That was certainly the case today.

A fellow photographer had kindly shared the location of a nearby beaver colony, explaining how the animals had transformed the landscape beyond recognition. The chances of actually seeing a beaver in the middle of the morning were slim, but that wasn’t really the point. I wanted to show my mum the location, stretch my legs and spend a few hours exploring somewhere new with a camera.

The weather couldn’t have been more different from my recent walks through Perthshire. Low cloud hung over the landscape, hiding even modest hills from view. A steady drizzle fell throughout the morning, occasionally becoming heavier before easing again. Rather than being unpleasant, it felt refreshing. After several warm days, the cooler temperatures made walking far more comfortable.

We began across rolling farmland before skirting the edge of woodland and eventually following a narrow path deeper into the forest. As we moved further from the open fields, signs of the beavers gradually started to reveal themselves.

Trees had been felled. Watercourses altered. Areas that once looked entirely ordinary had been reshaped through years of quiet activity.

It was fascinating to see how dramatically wildlife could alter a landscape without the need for machinery, roads or development.

Why I Chose the Fujifilm X-T5

For this walk I carried the Fujifilm X-T5 paired with the Fujifilm XF 16-55mm f/2.8 R LM WR II. I also had the Fuji 18mm 1.4WR in my bag.

The reasoning was simple.

Unlike some outings where I head out with a very specific subject in mind, today felt open-ended. I wanted the flexibility to photograph woodland scenes, wider landscape views and perhaps even have enough reach should a beaver somehow decide to appear in daylight.

The updated 16-55mm f/2.8 II continues to impress me. Compared to the original version, it’s noticeably smaller, lighter and easier to carry throughout the day. Combined with the X-T5, it creates a kit that feels remarkably manageable considering the image quality it delivers.

The weather sealing was also reassuring. Rain fell for much of the walk, but I never once felt concerned about the camera. The setup spent most of the day attached to my Peak Design Capture Clip where it remained instantly accessible regardless of the conditions.

The Joy of Returning to Fujifilm

One thing I noticed almost immediately was how naturally I slipped back into Fujifilm’s way of doing things.

I’ve spent a lot of time recently shooting Nikon cameras, but the transition back to Fuji felt effortless.

The physical control dials remain one of my favourite aspects of the system. There’s something satisfying about adjusting shutter speed, aperture and exposure compensation directly rather than through menus or command wheels. It slows me down slightly and makes the process feel more deliberate.

Although I normally use custom film recipes, today I chose to shoot using Classic Chrome as a starting point while retaining the flexibility to edit later. As I continue building a growing library of Perthshire woodland images, I want consistency in the final edits while still benefiting from Fuji’s excellent colour rendering.

Classic Chrome once again delivered exactly what I expected.

Muted tones, restrained contrast and colours that feel natural without becoming dull.

Even before editing, the files looked excellent.

A Camera That Gets Out of the Way

What struck me most wasn’t image quality, autofocus performance or specifications.

It was how enjoyable the camera remains to use, even after owning it for over two years now.

That’s something I think often gets overlooked when discussing cameras.

The X-T5 isn’t exciting because of any one specification. Instead, it simply gets out of the way and allows me to focus on photography.

The camera felt light throughout the walk despite carrying a professional zoom lens. The controls became second nature within minutes. The viewfinder remained bright and easy to use despite the gloomy conditions.

Most importantly, I never found myself thinking about the camera.

I simply enjoyed being there.

Listening to the rain.

Watching the woodland change as the path wound deeper into the trees.

Observing the evidence of wildlife hidden throughout the landscape.

The X-T5 quietly did its job and allowed me to focus on everything else.

Building a Library of Perthshire

Although the beavers were the original reason for visiting, the photographs I ended up making were mostly woodland images.

That feels fitting.

The more time I spend in Perthshire, the more drawn I become to its woods.

The Highlands will always provide the grand vistas that Scotland is famous for, but increasingly I find myself fascinated by the smaller landscapes much closer to home.

The texture of tree bark.

The way light filters through woodland canopies.

The relationship between weather, season and atmosphere.

These quieter scenes are becoming just as important to me as dramatic mountain views.

Today’s walk added a handful of new images to that growing collection.

Final Thoughts

The Fujifilm X-T5 continues to be one of my favourite cameras for outings where the subject isn’t entirely defined.

It offers excellent image quality, dependable weather sealing, intuitive controls and a level of portability that encourages me to take it almost anywhere.

Combined with the XF 16-55mm f/2.8 II, it proved to be an ideal companion for a damp morning spent exploring woodland and following the subtle signs of beavers hidden throughout the landscape.

The beavers themselves never appeared.

But that hardly mattered.

The walk was enjoyable, the woodland beautiful and I came home with a few more photographs that help tell the story of a landscape I’m slowly getting to know better.

Last updated 2nd March 2026: I’ve continued shooting Fujifilm heavily throughout 2025 and now in to 2026. The X-Series still offers my favourite prime lens lineup — a rare mix of lightweight travel lenses and genuinely professional-grade glass. Since my move to Scotland at the beginning of 2026 I have started to shoot and test a few more zooms. I’m currently testing the Fuji 16-55mm f/2.8II as the weather here, out in the Scottish Highlands is not the place to be changing lenses regulalry. If any of the zooms I’m testing are good enough, I will add them to this article in due course. If you simply want to see the best Fuji lenses without specifically being for travel then this guide will help you.

Fujifilm’s lens lineup is now pretty mature. Going into 2026, my recommendations remain the same — the kits below are still the ones I actually use for travel.

If you’re looking for the best Fujifilm cameras and lenses for travel photography in 2026, this guide breaks down the top, high-performing options for every kind of trip.

Jump straight to the kits ↓

My love affair with travel photography began on a round-the-world trip in 2006/2007. I started out with a compact Casio camera in South Africa — which promptly vanished during a vineyard-fueled night out with Stellenbosch university graduates. From there, we scraped by through Argentina, Peru, the U.S., Canada, and Tahiti using disposable film cameras… until I landed in New Zealand. Where, I finally began to understand the value of having a proper camera — something I reflect on in my guide to the best compact travel cameras in 2026. I’ve also put together a dedicated guide to the best interchangeable-lens travel cameras in 2026 — including Fuji, Nikon, OM System, and more.

The stunning beauty of that country was too much to ignore. I bought a little Sony compact, and while the photos weren’t amazing, they sparked something permanent: a desire to keep improving and keep exploring.

Fast forward a few years and I was working professionally as a landscape photographer, lugging around a Canon 5D Mark II and tripod wherever I went. It wasn’t exactly travel-friendly. But when mirrorless cameras emerged, I became an early adopter — eventually settling on the original Fujifilm X-Pro1 with a couple of the first XF primes. Since moving out of the UK in 2014, travel has remained at the center of my life, now shared with my wife and daughters.

Some of the links in this article are affiliate links. If you purchase something through them, I may earn a small commission — at no extra cost to you. It helps support the blog and allows me to keep creating helpful, real-world photography content. I only recommend gear I use and trust.

I’ve tested just about every major camera system, but Fuji hits that rare balance of image quality, portability, and soul — especially important now that I’m traveling as a dad. See my gear list if you’re curious just how deep the Fuji rabbit hole goes, but suffice it to say: I’ve built what I consider to be the ideal Fujifilm travel photography setup — one that balances size, speed, performance, and joy.

So if you’re planning your next trip and wondering which Fujifilm lenses (and cameras) are best suited for travel, here’s what’s worked for me — across solo adventures, family holidays, and once-in-a-lifetime locations. If you already have an X-T5 then these are the best accessories for it. If you’re still considering the X-T5 then here’s my long term review.

Let’s break it down into the four travel kits I actually use:

1. The Ultra-Light Everyday Kit — when photography isn’t the focus, but I still want to capture memories.
2. The Balanced Travel Kit — for family trips where I need flexibility in a small, weather-sealed setup.
3. The Premium Kit — when I’m traveling solo or prioritizing photography without going full GFX.
4. The Ultimate Kit — for trips where image quality trumps everything else.

Recommended Fujifilm Travel Photography Kits for 2026

The Ultra-Light Everyday Kit (X100VI)

When I just want to bring a camera, not a whole bunch of gear.

I still remember family holidays when my dad was the photographer. He’d pause whatever we were doing and ask us to pose for a quick shot on his 35mm film camera — the same one he left to me when he passed away a couple of years ago. My sister and I would groan at the interruption, of course. That memory made me conscious of being that dad — so my super-lightweight kit is built to let me document freely, without becoming “photo dad” and annoying everyone too much. (Though I still annoy them a little… obviously.)

For those moments, the Fujifilm X100VI is unbeatable. See my Fuji X100VI review and how the X100VI compares to the X100V . Read this if you want to know if the X100VI is worth the hype.

It’s small, discreet, and doesn’t demand much. There are no lenses to swap — just one fixed 23mm f/2 lens that encourages you to shoot freely. I grab the shot, and everyone moves on.

Weight of This Kit

Total weight: ~590–600 g ready to shoot, fully weather-sealed

It’s rare to get this level of image quality, weather sealing, and capability in a sub-600g package — which is why this kit gets so much use.

Why This Kit Works

• Weather-Sealed Simplicity
  I pair the X100VI with a Haoge lens hood and UV filter adapter, making it weather-sealed. It gives me peace of mind in dusty or rainy conditions — no need to hide it away at the first sign of a downpour. Here are the accessories I use with my X100VI.
• Incredible Image Quality
  The 40MP sensor delivers beautiful, printable images with plenty of flexibility in editing. The JPEG engine is superb, and I often shoot JPEGs when I know I’ll want to share photos that same evening. (My wife handles the social media — I’m more of a dinosaur in that area.)
• Perfect Travel Companion Features
  • IBIS and a fast f/2 lens mean I can shoot in low light without hassle.
  • The built-in ND filter allows shallow depth of field even in bright midday light.
  • The built-in flash is actually fantastic — perfect for a bit of fill during the day or subtle lighting at night.
• It’s Just Fun to Use
  It’s a beautiful camera — and that matters. The styling and tactile controls make me want to use it. Plus, manual dials for shutter, aperture, and ISO give instant visual feedback. No more getting back to the hotel only to realize I accidentally shot everything at ISO 12800. See how I setup my X100VI for travel photography.

How I Carry It

I keep it in a small Lowepro Event Messenger 100 (This is the modern version )with:

• A couple of Spare batteries
• Extra Memory cards
• A rocket blower
• A lens cloth

My Lightweight Flexible Fuji Travel Kit

This is the setup I turn to when I want flexibility without sacrificing too much on size or weight. It’s modular by design — I pick 2 or 3 lenses depending on the trip and what kind of photography I expect to do. The idea is to stay light, stay mobile, and be able to handle a wide range of situations.

My Most Used Core Kit

• Fujifilm X-T5: 557 g (with battery and card)
• XF 23mm f/1.4 WR: 375 g
• XF 35mm f/2: 170 g
• XF 50mm f/2: 200 g

Total weight (camera + 3 lenses): ~1,302 g

That gives you a full, weather-sealed three-lens setup covering wide, mid, and short telephoto — all in a compact kit just over 1.3 kg. If you drop one of the primes for an even lighter carry, you’re comfortably under 1.1 kg while still maintaining excellent flexibility and quality.

This is the combination I use most frequently. The Fuji XT5 is a pleasure to use and does everything I could ask for. See this article for more details about the XT5. The 23mm f/1.4 WR is my main lens — it balances incredible image quality, fast autofocus, and a natural field of view that suits almost everything I shoot. It’s perfect for both daytime and low light thanks to the f/1.4 aperture and sharp rendering across the frame. I compared it to the X100VI here if you want to see which is better.

The 35mm f/2 and 50mm f/2 round out the setup with added reach and compression for portraits or isolating subjects. Both lenses are extremely compact, weather-sealed, and very reliable. This three-lens kit gives me wide-ish, mid, and short telephoto options without weighing me down.

Alternate Kit Combos (Depending on Trip Type)

• Urban or Tight Spaces:
  Swap in the 16mm f/2.8 or 18mm f/1.4 WR instead of the 23mm for a wider perspective. The 18mm gives you premium quality, fast aperture and is perfect if you prefer to shoot wider.
• Low Light Priority:
  Stick with the 23mm f/1.4 WR but perhaps pair it with the 33mm f/1.4 WR if you want two premium fast primes. The 33mm gives beautiful subject separation and renders like a short telephoto on APS-C.
• People/Detail Focused Trips:
  Go with the 23mm f/2, 35mm f/2, and 56mm f/1.2 WR. This setup is heavier but gives a portrait-focused bias and beautiful rendering at the long end. I don’t use this variation as often, but for family gatherings or more intimate moments, it’s a strong option.

Ultra-Light, Daytime Travel

• 23mm f/2 – See how it compares with the X100VI
• 50mm f/2

This is my most compact, high-quality two-lens travel setup. Both lenses are weather sealed, lightning fast to focus, and pretty sharp wide open. The 23mm f/2 gives me that natural field of view I love, while the 50mm f/2 handles portraits and tighter framing. The 50mm f/2 isn’t as sharp as the other f/2 primes I own, as I found in my Fuji 50mm f/2 review but if light weight is your priority then it still covers this focal range well enough. I must admit though, that I now much prefer to use the Fuji 56mm 1.2WR, purely due to the image quality.

If I know I’ll be out in good light and don’t need fast glass, this kit keeps the weight to a minimum and the friction low — perfect for days when photography isn’t the main priority but I still want excellent images.

How I Carry It

This entire kit fits easily into my Peak Design Everyday Sling 10L bag. It’s the perfect size for staying agile while carrying just enough gear to cover most situations. Alongside the camera and 2–3 lenses, I also pack:

• A few spare batteries
• Charger and cable
• Spare memory cards
• A rocket blower and lens cleaning cloth
• A small pouch with ND or polarizing filters
• My iPad Pro 13″ M4, which I use for quick editing and backing up photos on the go

This setup gives me a full-featured, high-quality travel kit without the bulk — ideal for photography-heavy travel days where I want flexibility, creative control, and peace of mind knowing I have backups and editing tools ready at hand.

Want the full Lightweight Fujifilm Travel Kit?

I’ve compiled everything mentioned in this kit — including camera, lenses, and accessories — into a single Amazon list for easy browsing.

Click here to view the full Lightweight Travel Kit on Amazon

Premium Travel Photography Kit

For when image quality matters most and I want to travel light, but not compromise.

This is the kit I take when photography is a key part of the trip — maybe an island adventure in the Philippines, or somewhere I may not be able to return to. It’s the kind of setup I pack when I’m aiming to make the best images possible while still keeping the weight manageable.

I typically use my X100VI as the main camera and bring the XT5 as a secondary body. Not only does this give me my favorite 23mm focal length in a beautifully compact form for contextual, documentary-style shots, but it also gives me peace of mind with a backup camera should anything go wrong.

For lenses, I bring:

• XF 33mm f/1.4 WR – This is the spiritual successor to one of my all-time favorite lenses, the original 35mm f/1.4. I used that lens extensively with my X-Pro1 back in the day, but this newer version improves on it in every way — faster autofocus, sharper optics, and crucially, weather sealing. It’s slightly heavier, but still light compared to full-frame equivalents.
• XF 56mm f/1.2 WR – Another top-tier lens. I owned the original version before, and this newer WR model is noticeably quicker to focus and importantly, weather sealed. All while retaining that beautiful, shallow depth of field and dreamy bokeh.

• Fujifilm X-T5: 557 g (with battery and card)
• Fujifilm X100VI: 521 g
• + Haoge hood/filter adapter + UV filter: ~70 g
• XF 33mm f/1.4 WR: 360 g
• XF 56mm f/1.2 WR: 445 g

Total weight: ~1,953 g (or ~1.95 kg)

Depending on the nature of the trip, I may occasionally swap out the X100VI for either the XF 18mm f/1.4 WR or the XF 23mm f/1.4 WR if I want a faster lens or a slightly different field of view. But more often than not, the fixed-lens simplicity and compact form of the X100VI makes it the perfect complement to the X-T5 and premium primes.

How I Carry It

I carry this kit in exactly the same way as my flexible travel setup — packed neatly into my Peak Design Everyday Sling 10L bag. It fits the X-T5, X100VI, both premium primes, and all the accessories I might need for a short trip.

Alongside the cameras and lenses, I carry:

• Spare batteries
• Chargers
• Extra memory cards
• A rocket blower and lens cleaning cloth
• My filter kit
• And my 13″ iPad Pro M4, which I use for backing up photos and editing on the go using Lightroom Mobile

It’s a surprisingly compact, high-performance kit that doesn’t weigh me down — ideal for serious travel photography.

Why No Zooms?

A lot of people might wonder why I’m not using any zooms for my travel kit. The answer is simple: personal preference and the kind of shooting that I was doing in the Philippines.

I just prefer prime lenses — both for the image quality and the way they make me work. With a zoom, it’s easy to get lazy. You can frame your subject from wherever you’re standing, but I often find those compositions lack intention. Instead of moving my feet to experiment with angles and perspective, I’m more likely to just zoom to crop out distractions. It’s fast, but it can also stop me from fully exploring a scene to find the best possible composition. Granted, it means I miss some shots but overall I’ve found this to be the approach that works best for me although now that I’m based in the Scottish Highlands I am starting to test out some high quality zooms such as the Fuji 16-55mm f/2.8II to see if I can make them work here. More on that in the future but I recently shot the Fuji 18-55mm at one of my local Glens.

That said, there’s absolutely nothing wrong with using zooms. In fact, I’ve previously travelled with a zoom-based kit and had great results. If maximizing coverage and flexibility is your top priority, here’s a zoom kit I’d recommend for travel photography that still delivers excellent image quality, while staying compact and weather-resistant:

• Fujifilm XF 10–24mm f/4 R OIS WR
  This is the updated version of the original 10–24mm. I’ve used both, and while they’re optically the same, this one adds weather sealing — which I consider important for travel. It’s lightweight for an ultra-wide zoom and performs very well for landscapes. There’s some distortion (as you’d expect at 10mm), but nothing you can’t fix in post. I’d choose this over the 8–16mm f/2.8 for travel due to the weight, size, and filter compatibility.
• Fujifilm XF 70–300mm f/4–5.6 R LM OIS WR
  While I used to travel with the 55–200mm, I now recommend this newer telephoto. I haven’t personally owned it (yet), but from everything I’ve read and seen, it’s one of the best-performing Fuji telephoto lenses for its price. It’s also light, faster to focus, and weather sealed — a perfect match for travel photography needs.

With those two zooms, you’ll have nearly every focal length covered. I’d suggest rounding out the kit with a mid-range prime like the 35mm f/2 or 33mm f/1.4 WR. That gives you something compact for portraits, low-light, or general shooting — while still keeping the whole kit flexible and relatively lightweight.

Weight of This Kit

• Fujifilm X-T5: 557 g (with battery and card)
• XF 10–24mm f/4 R OIS WR: 385 g
• XF 70–300mm f/4–5.6 R LM OIS WR: 580 g
• XF 35mm f/2 R WR: 170 g

Total weight: ~1,692 g (or ~1.69 kg)

Premium Kit: For Once-in-a-Lifetime Images

This is the dream kit I put together for those moments that really matter — the kind of once-in-a-lifetime images you want to print big and hang on the wall. It’s not used anywhere near as much as my X-Series kit due to the weight, but for a medium format setup, it’s incredible how compact it is. Honestly, it’s smaller than what I used to lug around back in my Canon 5D Mark II days with L lenses — and the image quality absolutely blows that old kit away.

I use the Fujifilm GFX 100S paired with the GF 45mm f/2.8, which gives me roughly the equivalent field of view of a 35mm full-frame lens or my preferred 23mm on the X-Series — perfect for storytelling, travel, and documentary-style work.

When I want portraits or subject separation, I have two options:

• GF 80mm f/1.7 – This one strikes a great balance between size and stunning image quality.
• GF 110mm f/2 – This is the heavyweight, in every sense. I only bring it when portraits are a clear focus.

Fair warning: I once used this combo (100S + 110mm f/2) to take portraits of my wife — and to this day, she still talks about those images. And she’s used to being photographed with every kind of camera I’ve ever owned. This combo just has that magic.

So if you want the best possible image quality Fujifilm can offer and are willing to carry a bit more weight, this is it. But is it all perfect? Of course not.

• Weight: It’s noticeably heavier than my X-Series gear — not unmanageable, but definitely more deliberate.
• Autofocus: It’s fast for medium format, but won’t reliably track fast-moving kids. This is a camera that asks you to slow down.
• Storage: 100MP files are huge. You’ll need fast SD cards, a powerful computer, and probably a bit of extra storage space.
• Spousal awareness: Let’s just say if your partner knows the value of this setup, you’d better have a great explanation. Or better yet, keep them blissfully unaware

That said, if photography is the focus of your trip — or if the images matter more than the gear weight — this setup is absolutely worth it. It delivers results that no crop or full-frame camera can match, with dynamic range and tonality that’s in a different league.

Weight of This Kit

• Fujifilm GFX 100S: 900 g (with battery and card)
• GF 45mm f/2.8 R WR: 490 g
• GF 80mm f/1.7 R WR: 795 g
• GF 110mm f/2 R LM WR: 1010 g

Configurations:

• GFX100S + 45mm + 80mm combo: ~2,185 g (≈2.19 kg)
• GFX100S + 45mm + 110mm combo: ~2,400 g (≈2.40 kg)

How I Carry It

Simple. Employ a Sherpa.

But seriously — despite being a medium format setup, it’s surprisingly manageable. I still carry this kit in my Peak Design Everyday Sling 10L, the same one I use for my smaller setups. It fits either combo (GFX 100S + 45mm/80mm or 45mm/110mm) with room left over for:

• Spare batteries
• Lens cleaning cloth and rocket blower
• Filters
• SD cards and a card reader
• My iPad Pro 13″ M4, which I use for on-the-go backups and editing

It’s tight, but it works. And if I’m really pushing it, I’ll put it all in my Lowepro Lowepro Flipside AW400ii. But I try to keep it minimal — I’m not trying to relive my landscape photography backpacking days.

Final Thoughts

If you’ve been searching for the best Fujifilm travel photography kit, I hope this article has given you a bit of inspiration — or even a straightforward shopping list to follow.

The kits I’ve shared here are what I personally use, refined over years of shooting everywhere from tropical islands to busy city streets, often with my family in tow. But the principles behind them — portability, speed, image quality, and joy of use — are broadly applicable to almost any photographer.

If I had to recommend just one setup, it would be the middle ground kit: two of the compact f/2 primes, paired with one premium f/1.4 or f/1.2 lens. From a cost, quality, and weight standpoint, it hits the sweet spot. It’s what I’d recommend for most beginner to intermediate photographers who want a kit that’s flexible, capable, and easy to grow with.

And one last note: if you’re ever torn between upgrading your camera body or investing in better lenses, go for the lenses. Every time. They hold their value better, and they’ll make a far bigger difference to your photos than a new camera will. Even moving from a kit zoom to a compact f/2 prime can completely change the feel and quality of your images.

Now go take some photos that matter.

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That doesn’t mean I’ve closed the door on other brands—I still use Panasonic’s full-frame S5IIX for certain projects and haven’t ruled out returning to Sony in the future. But when it comes to travel, documentary, and personal photography, Fujifilm just fits how I like to work right now. In this post, I’ll share why it’s become my main system as a British photographer documenting life in the Philippines—and why it might work for you too.

Image Quality Without the Bulk

For the kind of work I do—documentary, street, and travel photography—portability is non-negotiable. I’m often on a motorbike, shooting in hot and unpredictable weather, and the last thing I want is a bulky full-frame setup weighing me down. Fujifilm’s X-series cameras, particularly the X-T5 and X100VI, hit the sweet spot. With a 40MP APS-C sensor, I get more than enough resolution for large prints and professional work, without the weight and size of a full-frame DSLR or mirrorless body.

The Fujifilm GFX100S is the exception I’ve made for higher-end work. It’s medium format, and the image quality is a significant step up from full frame—ideal for when I need that extra detail and tonality. But for most of my work, especially when mobility is key, the X-series gives me exactly what I need. Especially when using lenses like the Fuji 23mm 1.4 WR and 33mm 1.4WR.

Thoughtfully Designed for the Photographer

One of the main reasons I stuck with Fujifilm is because their cameras feel like they were designed by photographers, not tech engineers. The manual dials, tactile controls, and logical layout make me want to pick up the camera and shoot. It’s not just about specs; it’s about the experience of using the camera—and Fujifilm gets this right.

These days I often find myself photographing people a lot more than in the past. Whether it’s my family or strangers on the street, I find that Fuji colours work for people better than any other brand. I discuss the best portrait lenses for Fuji in this article.

The ability to add mulitple custom settings and save them as named profiles is a standout feature. On both the X-T5 and X100VI, I’ve created profiles tailored to different shooting environments and moods. This level of customisation, combined with Fuji’s unique film simulations, means I spend far less time editing.

Less Editing, More Shooting

Fujifilm’s film simulations are more than just colour presets—they fundamentally change how I approach photography. With Classic Chrome, Acros, and my own custom recipes like McCurry Kodachrome, I get results straight out of camera that I’m happy to share or print.

This is a huge time-saver. I don’t want to sit in front of a screen for hours colour grading files from Sony or Nikon when I can capture what I want in-camera with Fujifilm. That also matters because a big part of my workflow involves publishing quickly to my websites or YouTube channel.

Lenses That Suit Real-World Use

Another major factor in going all-in on Fujifilm is the lens ecosystem. The availability of both fast, weather-sealed primes like the 33mm f/1.4 and 56mm f/1.2, as well as small, lightweight f/2 lenses like the 23mm, 35mm, and 50mm, means I can build the right kit for any shoot.

When I’m travelling light—especially on the motorbike—I opt for the f/2 primes. They’re sharp, compact, weather-sealed, and less intimidating to subjects. When I need more control over depth of field or low-light performance, I switch to the faster primes. Either way, I have options without having to compromise.

The Practical Advantages of the X100VI

The X100VI deserves a special mention. With its built-in ND filter, leaf shutter, and compact form, it’s ideal for street and candid photography. The built-in flash is surprisingly useful for fill light during daylight, and the lens is sharp and characterful. For many situations, I don’t need anything else.

Being able to load custom film simulations into the camera and name them adds to its utility. I can switch from a black-and-white street look to my colour documentary profile in seconds. It’s a genuinely creative tool that feels built for storytelling.

Why I’m mostly using Fujifilm at the moment

Let’s talk about the systems I left behind:

Nikon Z – The image quality is excellent, and I liked the Z8 and Zf a lot. But the bodies and lenses are a bit heavier and more conspicuous than I personally prefer for day-to-day use. When photographing people—especially in the provinces or more rural areas of the Philippines—carrying a large, professional-looking camera can make people uncomfortable. Fujifilm gear is more discreet and, in many cases, garners curiosity rather than suspicion.

Olympus / OM System – The Micro Four Thirds system is compact, and I did like using it for adventure photography. But the image quality, especially for portraits, doesn’t have the depth or tonal range I need. I also had some concerns about OM System’s long-term direction at the time, which made me hesitant to rely on it as my primary system going forward.

Sony – Technically brilliant, with fast autofocus and high-resolution sensors. I never fully connected with the colour science, and while it’s highly adjustable in post, that added an extra layer to my workflow I didn’t always enjoy. That said, the lenses—especially the 35mm f/1.4 GM—were some of the best I’ve used. I still think about that one from time to time.

Final Thoughts

Right now, Fujifilm gives me everything I need: portability, customisability, excellent lenses, and an enjoyable shooting experience. I can print large, carry light, shoot fast, and edit less. The X-T5 and X100VI are now my main cameras, with the GFX100S reserved for those few projects that demand ultimate image quality.

For anyone who wants a travel-friendly kit that doesn’t compromise on creative control, Fujifilm is a compelling choice. If you’re thinking of simplifying your setup or switching systems, check out the video I made on this very topic on my YouTube channel.

Watch the full video here:

I have been shooting Fuji ever since the X-Pro1 was released and even though I have dipped in and out of other systems, the XT5 and X100VI have really helped to confirm that I enjoy shooting Fuji more as much as any other brand. The X-T5 — which I included in my Best Full-Featured Cameras in 2026 roundup and put up against the Nikon Zf— and the highly sought-after X100VI both bring Fujifilm’s signature features and performance to the table, but in very different ways. In my opinion the X100VI is the best compact camera currently available.

After over a year I have now found the perfect accessories for my Fuji X-T5.

When it comes to street photography, trying to decide between the Fuji XT5 vs X100VI can be tough. In the end I opted to get both because I wanted a backup body and the X100VI complemented my XT5. If you’re still weighing up whether the X100VI is worth it on its own, I’ve written a full X100VI vs X100V comparison that breaks down everything that’s changed.

Some of the links in this article are affiliate links. If you purchase through them, I may earn a small commission at no extra cost to you. This helps support the site and allows me to keep creating useful content. Thank you!

With the X100VI being notoriously hard to find in stock, many photographers are considering the XT5, paired with one of Fuji’s compact prime lenses like the 23mm f/2 or the 35mm f/2, as a potential alternative. While both cameras share the same 40MP X-Trans 5 sensor and the latest film simulations, they offer unique handling experiences. So, how do they compare, and which one might be the better fit for you? If you have managed to get your X100VI then these are the best accessories for it. 

Update: You can now see how the XF23mm f2 performs against the X100VI. My long term X-T5 review is also published here and how the Fuji 23mm 1.4wr and XT5 perform against the Fuji X100VI.

In this post, I’ll dive into the key differences between the Fuji XT5 and X100VI for street photography. If you want to know which one I recommend, make sure to watch my YouTube video at the end for my full review and detailed opinion.

Fuji XT5 vs X100Vi – Image Quality: A Level Playing Field

First and foremost, let’s talk about image quality. Both the XT5 and X100VI are equipped with Fujifilm’s latest 40MP APS-C X-Trans 5 sensor, so you can expect the same level of image quality from both cameras. Whether you’re shooting in bright sunlight or low light, both cameras deliver sharp, detailed images with excellent color rendering and dynamic range.

One of the reasons I love Fujifilm is the variety of film simulations available, and both the XT5 and X100VI come with the full set, including the newer Reala Ace simulation. These film simulations are particularly useful in street photography, where you can quickly switch between different color tones or black and white without needing to spend time in post-processing.

In terms of autofocus performance, I’ve found both cameras to be very similar. They offer fast and accurate autofocus, which is essential for street photography when you need to capture moments quickly. The XT5, when paired with Fuji’s f/2 prime lenses like the 35mm f2, feels a little quicker because the lenses are virtually silent, whereas the X100VI’s fixed lens does produce a bit of noise due to its focus motors.

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Design and Handling: Compact vs. Versatile

Now, let’s get into where these cameras really differ – design and handling.

Fujifilm X100VI: Compact and Discreet

The X100VI is known for its compact size and portability, making it an excellent choice for photographers who want to be discreet while shooting on the street. If you’re also considering something even smaller, I compared the X100VI to the Ricoh GRIII here. The X100VI features a fixed 23mm f/2 lens (35mm full-frame equivalent), which is a fantastic focal length for street photography, offering a good balance between wide-angle and standard field of view. I’ve shot everything from portraits to travel photos with this focal length, and it works well for most situations.

The hybrid viewfinder on the X100VI is one of its standout features. It gives you the option of an optical viewfinder with an electronic overlay, or a fully electronic viewfinder. The optical viewfinder can be particularly useful in street photography because it lets you see subjects entering the frame before they’re captured, helping you time your shots more effectively. It also offers focus aids like magnified view and focus peaking, which can help when you’re shooting manually.

However, the grip on the X100VI is small. While it contributes to the camera’s compact size, I’ve found it a bit uncomfortable for longer shooting sessions, especially when shooting one-handed. To improve handling, I’ve added a SmallRig thumb rest and a grip extender, which makes it much more comfortable to use over extended periods.

Fujifilm XT5: Versatility with Interchangeable Lenses

On the other hand, the Fuji XT5 offers a more traditional DSLR-like design, with a larger body and central viewfinder hump. While it’s not as compact as the X100VI, it’s still relatively small and portable, especially when paired with one of Fuji’s compact prime lenses, such as the 23mm f/2 or 35mm f/2. This gives the XT5 an edge in terms of versatility, as you can switch lenses to suit different shooting situations. If you want even better image quality then of course, you have professional grade primes like the 23mm 1.4, 33mm 1.4 and 56mm 1.2 available.

The grip on the XT5 is larger, providing a more comfortable hold for longer shoots. I prefer to add a SmallRig grip when I know I’ll be shooting for an extended period, but even without it, the XT5 offers enough purchase to hold the camera securely. The 3-way tilting screen on the XT5 is also a nice touch, allowing for more flexible shooting angles, especially in portrait orientation. In contrast, the X100VI’s screen only tilts in two directions, but it’s sleeker and flush to the body, giving the camera a very streamlined appearance.

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Controls and Customization: Traditional Fujifilm Dials

Both the XT5 and X100VI feature external control dials for shutter speed, ISO, and (when paired with a lens that has an aperture ring) aperture, which makes them both intuitive to use. This is one of the things I love most about Fujifilm cameras – the ability to quickly change settings without diving into menus.

X100VI: Compact Control Setup

The X100VI has a more streamlined control layout, with fewer physical buttons compared to the XT5. The ISO dial is integrated into the shutter speed dial, which can be adjusted with just one hand while shooting. I find this particularly useful in fast-paced environments like street photography, where every second counts. However, the X100VI relies more heavily on its touchscreen for navigating certain settings.

XT5: Extra Customization

The XT5 offers a bit more customization with the inclusion of a D-pad on the back, allowing for more function buttons and quicker access to frequently used settings. This can be a real advantage if you like to tweak your settings on the go. Additionally, the XT5 has dual SD card slots, which is useful if you’re shooting in RAW or want the peace of mind of having a backup card.

In-Use Experience: Portability vs. Flexibility

When it comes to real-world use, there are a few factors that might influence your decision.

Portability: X100VI

If you prioritize portability and discretion, the X100VI is hard to beat. Its leaf shutter is quieter than the XT5’s mechanical shutter, making it less noticeable in quiet environments. The fixed 23mm lens doesn’t protrude far from the camera body, giving the X100VI a very compact profile, and its built-in flash is great for adding a touch of fill light in backlit situations. The 4-stop ND filter is another handy feature that lets you shoot wide open in bright light without needing to attach any external accessories.

Flexibility: XT5

On the flip side, the XT5 offers much more flexibility thanks to its interchangeable lenses. While the 23mm f/2 lens on the XT5 gives a similar field of view to the X100VI, the ability to switch lenses gives you more creative options. Whether you’re looking to shoot wide-angle street scenes or zoom in for a tighter portrait, the XT5 can adapt to a wider range of scenarios.

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Battery Life and Storage

Both cameras offer USB-C charging, which is convenient when you’re out on a long day of shooting. The XT5 has a larger NP-W235 battery, which generally lasts longer than the X100VI’s NP-W126S battery. However, I find that both cameras last long enough for most street photography sessions but I always carry a spare battery in my bag.

The XT5’s dual SD card slots are a nice addition, especially if you shoot in RAW or need to back up your images on the go. The X100VI only has a single card slot, but for most street photography, this isn’t a dealbreaker.

Fuji XT5 vs X100Vi – Which Camera is Best for Street Photography?

At the end of the day, both the Fuji XT5 and X100VI are excellent cameras for street photography, but they cater to slightly different needs. The X100VI offers simplicity and discretion, while the XT5 provides more versatility and customization.

I hope that you found this comparison useful, if you did then the best way to support me is to use my affiliate links

If you’re still unsure which one is right for you, I’ve made a detailed video comparing these two cameras in action. Be sure to check it out on my YouTube channel, where I go into more depth about the strengths and weaknesses of each model and offer my personal recommendation based on real-world use.

if you would like to see how best to setup the Fuji XT5 for street photography then head on over to this article or this video

I’ve also written an in depth article on the best accessories for the Fuji XT5. If you’re choosing between the X-T5 and X100VI for street photography I’ve also got you covered. If you’re considering something even smaller then this FujiX100VI vs Ricoh GRIII article will help you to decide.

But if you prefer video tutorials or want to see these settings in action, I’ve put together a detailed YouTube video where I go over my full setup for street photography, including tips and examples. You can watch the video here:

Now, let’s dive into the settings.

1. Image Quality Settings

Getting the right image quality is crucial for street photography, especially when you’re shooting fast and in varied light. Here are the settings I use to ensure I capture both JPEG and RAW files:

–Image Quality: Fine JPEG + RAW
–RAW Recording: Lossless Compressed
–JPEG/HEIF: JPEG
–Film Simulation: Classic Chrome (or your choice—check out my YouTube video for more film recipe options!)
– Grain Effect: Off
– Color Chrome Effect: Off
– Color Chrome FX Blue: Off
– Smooth Skin Effect: Off

If you want to see how these settings translate to real street photography scenarios, don’t forget to check out my YouTube video where I walk you through these settings in real-time on the street.

2. White Balance & Dynamic Range Settings

These settings will help you maintain accurate colors and prevent blown-out highlights or shadows in varying lighting conditions.

– White Balance: Daylight
– Dynamic Range: Auto
– D Range Priority: Off
– Tone Curve: Default (H: 0, S: 0)

Want to see how I adjust these settings on the go in fast-changing street scenes? Be sure to watch this YouTube video for live demonstrations!

3. Color & Sharpness

Neutral colors and sharpness are essential for clean, striking images. Here are the best settings to achieve that:

– Color: 0
– Sharpness: 0
– High ISO NR: -4
– Clarity:c0
– Color Space: Adobe RGB for printing, or sRGB for general use

4. Auto Focus Settings

Street photography often happens fast, and you need autofocus settings that can keep up. Here’s what I recommend:

– Focus Area: Zone
– AF Mode: Zone
– If Using Single Point AF: Set focus points to 425
– AF Illuminator: Off
– Face/Eye Detection: Off
– MF Assist: Peaking, Red High
– Interlock Spot AE & Focus Area: On

5. Drive & ISO Settings

Quick adjustments for burst shooting and ISO sensitivity are crucial in street photography. Here’s how I set them up:

– Drive Settings:

– CH (High Burst Speed): 10 FPS
– CL (Low Burst Speed): 5 FPS
– ISO Auto Setting 1:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/160
– ISO Auto Setting 2:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/100

6. Function Button Settings

Quick access to essential functions is important for efficient street shooting. Here’s my custom button setup:

– Fn1: Face Detect
– Fn2: AF Mode
– Fn3: Photometry
– Fn4: Film Simulations
– Fn5: White Balance
– AE-L: ISO Auto Setting

Film Simulations for Street Photography

One of the standout features of Fujifilm cameras is their ability to simulate classic film looks. Below are some of my favorite film simulations for street photography.

Kodak Tri-X 400
*Credit: Fuji X Weekly*

– Film Simulation: Acros
– Dynamic Range: DR200
– Grain Effect: Strong, Large
– Color Chrome Effect: Strong
– White Balance: Daylight, +9 Red, -9 Blue
– Highlight: 0
– Shadow: +3
– ISO: 1600 – 12800

This recipe gives you a timeless black-and-white look.

Kodak Ultramax 400

*Credit: Fuji X Weekly*

– Film Simulation: Classic Chrome
– Grain Effect: Strong, Large
– White Balance: Auto, +1 Red, -5 Blue
– Dynamic Range: DR Auto
– Highlight: +1
– Shadow: +1
– Color: +4

Daily Driver

This is my go-to recipe for everyday shooting:

– Film Simulation: Nostalgic Negative
– Grain Effect: Weak, Large
– Color Chrome Effect: Weak
– Dynamic Range: DR400
– Tone Curve: H -2, S +2
– Color: +3
– Sharpness: -4

It balances sharpness and color for consistent, high-quality results.

If you found these settings useful and want to see them in action, don’t miss my latest video, where I show you exactly how I set up my Fuji XT5 for street photography. Or  See how I shoot with the X-T5 on the street. Whether it’s customizing autofocus or choosing the right film simulation, I cover it all in real-time:

Watch the Video: Best Fujifilm XT5 Settings for Street Photography

Fuji XT5 street photography best settings: Final thoughts

The Fujifilm XT5 is an amazing camera for street photography, but having the right settings makes all the difference. I hope this guide helps you set up your camera for success. If it helped and you want to thank me, then you can use my link below or simply use any of my affiliate links in this article when you shop.

Buy me a coffee

I’m now well and truly back in the Philippines and while I have been shooting a lot with the X100VI I am also excited to have recently bought both the Fuji 23mm f/2 and the Fuji 18mm 1.4. Both of these lenses are prime contenders for the kind of travel and street photography I will be doing more of over here. I’m currently working on an article pitting the XT5 + 23mm f2 against the X100VI. The results are interesting. If you are looking for a comprehensive and long term review of the Fuji X-T5 then this is the one.

As I dip my toes into the world of street photography, I find myself on the hunt to see why the X-T5 is so often praised by street photographers and after a lot of trial and error I worked out the best accessories for the Fuji X-T5. Recently, I’ve been exploring the Fujifilm X-T5 for street photography — a camera I also featured in my Best Full-Featured Cameras in 2026 roundup — as it has garnered a lot of praise for its features and design.

After shooting in the rainy streets of Coventry for a youtube video, I want to share my thoughts on how the XT5 might just be the perfect camera for someone like me who’s just starting out. If you want to see my rainy street photography experience, be sure to check out my YouTube video.

What Makes a Good Camera for Street Photography?

As a beginner (to street photography), I’ve learned that a camera for street photography should have several key characteristics:

Size and Portability

One of the first things I noticed about the Fuji XT5 is its size. It’s compact enough to carry around without feeling bulky, which is perfect for me as I wander through city streets. Being lightweight makes it easy to move quickly and blend into my surroundings, helping me capture genuine moments without drawing too much attention. How it compares to the X100VI

LCD Screen Design

The three-way tilt screen is another feature I love. As someone who is still getting comfortable with composing shots on the screen rather than viewfinder (for POV videos), this flexibility allows me to frame photos from different angles without attracting unwanted attention. Whether I’m shooting at waist level or getting low to the ground, this screen makes it easy to get the shot I envision.

User-Friendly Controls

The physical control dials on the XT5 offer an inspiring shooting experience. While they may feel slower than the typical PASM dials found on many cameras, I appreciate being able to check my settings visually without digging through menus. I’m often focused on capturing moments, so knowing that my settings are as I intended gives me peace of mind.

Image Quality

One of the most impressive aspects of the XT5 is its 40MP resolution. This high resolution allows me to crop images without losing quality, which is particularly useful when working with prime lenses on the street.

Discreet Design

I find the look of the XT5 appealing; it’s not as imposing as a large DSLR. This discretion is crucial for me, especially when I want to capture candid moments. A camera that looks less intimidating makes it easier to shoot natural scenes without disrupting the environment. I also don’t like to draw attention to myself so a discreet camera is always better if, like me, you prefer to remain somewhat anonymous.

Custom Settings and Speed

The XT5 includes seven custom slots for saving various settings, which is incredibly helpful as I experiment with different styles and conditions. I appreciate the fact that the autofocus system is fast enough for my needs, especially when I’m out in the unpredictable nature of street photography.

Depth of Field

With its APS-C sensor, the XT5 provides extra depth of field for a given aperture compared with 35mm sensors. I find this a positive as I often want more depth of field in street shots.

Film Simulations

Fujifilm’s film simulations are very popular and for good reason. I love that I can tweak these settings to get the look I want, and often, I find myself just as happy with the JPEGs as I am with the RAW files. This feature allows me to have fun experimenting without too much editing later.

My Experience Shooting in Coventry

During my recent adventure in Coventry, I was eager to test the XT5 in real-world conditions. The rain provided a unique atmosphere, and knowing the camera was weather-sealed gave me the confidence to shoot without worrying about the elements.

The compact size made it easy for me to navigate through the city, capturing spontaneous moments of daily life. The tilt screen proved invaluable as I crouched to shoot reflections in puddles, allowing me to get creative without drawing attention. The physical controls let me make quick adjustments, ensuring I was ready to capture fleeting moments.

The 40MP images I captured turned out beautifully, with rich colors and impressive details. Even after cropping for composition, the images held up remarkably well. Pairing the XT5 with Fujifilm’s compact f/2 primes made for a lightweight setup that excelled in the wet conditions.

Fujifilm XT5 street photography: is this the Perfect Camera for Beginners in Street Photography?

In my experience so far, the Fujifilm XT5 seems like a fantastic choice for someone just getting into street photography. Its combination of size, image quality, intuitive controls, and customizable features make it approachable for newcomers. My time shooting in Coventry reinforced my belief in its capabilities. If you are considering alternatives to the X-T5 then I have a detailed hands on with the X100VI.

If you’re considering your first camera for street photography, I highly recommend giving the Fuji XT5 a shot. And don’t forget to check out my YouTube video for more insights and examples of the camera in action. For further discussions and tips on photography, feel free to explore my personal blog

Happy shooting, and may you capture many beautiful moments on the streets!

Last updated: March 2nd 2026 — Over the past year or 2, I’ve found myself re-connecting with photography in a deeper way, thanks in large part to the X-T5 and the birth of my second daughter, Isabelle. Capturing her early milestones has made the camera feel even more integral to my everyday life. I’ve also expanded my lens collection with Fujifilm’s premium primes, particularly the 23mm and 33mm f/1.4 WR lenses, which have only taken my appreciation of the X-T5 further. Together, they’ve brought both creative flexibility and a renewed sense of enjoyment to my photography. I put together an article on the best Fujifilm lenses for family photography to try and help other parents.

I feel obliged to add a response to my previous article questioning the value of photography in this day and age.

You see, I’m a guy in my 40’s who has been a photographer for close to two decades. Over the years I have struggled with creative block as many creatives do. I have had periods of inactivity, exhaustion and non stop productivity. I have chased Instagram likes as a form of recognition for my work and also deleted all my social media. All this has often lead me to questioning the value of my photography.

A realisation came to me a few weeks ago when shooting a pre nuptial wedding shoot and also when looking at prints of my daugher. My photography has value in the moments and emotions captured in time. It doesn’t have to be perfect because the emotion that can be evoked when looking back through cherished photos goes deeper than technique, composition etc. Yes, all those things can add to a photo but it is the emotion captured that resonates most with the viewer and why I recommend these cameras for family photography.

In the past my perfectionism has lead to indecision and inaction and so I now try and live by the mantra of done is better than perfect. When I’m old and looking back on all the photos of my daughter I’ll be grateful to have so many memories, whether they are technically accomlished or not.

As a passionate photographer, I’ve embarked on a journey with the Fujifilm X-T5, a camera that goes beyond just being a tool—it’s a companion that has changed the way I see and feel about photography.

Discovering the Fujifilm X-T5:

From the moment I held the Fujifilm X-T5 in my hands, I knew there was something special about it. Its retro design, reminiscent of classic film cameras, instantly appealed to my aesthetic sensibilities. But it wasn’t just its appearance that drew me in; it was the promise of a photographic experience unlike any other. For me, photography has a soul and my cameras, or at least the best ones also have a soul and evoke emotion. The XT5 with its diminutive size, physical control dials and film simulations inspire me to create.

If you also want to feel that inspiration and are considering purchasing your own XT5 then please consider doing so through my Amazon link. This helps me to continue building this website and feed my family without costing you a penny more.

Embracing Creativity:

One of the most remarkable aspects of the Fujifilm X-T5 is its ability to inspire creativity. With its array of film simulation modes, I found myself exploring new artistic possibilities, each mode imbuing my images with a distinct mood and atmosphere. From the timeless elegance of Classic Chrome to the nostalgic warmth of Classic Neg, every frame became an expression of my creative vision.

Capturing Moments, Embracing Emotions:

What sets the Fujifilm X-T5 apart is its ability to capture not just images, but emotions. The camera’s exceptional image quality and color reproduction breathe life into every photograph, preserving the fleeting moments and emotions that define our lives. Whether it’s the joy of a my daughter’s laughter, the serenity of a sunset, or the intimacy of a candid portrait, the X-T5 elevates ordinary moments into extraordinary memories.

Connecting with the Past, Embracing the Future:

As I continue my journey with the Fujifilm X-T5, I can’t help but feel a deep connection to the rich legacy of photography. With its intuitive controls and tactile feel, the camera pays homage to the craftsmanship of analog cameras while embracing the cutting-edge technology of the digital age. It’s a perfect blend of past and present, reminding me that the true essence of photography lies not in pixels or megapixels, but in the emotions captured within each frame.

Conclusion:

In a world filled with endless distractions, the Fujifilm X-T5 along with a prime lens such as the 35mm f2, serves as a reminder to slow down, appreciate the beauty around me, and capture moments that matter. With its soulful design, unparalleled creativity, and ability to evoke emotions, it has become more than just a camera—it’s a gateway to a world of endless possibilities, where every click of the shutter is an invitation to explore, create, and connect with the world around us.