-in ND filter allows shallow depth of field even in bright midday light.
  • The built-in flash is actually fantastic — perfect for a bit of fill during the day or subtle lighting at night.
• It’s Just Fun to Use
  It’s a beautiful camera — and that matters. The styling and tactile controls make me want to use it. Plus, manual dials for shutter, aperture, and ISO give instant visual feedback. No more getting back to the hotel only to realize I accidentally shot everything at ISO 12800. See how I setup my X100VI for travel photography.

How I Carry It

I keep it in a small Lowepro Event Messenger 100 (This is the modern version )with:

• A couple of Spare batteries
• Extra Memory cards
• A rocket blower
• A lens cloth

My Lightweight Flexible Fuji Travel Kit

This is the setup I turn to when I want flexibility without sacrificing too much on size or weight. It’s modular by design — I pick 2 or 3 lenses depending on the trip and what kind of photography I expect to do. The idea is to stay light, stay mobile, and be able to handle a wide range of situations.

My Most Used Core Kit

• Fujifilm X-T5: 557 g (with battery and card)
• XF 23mm f/1.4 WR: 375 g
• XF 35mm f/2: 170 g
• XF 50mm f/2: 200 g

Total weight (camera + 3 lenses): ~1,302 g

That gives you a full, weather-sealed three-lens setup covering wide, mid, and short telephoto — all in a compact kit just over 1.3 kg. If you drop one of the primes for an even lighter carry, you’re comfortably under 1.1 kg while still maintaining excellent flexibility and quality.

This is the combination I use most frequently. The Fuji XT5 is a pleasure to use and does everything I could ask for. See this article for more details about the XT5. The 23mm f/1.4 WR is my main lens — it balances incredible image quality, fast autofocus, and a natural field of view that suits almost everything I shoot. It’s perfect for both daytime and low light thanks to the f/1.4 aperture and sharp rendering across the frame. I compared it to the X100VI here if you want to see which is better.

The 35mm f/2 and 50mm f/2 round out the setup with added reach and compression for portraits or isolating subjects. Both lenses are extremely compact, weather-sealed, and very reliable. This three-lens kit gives me wide-ish, mid, and short telephoto options without weighing me down.

Alternate Kit Combos (Depending on Trip Type)

• Urban or Tight Spaces:
  Swap in the 16mm f/2.8 or 18mm f/1.4 WR instead of the 23mm for a wider perspective. The 18mm gives you premium quality, fast aperture and is perfect if you prefer to shoot wider.
• Low Light Priority:
  Stick with the 23mm f/1.4 WR but perhaps pair it with the 33mm f/1.4 WR if you want two premium fast primes. The 33mm gives beautiful subject separation and renders like a short telephoto on APS-C.
• People/Detail Focused Trips:
  Go with the 23mm f/2, 35mm f/2, and 56mm f/1.2 WR. This setup is heavier but gives a portrait-focused bias and beautiful rendering at the long end. I don’t use this variation as often, but for family gatherings or more intimate moments, it’s a strong option.

Ultra-Light, Daytime Travel

• 23mm f/2 – See how it compares with the X100VI
• 50mm f/2

This is my most compact, high-quality two-lens travel setup. Both lenses are weather sealed, lightning fast to focus, and pretty sharp wide open. The 23mm f/2 gives me that natural field of view I love, while the 50mm f/2 handles portraits and tighter framing. The 50mm f/2 isn’t as sharp as the other f/2 primes I own, as I found in my Fuji 50mm f/2 review but if light weight is your priority then it still covers this focal range well enough. I must admit though, that I now much prefer to use the Fuji 56mm 1.2WR, purely due to the image quality.

If I know I’ll be out in good light and don’t need fast glass, this kit keeps the weight to a minimum and the friction low — perfect for days when photography isn’t the main priority but I still want excellent images.

How I Carry It

This entire kit fits easily into my Peak Design Everyday Sling 10L bag. It’s the perfect size for staying agile while carrying just enough gear to cover most situations. Alongside the camera and 2–3 lenses, I also pack:

• A few spare batteries
• Charger and cable
• Spare memory cards
• A rocket blower and lens cleaning cloth
• A small pouch with ND or polarizing filters
• My iPad Pro 13″ M4, which I use for quick editing and backing up photos on the go

This setup gives me a full-featured, high-quality travel kit without the bulk — ideal for photography-heavy travel days where I want flexibility, creative control, and peace of mind knowing I have backups and editing tools ready at hand.

Want the full lightweight Fujifilm travel kit?

I’ve compiled everything mentioned in this kit—including the camera, lenses, and essential accessories—into a single list for easy browsing.

View the full lightweight travel kit on Amazon

Premium Travel Photography Kit

For when image quality matters most and I want to travel light, but not compromise.

This is the kit I take when photography is a key part of the trip — maybe an island adventure in the Philippines, or somewhere I may not be able to return to. It’s the kind of setup I pack when I’m aiming to make the best images possible while still keeping the weight manageable.

I typically use my X100VI as the main camera and bring the XT5 as a secondary body. Not only does this give me my favorite 23mm focal length in a beautifully compact form for contextual, documentary-style shots, but it also gives me peace of mind with a backup camera should anything go wrong.

For lenses, I bring:

• XF 33mm f/1.4 WR – This is the spiritual successor to one of my all-time favorite lenses, the original 35mm f/1.4. I used that lens extensively with my X-Pro1 back in the day, but this newer version improves on it in every way — faster autofocus, sharper optics, and crucially, weather sealing. It’s slightly heavier, but still light compared to full-frame equivalents.
• XF 56mm f/1.2 WR – Another top-tier lens. I owned the original version before, and this newer WR model is noticeably quicker to focus and importantly, weather sealed. All while retaining that beautiful, shallow depth of field and dreamy bokeh.

• Fujifilm X-T5: 557 g (with battery and card)
• Fujifilm X100VI: 521 g
• + Haoge hood/filter adapter + UV filter: ~70 g
• XF 33mm f/1.4 WR: 360 g
• XF 56mm f/1.2 WR: 445 g

Total weight: ~1,953 g (or ~1.95 kg)

Depending on the nature of the trip, I may occasionally swap out the X100VI for either the XF 18mm f/1.4 WR or the XF 23mm f/1.4 WR if I want a faster lens or a slightly different field of view. But more often than not, the fixed-lens simplicity and compact form of the X100VI makes it the perfect complement to the X-T5 and premium primes.

How I Carry It

I carry this kit in exactly the same way as my flexible travel setup — packed neatly into my Peak Design Everyday Sling 10L bag. It fits the X-T5, X100VI, both premium primes, and all the accessories I might need for a short trip.

Alongside the cameras and lenses, I carry:

• Spare batteries
• Chargers
• Extra memory cards
• A rocket blower and lens cleaning cloth
• My filter kit
• And my 13″ iPad Pro M4, which I use for backing up photos and editing on the go using Lightroom Mobile. I opted for the 1TB version along with the Magic Keyboard and Pen. It’s powerful enough to edit videos and easily copes with Lightroom.

It’s a surprisingly compact, high-performance kit that doesn’t weigh me down — ideal for serious travel photography.

Premium Fujifilm Travel Kit

This is my top-tier Fujifilm travel setup—combining the X-T5 and X100VI with Fujifilm’s best fast primes for serious image quality without moving to the GFX system. If you are after the very best the X-Series has to offer in a compact and reliable travel kit, this is it.

View the Premium Fujifilm Travel Kit on Amazon

As an Amazon Associate, I earn from qualifying purchases at no extra cost to you.

Why No Zooms?

A lot of people might wonder why I’m not using any zooms for my travel kit. The answer is simple: personal preference and the kind of shooting that I was doing in the Philippines.

I just prefer prime lenses — both for the image quality and the way they make me work. With a zoom, it’s easy to get lazy. You can frame your subject from wherever you’re standing, but I often find those compositions lack intention. Instead of moving my feet to experiment with angles and perspective, I’m more likely to just zoom to crop out distractions. It’s fast, but it can also stop me from fully exploring a scene to find the best possible composition. Granted, it means I miss some shots but overall I’ve found this to be the approach that works best for me although now that I’m based in the Scottish Highlands I am starting to test out some high quality zooms such as the Fuji 16-55mm f/2.8II to see if I can make them work here. More on that in the future but I recently shot the Fuji 18-55mm at one of my local Glens.

That said, there’s absolutely nothing wrong with using zooms. In fact, I’ve previously travelled with a zoom-based kit and had great results. If maximizing coverage and flexibility is your top priority, here’s a zoom kit I’d recommend for travel photography that still delivers excellent image quality, while staying compact and weather-resistant:

• Fujifilm XF 10–24mm f/4 R OIS WR
  This is the updated version of the original 10–24mm. I’ve used both, and while they’re optically the same, this one adds weather sealing — which I consider important for travel. It’s lightweight for an ultra-wide zoom and performs very well for landscapes. There’s some distortion (as you’d expect at 10mm), but nothing you can’t fix in post. I’d choose this over the 8–16mm f/2.8 for travel due to the weight, size, and filter compatibility.
• Fujifilm XF 70–300mm f/4–5.6 R LM OIS WR
  While I used to travel with the 55–200mm, I now recommend this newer telephoto. I haven’t personally owned it (yet), but from everything I’ve read and seen, it’s one of the best-performing Fuji telephoto lenses for its price. It’s also light, faster to focus, and weather sealed — a perfect match for travel photography needs.

With those two zooms, you’ll have nearly every focal length covered. I’d suggest rounding out the kit with a mid-range prime like the 35mm f/2 or 33mm f/1.4 WR. That gives you something compact for portraits, low-light, or general shooting — while still keeping the whole kit flexible and relatively lightweight.

Weight of This Kit

• Fujifilm X-T5: 557 g (with battery and card)
• XF 10–24mm f/4 R OIS WR: 385 g
• XF 70–300mm f/4–5.6 R LM OIS WR: 580 g
• XF 35mm f/2 R WR: 170 g

Total weight: ~1,692 g (or ~1.69 kg)

Zoom Travel Kit
Maximum versatility for travel photography, from wide landscapes to distant detail. Weather-sealed and compact.

Get the Zoom Travel Kit

One lens kit

Early in 2026 I bought the Fujifilm 16-55mm f/1.8II lens. Mainly because it promised excellent optical quality and on paper at least, huge weight savings over the older version. Having shot it for everything from landscapes to portraits I can attest to the fact that it is bitingly sharp and really not much heavier than Fuji’s premium primes. If you are the kind of travel photographer who just wants to keep things as simple as possible while remaining flexible then this is the lens that you should choose. You can read my full Fuji 16-55mm f/2.8II review and comparisons to Fuji’s premium f/1.2-1.4 primes in a series of articles where it performed incredibly well.

I still prefer using the primes for travel but with an aperture of f/2.8 and the flexibility of that 24-70mm equivalent focal range, I can see this being the only lens some travel photographers would ever need, especially in places where you face bad weather. It’s not cheap but if you want one lens to cover all your travel photos and not compromise on image quality, then the 16-55mm f/2.8II is that lens.

You can see the latest pricing here.

Weight of this one lens kit:

Fujifilm X-T5 (Body + Battery/Card): 557 g

Fujifilm XF 16-55mm f/2.8 R LM WR II: 410 g

Combined Travel Weight: 967 g

Premium Kit: For Once-in-a-Lifetime Images

This is the dream kit I put together for those moments that really matter — the kind of once-in-a-lifetime images you want to print big and hang on the wall. It’s not used anywhere near as much as my X-Series kit due to the weight, but for a medium format setup, it’s incredible how compact it is. Honestly, it’s smaller than what I used to lug around back in my Canon 5D Mark II days with L lenses — and the image quality absolutely blows that old kit away.

I use the Fujifilm GFX 100S paired with the GF 45mm f/2.8, which gives me roughly the equivalent field of view of a 35mm full-frame lens or my preferred 23mm on the X-Series — perfect for storytelling, travel, and documentary-style work.

When I want portraits or subject separation, I have two options:

• GF 80mm f/1.7 – This one strikes a great balance between size and stunning image quality.
• GF 110mm f/2 – This is the heavyweight, in every sense. I only bring it when portraits are a clear focus.

Fair warning: I once used this combo (100S + 110mm f/2) to take portraits of my wife — and to this day, she still talks about those images. And she’s used to being photographed with every kind of camera I’ve ever owned. This combo just has that magic.

So if you want the best possible image quality Fujifilm can offer and are willing to carry a bit more weight, this is it. But is it all perfect? Of course not.

• Weight: It’s noticeably heavier than my X-Series gear — not unmanageable, but definitely more deliberate.
• Autofocus: It’s fast for medium format, but won’t reliably track fast-moving kids. This is a camera that asks you to slow down.
• Storage: 100MP files are huge. You’ll need fast SD cards, a powerful computer, and probably a bit of extra storage space.
• Spousal awareness: Let’s just say if your partner knows the value of this setup, you’d better have a great explanation. Or better yet, keep them blissfully unaware

That said, if photography is the focus of your trip — or if the images matter more than the gear weight — this setup is absolutely worth it. It delivers results that no crop or full-frame camera can match, with dynamic range and tonality that’s in a different league.

Weight of This Kit

• Fujifilm GFX 100S: 900 g (with battery and card)
• GF 45mm f/2.8 R WR: 490 g
• GF 80mm f/1.7 R WR: 795 g
• GF 110mm f/2 R LM WR: 1010 g

Configurations:

• GFX100S + 45mm + 80mm combo: ~2,185 g (≈2.19 kg)
• GFX100S + 45mm + 110mm combo: ~2,400 g (≈2.40 kg)

How I Carry It

Simple. Employ a Sherpa.

But seriously — despite being a medium format setup, it’s surprisingly manageable. I still carry this kit in my Peak Design Everyday Sling 10L, the same one I use for my smaller setups. It fits either combo (GFX 100S + 45mm/80mm or 45mm/110mm) with room left over for:

• Spare batteries
• Lens cleaning cloth and rocket blower
• Filters
• SD cards and a card reader
• My iPad Pro 13″ M4, which I use for on-the-go backups and editing

It’s tight, but it works. And if I’m really pushing it, I’ll put it all in my Lowepro Lowepro Flipside AW400ii. But I try to keep it minimal — I’m not trying to relive my landscape photography backpacking days.

Final Thoughts

If you’ve been searching for the best Fujifilm travel photography kit, I hope this article has given you a bit of inspiration — or even a straightforward shopping list to follow.

The kits I’ve shared here are what I personally use, refined over years of shooting everywhere from tropical islands to busy city streets, often with my family in tow. But the principles behind them — portability, speed, image quality, and joy of use — are broadly applicable to almost any photographer.

If I had to recommend just one setup, it would be the middle ground kit: two of the compact f/2 primes, paired with one premium f/1.4 or f/1.2 lens. From a cost, quality, and weight standpoint, it hits the sweet spot. It’s what I’d recommend for most beginner to intermediate photographers who want a kit that’s flexible, capable, and easy to grow with.

And one last note: if you’re ever torn between upgrading your camera body or investing in better lenses, go for the lenses. Every time. They hold their value better, and they’ll make a far bigger difference to your photos than a new camera will. Even moving from a kit zoom to a compact f/2 prime can completely change the feel and quality of your images.

Now go take some photos that matter.

Want More Fuji Travel Tips Like This?

If you found this helpful, then great. I never ask for anything, I don’t try and get you to sign up to an email list. I just hope you enjoy photography as much as I do and come back here for more articles like this.

Want the bigger picture? Compare all systems here: Best Cameras 2026

Want to refine your family photography kit?

If you’re looking for guidance on which Fujifilm lenses are best for capturing your family’s daily moments—and want to avoid analysis paralysis—this guide breaks down the specific lenses I actually use as a dad:

Best Fujifilm Lenses for Family Photography

Frequently Asked Questions

What’s the best Fujifilm lens for travel photography?

The XF 23mm f/1.4 WR is my top choice for travel—it offers a natural field of view, excellent low-light performance, and superb image quality in a compact, weather-sealed package. If you want something smaller and lighter, the XF 23mm f/2 is also a fantastic option.

Is the Fujifilm X-T5 good for travel photography?

Yes, the X-T5 is one of the best cameras for travel. It offers 40MP resolution, in-body image stabilization (IBIS), weather sealing, and excellent battery life, all in a relatively compact body.

Which Fuji prime lens should I buy first for travel?

If you want one do-it-all prime lens that balances cost and performance, go with the XF 23mm f/2 WR. It’s small, light, weather-sealed, and versatile enough for landscapes, portraits, and everyday travel shots.

Do I need a zoom lens for travel?

Not necessarily—many travel photographers prefer primes for their size and image quality. However, if you want maximum flexibility, a combo like the XF 10–24mm f/4 WR and XF 70–300mm WR covers almost every situation, from wide landscapes to distant subjects.

Last Updated December 25th 2025: These are the exact settings I’m still using on my Fujifilm X100VI going into 2026. I’ve continued shooting with this setup across multiple trips in the Philippines, including Moalboal, Cebu, and it remains my preferred configuration for travel photography. These are also the settings that I will use when I move to Scotland in January 2026. Nothing here is theoretical — this reflects long-term, real-world use. I’ll only change these settings if my shooting needs genuinely change.

I’ll continue using the X100VI as it’s one of my favourite cameras and will update this article whenever I feel I can add some value. In the meantime, I’ll link to my free e-book and setup files (you can load these on to your camera so you don’t have to set it up yourself). If you’re looking for the best system cameras for travel photography then see the article I wrote here but in my opinion, the X100VI is still one of the top compact cameras for travel.

If you have not picked up your travel photography kit yet then here are my recommendations.

If you prefer, I’ve put all this information — and more — into a free quick setup guide, along with downloadable setup files you can load straight onto your camera. Click here to get it.

Basic Shooting Setup

I shoot in Aperture Priority most of the time. It’s quick, and when you’re shooting once-in-a-lifetime moments, that matters.

To enable Aperture Priority:

• Set the Shutter Speed dial to A
• Set the ISO dial to A
• Then control aperture via the lens ring

The focus mode selector is on the front-left of the camera:

• I use C (Continuous AF) for moving subjects or when I’m moving
• I switch to S (Single AF) for more deliberate shooting where I want precise focus placement

You can toggle between the OVF and EVF using the front lever. Use whichever you prefer.

SD Cards: Use a good quality card — the X100VI only has one slot. I recommend SanDisk Extreme Pro cards. I’ve used hundreds and never had a single issue.

Batteries: At least one spare is a must. More if you’re off-grid.

Weather Sealing: The X100VI isn’t weather sealed unless you add a filter adapter and filter. This is essential for travel — not just for rain, but also dust and sand. I use the ones below and have found it a great setup.

Image Backup: I use a compact rugged SanDisk SSD to back up each day’s shots.

Essential Travel Kit — Don’t Miss Out

This is the exact kit I travel with — reliable, compact, and tested in the real world. Get yours while it’s available.

• SanDisk Extreme Pro SD Card
• Fujifilm NP-W126S Spare Battery
• Haoge Adapter Ring & Lens Hood
• Urth UV Filter
• SanDisk Extreme Portable SSD

These are affiliate links — using them helps support the site at no extra cost to you. Thanks!

Menu Settings

Image Quality Setting

• Image Size: 3:2
• Image Quality: F+RAW
• RAW Recording: Lossless
• Select HEIF/JPEG: JPEG
• Film Simulation: Classic Chrome
• Grain Effect: Off
• Color Chrome Effect: Weak
• Color Chrome FX Blue: Weak
• Smooth Skin Effect: Off
• White Balance: Auto (Ambience Priority)
• Dynamic Range: 100
• D-Range Priority: Off
• Tone Curve: 0 / 0
• Colour: +2
• Sharpness: -2
• High ISO NR: -4
• Clarity: 0
• Long Exposure NR: On
• Color Space: sRGB

AF/MF Setting Menu

• Focus Area: Centred
• AF Mode: Zone
• Zone Custom Setting: Custom 1 (5×3 grid)
• AF Mode All Setting: Ignore
• AF-C Custom Settings: Mode 1
• Store AF Mode by Orientation: Off
• AF Point Display: Off
• Wrap Focus: Enable
• Pre-AF: Off
• AF Illuminator: Off
• Face/Eye Detect: Off
• Subject Detection: Off
• AF+MF: On
• MF Assist: Peak > Red > High
• Interlock MF Assist & Focus Ring: Off
• Focus Check: Off
• Interlock Spot AE & Focus Area: On
• Release/Focus Priority:
  • AF-S: Focus
  • AF-C: Release
• AF Range Limiter: Off
• Touch Screen Mode: Off
• Corrected AF Frame: Off

Note: I generally shoot in AF-C for candid or fast-moving shots.
When I want more control, I switch to AF-S and use AF Mode > Single Point with the second smallest box.

Shooting Settings

• Photometry: Multi
  • (Use Spot for high contrast scenes)
• Shutter Type: M+E
  • (Switches to electronic above 1/4000 sec)
• IS Mode: Continuous
• ISO Auto Setting (Auto 1):
  • Default Sensitivity: 125
  • Max Sensitivity: 6400
  • Min Shutter Speed: 1/400

Custom Functions & Film Recipes

Sound Setting

• Operation Volume: Off

Screen Setting

• EVF Brightness: Auto +1
• Image Display: Off
• Auto Rotate Displays: On
• Preview Exposure/WB in Manual Mode: EXP/WB
• Natural Live View: Off
• Auto Rotate Playback: Off
• Disp. Custom Settings (EVF/LCD):
  • Focus Frame
  • Focus Indicator
  • MF Distance Indicator
  • Histogram
  • Aperture / Shutter Speed / ISO
  • Exposure Comp (scale)
  • Film Simulation
  • Frames Remaining
  • No Storage Media Warning
  • Battery Level
• Location Info: On
• Menu Background: Transparent

Power Management

• Auto Power Off: 2 minutes
• Performance: Normal
• Auto Power Off Temp: Standard

Save Data Setting

• Geo Tagging: On
  • (Enable via Fuji X App)

Final Thoughts

I’ve loved the Fujifilm X100 series ever since I spent over a year travelling with the X100T. Why 23mm became my favourite focal length. The X100VI needs a few tweaks to get it working just right, but hopefully these settings give you a solid starting point.

If you’re going to be using your X100VI a lot, I’ve also written an article on the best accessories to make it more comfortable and practical. Every item in there is something I personally use on my own X100VI.

Here’s the X100VI accessories article if you want to take a look.

Field Notes: Dumaguete – June 2025 (X100VI vs GR III)

Dates: Monday 16th to Wednesday 18th June
Location: Dumaguete, Philippines
Conditions: Harsh sun, golden hour, low light, pre-dawn
Cameras: Fujifilm X100VI and Ricoh GR III
Use Cases: Street photography, travel shooting, daily carry evaluation

Monday 16th June – First Impressions

Shooting started casually at the port in Dumaguete, with late-day light and a few frames in harsh midday sun. Later, I walked the boulevard in low light conditions.

• The Ricoh GR III feels significantly smaller — not just technically, but in actual use. It’s the one I instinctively grabbed when stepping out of the car while waiting for the ferry.
• It’s a genuine everyday carry. The X100VI is also light, but feels more like a deliberate photography tool.
• The GR III’s lack of viewfinder makes it harder to compose in harsh sun. The screen isn’t bright enough.
• In poor light, I preferred the Fuji’s colour rendering. Skin tones and ambient tones felt richer.
• Fuji’s autofocus was noticeably faster, and moving the focus point was quicker too.
• I didn’t really connect with the boulevard this evening, but my daughter enjoyed photographing the dogs — which was honestly the highlight.

Plan for tomorrow: Stick to one camera at a time to avoid distraction.

Tuesday 17th June – Autofocus & Handling Tests

• The GR III feels slightly slower to power on due to its lens extension, but both are relatively fast.
• Fuji’s autofocus is clearly faster. I still need to test face detection more extensively.
• In low light, neither camera nailed candid moments — I switched to:
  • Manual Focus on the Fuji
  • Snap Focus on the Ricoh
• Snap Focus is quicker than MF on the Fuji but takes practice. GR III really struggles with movement, but Snap Focus helps if you learn it.
• Colour rendering differs:
  • Ricoh skews green
  • Fuji skews magenta
• Image quality is comparable overall, but Fuji performs better in low light from what I’ve seen so far.
• The viewfinder on the Fuji is a big help for composition — personal preference, but noticeable.
• I’m more comfortable with Fuji’s menus, but Ricoh’s are logical and don’t slow me down.
• 28mm vs 35mm: In a few cases, 35mm felt slightly tight. Both focal lengths work for street.

Wednesday 18th June – Ergonomics, Battery & ISO

• Mainly shot with the Fuji this morning.
• X100VI’s LCD fogged up briefly from condensation (room air-con). Cleared quickly, but worth noting.
• The GR III badly needs a tilt screen. Compositional flexibility is limited, especially in harsh light.
• Battery life comparison:
  • GR III: Dead after ~2 hours
  • X100VI: Still had 3/4 battery under same use
• With the Fuji, I can make finer compositional decisions — I think the viewfinder helps me lock in.
• Saw minor lens flare on the Fuji when shooting into the sun — likely due to the UV filter (needed for weather sealing).
• Changing settings is faster on the Fuji. Dials, Q menu, and overall layout make a difference.
• I can handhold the Fuji at much slower shutter speeds:
  • Fuji: 1/2 sec
  • Ricoh: 1/15 sec
• High ISO performance is better on the Fuji — ISO 3200+ is visibly cleaner.

What I Still Need to Test

• ND filters on both cameras in bright conditions
• Face and eye detect tracking on the X100VI
• More structured low light comparison — same subject, same moment
• Side-by-side JPEG and RAW comparison

Selected Images from the Field

Last Updated 30th June 2026: I moved to the Scottish Highlands at the start of 2026 and the first camera that I went out and shot with was my X100VI. I still enjoy using the X100VI as much as ever which is why I still rate it as the number one compact camera.

I’m still shooting a lot with my X100VI as it’s still the camera I turn to when I want simpicity and to just think about photos rather than gear.

I’ve added a couple of black mist filters to the article, which I’ve shot with more recently.

The Fujifilm X100VI is one of those rare cameras that doesn’t need much to be brilliant — as I touched on in my X100VI vs X100V comparison — but a few small additions can make it even better. After more than a year of using it in the field for everything from casual photo walks to long shooting days, I’ve narrowed down the accessories that genuinely improve the experience. If you decide to go with the X-T5 then here are the best accessories I use with mine.

This article is based on real-world use during a multi-day shoots in Dumaguete, Philippines and further shoots in Moalboal, Cebu and now in Scotland. Every accessory recommendation has been personally tested in street, travel, documentary-style and general everyday use. I own the X100VI, bought it and all the accessories with my own money and continue to use it as my own daily carry camera.

Want to Set Up Your X100VI Exactly Like Mine?

I’ve created a complete list of the exact accessories I use with my X100VI — from weather sealing to comfort and usability. These are all real-world tested and part of my daily shooting setup.

View My Full X100VI Kit

Want to get even more out of your X100VI?
I’ve put together a quick setup guide and downloadable setup files you can load straight onto your camera — all for free.
Download the Fuji X100VI Quick Setup Kit

You can also find the full technical specs on Fujifilm’s official X100VI specifications page if you need a deeper reference.

1. Must-Have Accessories for the Fujifilm X100VI

This isn’t a roundup based on specs lists — it’s what I actually use. Each item here solves a real-world problem I ran into while shooting, and I’ve tested them over time with my own gear. These are the Fujifilm X100VI accessories I personally rely on in real-world shooting situations. If you’re looking to get more comfort, control, or flexibility from your X100VI without compromising its small size and charm, these are the accessories I’d recommend.

Weather-Sealing the X100VI: What You Actually Need

The Fujifilm X100VI isn’t weather sealed out of the box.
To protect it, you’ll need to add your own filter adapter and UV filter. You can either buy the more expensive official Fujifilm adapter and filter, or save some money (as I did) by getting the Haoge filter adapter + lens hood and a 49mm UV filter like the one I’ve linked below.

So why is this important?

With a fixed lens camera, weather sealing doesn’t just keep the camera dry — it helps keep dust off the sensor, which you can’t easily clean yourself. On cameras with interchangeable lenses, it’s easy to remove the lens and clean the sensor. But on the X100VI, it’s a much harder and costlier repair. One professional sensor cleaning could cost more than the Haoge + Urth filter combo itself.

Haoge Square Lens Hood + Urth UV Filter — Weather Seal & Protect Your X100VI

Why I Use It
This combo gives me weather sealing, plus some practical perks: Improved handling, and physical lens protection when I’m out walking in heat, rain, or dust.

Here is the exact product I use. These are affiliate links, which help support the site at no extra cost to you.

Key Benefits
– Adds weather resistance (when used with a UV filter)
– Improves grip and handling
– Reduces flare and protects the front element
– Looks great and keeps the compact form factor


Alternatives or Upgrades
Some people prefer round hoods or cheaper third-party options — but I find this Haoge one to be the most functional and best-looking match for the X100VI.

How to Make the Fuji X100VI More Comfortable

The X100VI is a fantastic camera — but if I’m being totally honest, I don’t find it the most comfortable to use straight out of the box. The smooth, minimalist body looks great, but it doesn’t actually give you much to grip.

I’ve improved that in several ways using the accessories listed below. I’ve been using them all for around a year, and they’ve made the X100VI far more comfortable for extended shooting — whatever the situation.

The thumbrest and hand grip now live on my X100VI full-time. The only time I take them off is when I’m cleaning the camera or photographing it for you guys. Since getting the Smallrig products, I haven’t used the X100VI even once without them.

SmallRig Thumb Grip with Hot Shoe Cover — Improve Comfort Without Bulk

Why I Use It
I was one of those who was a bit sceptical of these thumb grips and thought they were more a fashion accessory — that is, until I tried using one. Now I have to admit I was wrong and can’t imagine using the X100VI without one.

The X100VI is beautiful, but the grip is minimal — and after a few hours of shooting, especially one-handed, your fingers start to notice. This lightweight aluminium thumb grip adds just enough leverage to reduce fatigue and increase control, especially if you don’t use a strap.

The SmallRig grip also comes with a soft shutter release button. I wouldn’t have bought this separately, but since it came for free, I tried it out — and now it lives on my X100VI permanently. Is it essential? No. But does it feel better than the stock shutter button? Absolutely. I actually liked it so much I added one to my X-T5 too. See how the X100VI compares to the X-T5

Key Benefits
– Eases hand tension during long sessions
– Helps stabilise the camera with one hand
– Weighs just 5g and fits flush with the body
– Matches the finish of both silver and black versions

Alternatives or Upgrades
Some users opt for full grip extensions, but those do add to the weight more. This is the most minimal and effective option I’ve found.

SmallRig X100VI Hand Grip (L-Shape) — All-Day Comfort for Strap-Free Shooting

Why I Use It
If I’m carrying my X100VI using the Peak Design Slide Lite strap, the previous setup (thumb grip + UV filter + lens hood) works brilliantly. But often, I prefer to carry the camera without a neck strap — just a a simple wrist strap (Amazon link) for peace of mind. In those situations, I want even more comfort and better grip. That’s where the SmallRig L-shape hand grip comes in.

It screws securely into the tripod mount and adds a reasonably sized front grip while giving the base of the camera more depth. Combined with the thumb grip, it makes the X100VI genuinely comfortable for all-day carry and shooting — easily as comfortable as any camera I own. It is made of metal with a silicone handle for added grip, and there’s also a silicone layer between the base and camera body to prevent scratching.

Like most SmallRig accessories, it includes a magnetic mounting tool (the little metal key used to screw it in), which stores neatly in the base. It weighs 82g and does add some bulk — transforming the X100VI from a nearly pocketable camera into something more substantial. But if I know I’ll be shooting for hours, that’s a trade-off I’m more than happy to make.

It also comes with a soft shutter release button and a stylised hot shoe cover (although mine has mysteriously vanished).

Key Benefits
– Adds a secure, comfortable grip for wrist-strap or strapless use
– Increases depth and stability for longer shooting sessions
– Silicone contact points protect the camera and improve grip
– Includes magnetic mounting tool and free soft shutter release
– Solid, well-balanced feel when paired with the thumb grip

Alternatives or Upgrades
If you want to keep the camera pocketable, this might not be for you. But for serious shooting days, it’s a massive upgrade in comfort and control.

Peak Design Slide Lite Strap — Comfortable, Quick-Adjust Sling for Any Camera

Why I Use It
Although I have way more camera bags than is justifiable to my wife , I often like to just sling the X100VI around me and head out. I’m not a fan of the OEM camera straps for long shooting sessions — I find the strap width uncomfortable and the difficult-to-adjust length limiting. After a lot of research, I went for the Peak Design Slide Lite — because I wanted something strong enough to carry my system cameras but light enough to not feel like overkill for the X100VI. Yes, it’s a bit pricey for a strap, but after using it regularly for nearly a year, I’m a convert.

The materials feel high-end, with a strap that’s wide enough for comfort but still lightweight enough for smaller cameras. It’s also double-sided — one side is smooth for sliding, the other has small rubber-like grip strips to keep the strap in place when worn on the shoulder. You can wear it as a sling (my preferred style), neck strap, or shoulder strap. Adjustments are fast thanks to the built-in pull tabs (though despite their claims, I wouldn’t call it truly one-handed).

But what I really love is the anchor system. It’s the most efficient way I know to attach or detach a strap without the hassle of threading fiddly OEM lugs or unscrewing anything. I’ve added Peak Design anchors to all my cameras so I can swap the Slide Lite between them in seconds. It’s light enough to suit the X100VI, but strong enough for my GFX100S too. Pretty much perfect.

Are there any downsides? It’s not cheap at around £70, and the strap ends near the anchor points can sometimes get a little stiff or feel in the way while shooting. Still, it’s so quick to unclip the strap that it’s hardly an issue. If you just want the best strap for the X100VI and wont use it with other cameras then skip the Slide Lite and see the Leash below:

Key Benefits
– Comfortable, non-slip strap with dual-sided surface
– Easily worn as a neck strap, shoulder strap, or sling
– Quick-adjust tabs make it easy to fine-tune the fit
– Anchor system allows fast, secure attachment across all cameras
– Durable enough for heavy bodies, yet lightweight for compacts

Peak Design Leash Camera Strap

I now own the Peak Design Leash camera strap and was surprised how much smaller it is than the Slide Lite. After using it a lot, I think this is the better strap, specifically for the X100VI because it’s genuinely one hand adjustable, unlike the Slide Lite and it is a better fit for a camera the size of the X100VI. It is noticeably thinner and lighter and is made of a softer material so it doesn’t feel stiff close to the attachment points.

If you are looking for a strap purely for the X100VI and don’t need it to also fit your inter-changeable lens camera then I’d go with the Peak Design Leash. If you want one strap for multiple cameras then I’d still likely choose the Slide Lite. I’ll update this article again if my opinion changes.

Key Features:

• Lightweight, low-profile strap designed for mirrorless and compact cameras
• Quick-adjusters allow instant length changes with one hand
• Anchor Link system makes attaching/removing the strap fast and secure
• Strong, smooth strap material that’s comfortable against the skin
• Packs down very small — ideal for travel or minimalist setups

My Take:

• Significantly lighter and slimmer than the Peak Design Slide Lite
• Better suited to the X100VI if this is your dedicated camera strap
• One-hand adjustment is smoother and easier than on the Slide Lite
• Strap material feels solid but is more flexible and less stiff, so it doesn’t bunch up around the anchors near the camera
• Packs much smaller in your bag, making it perfect for travel and everyday carry

Tiffen Black Mist filters.

Black mist filters diffuse light and soften images slightly. Why would you want to do that. Well with digital cameras, skintones and light-sources can often look too detailed and too sharp and highlights can give harsh effects when too bright. The black mist filter softens highlights and gives a more film like look to them, diffusing them to give a more cinematic look. I’ll be the first to say, this is the least important accessory here for the Fuji X100VI but these filters are becoming popular and so, if you have eveything else to accessorize your X100VI already, then these Tiffen black mist filters are the best. They come in different strengths and in my testing, I prefer the 1/8 filter for its subtle effect. If you prefer a stronger effect, which works well for light sources at night then the 1/4 strength version gives a more obviously cinematic look. I bought both. Be sure to select the 49mm filter size and choose the density you prefer in the options.

Here is the exact filter type I use

Conclusion

There’s no shortage of accessories for the X100VI, but very few are worth adding unless they genuinely improve how the camera handles or fits into your routine. For me, everything on this list has earned its place through regular, real-world use — not just novelty or hype.

Whether you’re after better grip, more comfortable carry options, or faster strap switching, these accessories deliver without turning the X100VI into something it’s not. It’s still compact, still beautiful — just a bit more refined and ready for however you like to shoot.

If you’ve got a setup that works brilliantly for you, or you’ve found an accessory that transformed your workflow, feel free to let me know. I’m always open to trying something new — especially if it solves a problem I haven’t thought of yet.

That doesn’t mean I’ve closed the door on other brands—I still use Panasonic’s full-frame S5IIX for certain projects and haven’t ruled out returning to Sony in the future. But when it comes to travel, documentary, and personal photography, Fujifilm just fits how I like to work right now. In this post, I’ll share why it’s become my main system as a British photographer documenting life in the Philippines—and why it might work for you too.

Image Quality Without the Bulk

For the kind of work I do—documentary, street, and travel photography—portability is non-negotiable. I’m often on a motorbike, shooting in hot and unpredictable weather, and the last thing I want is a bulky full-frame setup weighing me down. Fujifilm’s X-series cameras, particularly the X-T5 and X100VI, hit the sweet spot. With a 40MP APS-C sensor, I get more than enough resolution for large prints and professional work, without the weight and size of a full-frame DSLR or mirrorless body.

The Fujifilm GFX100S is the exception I’ve made for higher-end work. It’s medium format, and the image quality is a significant step up from full frame—ideal for when I need that extra detail and tonality. But for most of my work, especially when mobility is key, the X-series gives me exactly what I need. Especially when using lenses like the Fuji 23mm 1.4 WR and 33mm 1.4WR.

Thoughtfully Designed for the Photographer

One of the main reasons I stuck with Fujifilm is because their cameras feel like they were designed by photographers, not tech engineers. The manual dials, tactile controls, and logical layout make me want to pick up the camera and shoot. It’s not just about specs; it’s about the experience of using the camera—and Fujifilm gets this right.

These days I often find myself photographing people a lot more than in the past. Whether it’s my family or strangers on the street, I find that Fuji colours work for people better than any other brand. I discuss the best portrait lenses for Fuji in this article.

The ability to add mulitple custom settings and save them as named profiles is a standout feature. On both the X-T5 and X100VI, I’ve created profiles tailored to different shooting environments and moods. This level of customisation, combined with Fuji’s unique film simulations, means I spend far less time editing.

Less Editing, More Shooting

Fujifilm’s film simulations are more than just colour presets—they fundamentally change how I approach photography. With Classic Chrome, Acros, and my own custom recipes like McCurry Kodachrome, I get results straight out of camera that I’m happy to share or print.

This is a huge time-saver. I don’t want to sit in front of a screen for hours colour grading files from Sony or Nikon when I can capture what I want in-camera with Fujifilm. That also matters because a big part of my workflow involves publishing quickly to my websites or YouTube channel.

Lenses That Suit Real-World Use

Another major factor in going all-in on Fujifilm is the lens ecosystem. The availability of both fast, weather-sealed primes like the 33mm f/1.4 and 56mm f/1.2, as well as small, lightweight f/2 lenses like the 23mm, 35mm, and 50mm, means I can build the right kit for any shoot.

When I’m travelling light—especially on the motorbike—I opt for the f/2 primes. They’re sharp, compact, weather-sealed, and less intimidating to subjects. When I need more control over depth of field or low-light performance, I switch to the faster primes. Either way, I have options without having to compromise.

The Practical Advantages of the X100VI

The X100VI deserves a special mention. With its built-in ND filter, leaf shutter, and compact form, it’s ideal for street and candid photography. The built-in flash is surprisingly useful for fill light during daylight, and the lens is sharp and characterful. For many situations, I don’t need anything else.

Being able to load custom film simulations into the camera and name them adds to its utility. I can switch from a black-and-white street look to my colour documentary profile in seconds. It’s a genuinely creative tool that feels built for storytelling.

Why I’m mostly using Fujifilm at the moment

Let’s talk about the systems I left behind:

Nikon Z – The image quality is excellent, and I liked the Z8 and Zf a lot. But the bodies and lenses are a bit heavier and more conspicuous than I personally prefer for day-to-day use. When photographing people—especially in the provinces or more rural areas of the Philippines—carrying a large, professional-looking camera can make people uncomfortable. Fujifilm gear is more discreet and, in many cases, garners curiosity rather than suspicion.

Olympus / OM System – The Micro Four Thirds system is compact, and I did like using it for adventure photography. But the image quality, especially for portraits, doesn’t have the depth or tonal range I need. I also had some concerns about OM System’s long-term direction at the time, which made me hesitant to rely on it as my primary system going forward.

Sony – Technically brilliant, with fast autofocus and high-resolution sensors. I never fully connected with the colour science, and while it’s highly adjustable in post, that added an extra layer to my workflow I didn’t always enjoy. That said, the lenses—especially the 35mm f/1.4 GM—were some of the best I’ve used. I still think about that one from time to time.

Final Thoughts

Right now, Fujifilm gives me everything I need: portability, customisability, excellent lenses, and an enjoyable shooting experience. I can print large, carry light, shoot fast, and edit less. The X-T5 and X100VI are now my main cameras, with the GFX100S reserved for those few projects that demand ultimate image quality.

For anyone who wants a travel-friendly kit that doesn’t compromise on creative control, Fujifilm is a compelling choice. If you’re thinking of simplifying your setup or switching systems, check out the video I made on this very topic on my YouTube channel.

Watch the full video here:

If you came here and just want the quick answer then here is my summary after owning the X100VI since its release and shooting it for thousands of photos.

I’ve now owned the Fujifilm X100VI for over two years.

When I bought it, I already owned a Fujifilm X-T5. On paper, that made very little sense. The X-T5 offered interchangeable lenses, similar image quality, and arguably far greater versatility.

But that wasn’t why I bought the X100VI.

I’d previously owned both the X100T and X100V, and what I wanted wasn’t another camera. I wanted a camera that simplified photography.

I wanted something I could take on family days out without turning the outing into a photography trip. A camera I could sling over my shoulder, largely forget about, and use only when a moment presented itself. I wanted something discreet enough for everyday life in the Philippines and simple enough that I wouldn’t spend half the day wondering which lens I should have brought.

More than two years later, the X100VI has become exactly that camera.

I’ve used it to document my daughters growing up. I’ve photographed places in Devon that were important to my late father. I’ve carried it around the Philippines and, more recently, around Scotland. In fact, as I write this, I’ve just returned from a woodland walk with my daughter Sofia where the X100VI came along for exactly the same reason it usually does: not because it’s my most capable camera, but because it’s the camera I can bring when the day is about something more important than photography.

That’s ultimately the X100VI’s greatest strength.

It isn’t the best camera I own.

It isn’t the fastest camera I own.

It isn’t even the most versatile camera I own.

But it is the camera that lets me enjoy photography without photography taking over the experience.

And after more than two years of ownership, that’s why I’d still buy it again today.

If you’re considering an upgrade from the X100V then I wrote a comprehensive comparison between the two which explains whether upgrading is worth it for X100V owners.

What I Love About the X100VI

• Beautiful JPEG and RAW files
• IBIS genuinely improves low-light shooting
• Small enough to carry almost anywhere
• Hybrid OVF/EVF remains unique
• Encourages a simpler approach to photography
• Same image quality as my X-T5 in a much smaller package

What Frustrates Me

• Autofocus still requires some understanding
• Aperture ring is too small
• Battery life is average
• Weather sealing requires additional accessories
• Expensive for a fixed-lens camera

Some of the links on this page are affiliate links. This means I may earn a small commission if you choose to purchase through them, at no extra cost to you. I only recommend products I genuinely use or believe offer real value.

Why Is the Fujifilm X100VI So Popular?

Part of the X100VI’s popularity comes down to image quality and portability — but honestly, that’s only part of the story.

The real reason people become attached to the X100 series is because it simplifies photography.

Modern cameras can often feel overly technical. Endless autofocus settings, huge lenses, complicated menus, and the pressure to constantly optimise everything. The X100VI pushes in the opposite direction.

You get one fixed focal length, physical control dials, a compact body, and a much simpler, more film-like shooting experience that gives a genuine sense of nostalgia.

That simplicity matters more than many photographers realise.

I’ve found the X100VI encourages me to shoot more casually, more instinctively, and more consistently. It becomes easier to take the camera everywhere, easier to document everyday life, and easier to focus on moments instead of gear choices.

The X100VI also occupies a unique place in the market. It offers more than good enough image quality, features, and build quality for serious photography, while remaining far more accessible than cameras like the Leica Q3 for most people.

That’s why these cameras develop such a loyal following.

Yes, social media hype has amplified demand, but underneath that hype is a genuinely well-designed camera that reconnects many photographers with why they enjoyed photography in the first place.

Can the X100VI Keep Up With Kids?

This is one of the questions I’m asked most often, and the honest answer is: yes, but with some caveats.

The autofocus on the X100VI isn’t as cutting-edge as the latest cameras from Sony, nor is it as quick as my X-T5 paired with Fujifilm’s faster focusing lenses such as the XF 23mm f/2, XF 35mm f/2, or the excellent XF 16-55mm f/2.8 II.

That said, I’ve photographed my daughters extensively with the X100VI over the last two years and have captured plenty of sharp images. In fact one of my favourite trips in years was some quality time I spent with Sofia at the Twin lakes in Negros oriental, in the Philippines where the X100VI’s size and capability made taking photos fun and the photos captured memories for us both. Spending time with Sofia, her with her Ricoh GRIIIx, me with the X100IV, walking along Dumaguete boulevard, her searching for her next dog portrait, watching her grow in confidence asking owners for photos of their dogs, is one of those coming of age moments, and we shared that through photography.

If your children are running flat out towards the camera, the X100VI can struggle at times and you’ll need to be realistic about its limitations. However, if you take the time to understand the autofocus system, use appropriate settings, and learn to anticipate moments rather than simply relying on the camera to do all the work, it’s perfectly capable of producing sharp, in-focus images of children.

The difference is that the X100VI rewards a more deliberate approach. With a modern Sony camera, you can often rely heavily on the autofocus system. With the X100VI, I find myself timing shots a little more carefully and paying more attention to what my subjects are doing.

For me, that’s a trade-off I’m willing to accept because of everything else the camera offers.

However, if photographing fast-moving children is your primary priority and you don’t particularly care about the X100VI’s size, simplicity, leaf shutter, hybrid viewfinder, or fixed-lens experience, I’d honestly suggest looking at alternatives. Cameras like the X-T5 with the right lens, or some of Sony’s latest bodies, will make that specific job easier.

The X100VI can absolutely get the shot.

You just have to work a little harder for it.

The Freedom of a Fixed Lens

Having previously owned both the X100T and X100V, the X100VI didn’t contain many surprises. I knew exactly why I was buying it and roughly what sort of experience I would get.

What I didn’t expect was just how attached I would become to it.

Over the last two years, I’ve realised that the X100VI gives me a sense of freedom that many other cameras don’t. With one lens, one angle of view, and no decisions to make about focal length, photography becomes simpler. There are no lens choices to second guess, no temptation to bring an entire camera bag, and no feeling that I’m compromising when I get home and open the files in Lightroom.

The X100VI isn’t the most capable camera I own. My Nikon Z8 is faster. My X-T5 is more flexible. My GFX100S produces higher image quality.

Yet the X100VI is often the camera I choose.

Part of that is its size, part is the excellent image quality, and part is the simple pleasure of using it. But I think the biggest reason is that it removes friction. I can take it almost anywhere and never feel under-equipped, while also never feeling burdened by my gear.

For me, that’s the real appeal of the X100VI.

The 40MP Sensor: Nice to Have, Not a Reason to Buy

One of the headline upgrades of the X100VI is the move from 26MP to 40MP. Quite frankly, if Fujifilm had released the X100VI with the same 26MP sensor as the X100V, it wouldn’t have bothered me in the slightest.

For me, the 40MP sensor is a bonus rather than a reason to buy the camera.

Twenty-six megapixels was already more than enough for the way I shoot. I tend to compose carefully in camera, and while I occasionally trim the edges of a frame, I very rarely crop heavily. In fact, I’d estimate that 95% of the images I keep use essentially the same composition that I saw through the viewfinder.

That’s not to say the extra resolution is useless. It does provide more flexibility when you can’t physically get closer to your subject, and on a fixed-lens camera that can occasionally be helpful. But personally, I’d have preferred Fujifilm to improve dynamic range or high ISO performance rather than add more megapixels.

If you’re wondering how the X100VI stacks up against the X-T5, it’s worth noting that while they share the same 40MP sensor, the shooting experience is different. I’ve spent significant time with both, and if you’re trying to choose between the fixed-lens simplicity of the X100VI and the flexibility of interchangeable lenses, these might help:

• I’ve put together a detailed field comparison for street photography to show how they behave in the real world.
• If you’re curious about the look and feel, I also ran some side-by-side image tests comparing the X-T5 with the 23mm f/2 lens against the X100VI.

The real upgrade for me wasn’t the sensor resolution.

It was IBIS.

That’s the feature that genuinely changed how I use the X100VI day-to-day.

I shot a POV video in the Philippines of the X100VI in action which will give you a feel for how the camera is to use in the real world.

Play video

The Lens: Improved Where It Matters

On my X100T, I was generally happy with the lens. However, when shooting close-up subjects wide open at f/2, it could show some softness that occasionally became noticeable.

That changed with the X100V and continues with the X100VI.

After shooting thousands of photos with the X100VI, I’ve never looked at an image and felt disappointed by the lens performance. It resolves individual eyelashes in portraits, captures the texture and detail in the bark of the giant trees I’ve been photographing in Scotland, and produces files that stand up perfectly well to the camera’s 40MP sensor.

Combined with IBIS, I also no longer feel compromised when shooting landscapes handheld.

The highest compliment I can pay the lens is that I simply don’t think about it anymore.

It’s no longer something I worry about or work around. I trust it completely, which allows me to focus on making photographs rather than thinking about equipment.

High-Quality Build, Even Without Japan-Made Label

Though the X100VI is now manufactured in China, I’ve noticed no compromise in quality. It feels sturdy in hand, with a classic aesthetic that doesn’t draw unnecessary attention—a plus for candid street photography. The control dials for shutter speed, aperture, and ISO are tactile and easy to use, especially when shooting one-handed. Compared to my Fuji XT5, the ISO dial on the X100VI is actually easier to adjust one-handed, a minor but noteworthy convenience.

During a dawn shoot on the Dumaguete coast, I encountered an odd issue where the LCD screen refused to turn on for about a minute — though the viewfinder worked perfectly. The camera had been stored overnight in an air-conditioned room, and when I brought it outside, it was immediately covered in condensation. I can’t confirm if the two events were related, but it didn’t happen again after that morning. Worth noting if you’re shooting in similar humid environments.

Leaf Shutter and Built-In ND Filter

Two features that often get overlooked on the X100VI are the leaf shutter and the built-in ND filter.

I’ll be honest — neither of them are features I use every day. But when I do need them, they make photography simpler simply because they’re already built into the camera.

The leaf shutter allows much faster flash sync speeds than most interchangeable-lens cameras. In practical terms, that means I can add a touch of fill flash to portraits in bright sunlight without having to think too hard about my settings.

The built-in 4 stop ND filter is equally straightforward. A quick flick of a switch and I can shoot at wider apertures in bright conditions, or slow the shutter speed down to capture movement in water without carrying additional filters.

Neither feature is a reason to buy the X100VI on its own.

But both fit perfectly with the camera’s philosophy. They remove friction, reduce the amount of equipment I need to carry, and make it easier to focus on taking photographs rather than managing gear.

In-Body Image Stabilization (IBIS): Enhanced Low-Light Capability

One of the notable upgrades with the X100VI is the inclusion of in-body image stabilisation (IBIS). For a compact, fixed-lens camera, this is a significant feature, particularly for photographers who often find themselves shooting in low-light conditions. The IBIS system compensates for minor camera shakes, which is incredibly useful when shooting handheld at slower shutter speeds. I owned the X100V prior to getting the X100VI, and one of my only real gripes with that camera was the lack of IBIS. It’s not that I’m constantly shooting at slow shutter speeds — but in real-world use, IBIS means I don’t have to think about shutter speed nearly as often, unless I’m photographing moving subjects.

In practical terms, IBIS is especially beneficial when there’s limited ambient light, and you’re shooting a static scene. It allows you to lower the shutter speed without introducing motion blur, helping you capture sharp images while keeping ISO levels down. This is a feature I’ve found invaluable as the light fades during a shoot. Previously, with older models like the X100T, I’d often have to raise the ISO to maintain sharpness. With the X100VI, I can drop the shutter speed, allowing the sensor to capture more light and keep noise levels to a minimum. I can comfortably shoot the X100VI handheld at 1/2 a second and get consistently sharp images. That opens up a lot of creative opportunities when the light levels drop. 

For a documentary and travel photographer, this enhancement makes the X100VI even more versatile, especially when conditions aren’t ideal. It’s one more reason why this camera is proving to be my go-to choice for personal projects and spontaneous shoots alike.

Ergonomics and Customisation

The X100VI has a solid ergonomic design, but I’ve added a SmallRig thumb rest and grip extension to make it truly comfortable for extended shoots. While the camera’s grip is fairly small on its own, these additions have made it much easier to handle for all-day use.

The lack of a D-Pad is a minor drawback — the camera relies more on the touchscreen and joystick for adjustments — but most essential settings are still quick to access. I do prefer the XT5’s extra custom function buttons, but the X100VI’s small size and light weight make it ideal for travel. And with these accessories, it’s even better. If you want to set it up the way I use it — fast, intuitive, and ready for real-world shooting — you can download my free Fuji setup files and X100VI quickstart ebook here.

These are the essential accessories I’ve added to my X100VI to take it to the next level of comfort.

[Fuji X100VI Accessories]

Control Dials, Hybrid Viewfinder, and Customisation Options

The X100VI’s dedicated dials for shutter speed, aperture, and ISO are fun to use, offering a tactile shooting experience. The hybrid viewfinder, which combines an optical viewfinder with an electronic overlay, is a unique feature that works well for street photographers. Personally, I use the electronic viewfinder most of the time, but it’s nice to have the optical option for situations where seeing outside the frame is helpful. The focus ring can also be customised to adjust settings, though I turned off this function since it often got accidentally knocked in my bag. There are enough external buttons and customisation options that if you set it up using my custom settings, you can access virtually every important function without menu diving.

Battery Life: Good for a Day of Shooting

Despite using the older NP-W126s battery, I’ve found battery life to be ok. A single battery will generally last me a few hours of shooting. IBIS drains the battery so I still carry spares, especially for long shooting days, but I’m pleased with the performance overall. Of course it can also be charged by USB-C and I usually pack an Amker Nano power bank in my Peak Design Everyday Sling bag which has enough power to fully recharge the battery 2 times.

Film Simulations

One of the highlights of Fujifilm’s X100 series has always been the film simulations, and the X100VI is no exception. Despite the introduction of new film simulations, after playing with them briefly, my favourites remain the same. Classic chrome is my go to while I sometimes use Provia, Pro Neg and ocassionaly Astia. However, after more than two years with the X100VI, I’ve actually found myself returning to shooting Raw and editing in post but I work from Adobe Lightroom’s included Fuji film simulations as a base. For Jpeg shooters, the film simulations are like a cheat code. There’s a simulation to suit most tastes and subjects but I still prefer the control of editing in post.

Who is the X100VI for?

If you are looking for a camera you’ll actually carry, this is it. It’s the kind of body you grab without a second thought, and because it’s always with you, it actually gets used. It’s built for those who value simplicity but still demand serious image quality—the 35mm-equivalent lens keeps you focused, while that 40MP sensor gives you plenty of room to crop. It’s my go-to for travel, documentary, and everyday life because it’s small, discreet, and quiet, and it offers a much more film-like, intentional experience than a modern, menu-heavy digital camera. Plus, it’s a more accessible way to get that premium, fixed-lens experience if you’ve been eyeing a Leica Q3 but can’t justify the price. The addition of IBIS finally removes the friction of shooting in low light; I don’t find myself fighting my shutter speed nearly as much, and it’s genuinely changed how I approach handheld work when the sun goes down.

Who should skip it?

That said, it isn’t for everyone. If you already own an X100V, the upgrade is hard to justify unless IBIS or the faster autofocus is genuinely solving a specific problem for you. Similarly, if you are looking for a powerhouse for chasing fast-moving subjects—like kids indoors in poor light—an interchangeable-lens body is going to be a much more dependable tool. And, fundamentally, if you know you’ll constantly find yourself wishing for wider or tighter framing, the fixed lens will eventually feel like a limitation. You’re better off with an X-T5 and a small prime.

Supply Issues and Alternatives

Fujifilm’s X100VI has been difficult to find. Preorder numbers were huge and it was sold out for a long time after launch. However, supply is now improving and I have seen a lot more available stock in 2026. Fujifilm moved their production to China to increase supply and while demand has still outstripped supply, the situation does now seem to be improving.

In 2026 the popular alternative is the recently released Ricoh GRIV. I have reviewed the GRIV as well as putting it up against the X100VI. Both cameras are excellent but offer very different shooting experiences. Personally, I’d still pick the X100VI and thats why it remains top of my best compact cameras 2026 list but it really does come down to what you prioritise from your compact camera.

If you’re ready to pick one up, you can check the current price of the Fujifilm X100VI here. It’s the easiest recommendation I can make for a camera that balances portability, capability, and sheer enjoyment

If you’re unsusre whether to buy the X100VI

When people ask me if there’s anything else they should look at, I usually point them toward three distinct directions depending on what they actually value.

If you want something truly pocketable, the Ricoh GR IV is the obvious rival, though you’ll have to give up the viewfinder and that tactile, physical charm the X100 line is famous for. If your priority is lens flexibility, a Fuji X-T5 paired with a small prime keeps the footprint manageable while giving you options the X100VI simply can’t provide. And for those drawn to a full-frame sensor, the Nikon Zf is a serious alternative, though in my experience, it’s noticeably heavier and less comfortable for all-day carrying.

 Fuji X100VI review Conclusion: A Camera I’ll Never Part With

I moved back to Scotland in 2026 and the first camera that I got out and shot with was my X100VI. It’s still the camera I reach for instinctively when I want simplicity, small size, and the capability to produce beautiful images without the need to consider lens choices. While alternatives like the Nikon ZF offer full-frame performance and better low-light capability, the X100VI wins for me in terms of portability and ease of use. I simply want to pick it up and use it more than other cameras that I own. I own some fantastic cameras so that is very high recommendation indeed.

If you’re a photographer looking for a camera that inspires you to shoot, one that simplifies your gear choices and makes you focus on the art of seeing, the Fuji X100VI is worth every penny. I’ll continue shooting with mine as I explore our new home, here in the Scottish Highlands.

 Frequently Asked Questions

Is the X100VI weather-sealed?

Not out of the box. It is only weather-sealed if you add a filter adapter ring and a front filter to complete the seal.

Can the X100VI fit in a pocket?

Not in your jeans—but it will just about squeeze into a jacket pocket. It’s compact, but not tiny.

Is the X100VI good for travel photography?

Yes. It’s one of the best options available: small, light, discreet, and capable of producing professional-level images with minimal fuss.

Is the X100VI worth upgrading to from the X100V?

Probably not. I owned the X100V, and while the X100VI adds IBIS and a new sensor, the lens is the same and overall handling is similar. Unless you need image stabilisation, you’re better off saving the money and booking a trip instead.

Is the X100VI good in low light?

Yes—thanks to its f/2 aperture lens, strong high ISO performance, and built-in flash. Combined with IBIS, it’s well-suited for low-light situations.

Are there better alternatives to the X100VI?

Not really. If you want smaller, the Ricoh GRIII or GRIIIX are great, but lack a viewfinder, weather sealing, and comparable autofocus. If you want to spend more, the Leica Q3 is an option. Want even more quality? Look at the GFX system. But at this price point, the X100VI has very few true rivals.

Is the X100VI sharp?

Yes—the fixed 23mm f/2 lens is sharp, even wide open, and the 40MP sensor helps extract even more detail.

Is the X100VI good for family photography?

It depends. For general use, yes. But if you’re chasing toddlers around the house, the autofocus may not be the most reliable compared to newer interchangeable-lens cameras with faster tracking.