Fujifilm X100vi Review:

Fuji X100Vi Review –

I’m starting this Fuji X100Vi review having owned several of the previous X100 series models.

As someone who has been drawn to Fujifilm’s X100 series for years, my experience with the latest model, the Fujifilm X100Vi, has only strengthened my admiration. This camera, with its 40MP sensor and thoughtful design, combines the simplicity of a fixed lens with the power of a high-resolution sensor, making it one of my go-to choices for documentary and travel photography, as well as an everyday carry for street photography. For anyone considering a compact, high-quality camera that allows you to focus on creativity without the distraction of switching lenses, the X100Vi is worth a closer look.

The 40MP Sensor: Versatile and Flexible

The X100Vi’s 40MP APS-C sensor is a significant upgrade from previous models, allowing for increased flexibility even with the fixed 23mm f/2 lens (35mm full-frame equivalent). The higher resolution offers the ability to crop images without a noticeable loss in quality—great for times when you need a tighter frame but only have one focal length. Whether shooting landscapes, portraits, or street scenes, the extra megapixels add flexibility that’s especially useful in a fixed-lens setup.

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The Fuji X100Vi has A Sharp, Bright Lens with Classic Character

The built-in 23mm f/2 lens is sharp and handles a variety of lighting conditions well. The version on MyX100T was a little soft when shooting close up and wide open. This is no longer the case since the X100V.

At f/2, it’s bright enough to capture low-light scenes, yet offers pleasing bokeh that gives images character without compromising sharpness. This lens is versatile enough for landscapes, portraits, and street photography, and I’ve found it to be ideal for my documentary projects, where a natural look is often more impactful.

High-Quality Build, Even Without Japan-Made Label

Though the X100Vi is now manufactured in China, I’ve noticed no compromise in quality. It feels sturdy in hand, with a classic aesthetic that doesn’t draw unnecessary attention—a plus for candid street photography. The control dials for shutter speed, aperture, and ISO are tactile and easy to use, especially when shooting one-handed. Compared to my Fuji XT5, the ISO dial on the X100Vi is actually easier to adjust one-handed, a minor but noteworthy convenience.

Fuji X100Vi review: Leaf Shutter and Built-In ND Filter

One of my favorite features on the X100Vi is the leaf shutter, which allows for faster flash sync speeds—up to 1/2000 of a second. it is also subtle in use and offers a pleasing sound. This, combined with the built-in flash, enables subtle fill-flash effects that can be really helpful with outdoor, backlit portraits. The internal ND filter is another feature that shines, especially for bright conditions. Having previously used the X100T in the Philippines, I know how useful this ND filter can be in sunny climates, allowing for wide apertures without having to resort to the electronic shutter or worse still, over exposed photos.

In-Body Image Stabilization (IBIS): Enhanced Low-Light Capability

One of the notable upgrades with the X100Vi is the inclusion of in-body image stabilisation (IBIS). For a compact, fixed-lens camera, this is a significant feature, particularly for photographers who often find themselves shooting in low-light conditions. The IBIS system compensates for minor camera shakes, which is incredibly useful when shooting handheld at slower shutter speeds.

In practical terms, IBIS is especially beneficial when there’s limited ambient light, and you’re shooting a static scene. It allows you to lower the shutter speed without introducing motion blur, helping you capture sharp images while keeping ISO levels down. This is a feature I’ve found invaluable as the light fades during a shoot. Previously, with older models like the X100T, I’d often have to raise the ISO to maintain sharpness. With the X100Vi, I can drop the shutter speed, allowing the sensor to capture more light and keep noise levels to a minimum.

For a documentary and travel photographer, this enhancement makes the X100Vi even more versatile, especially when conditions aren’t ideal. It’s one more reason why this camera is proving to be my go-to choice for personal projects and spontaneous shoots alike.

Ergonomics and Customisation

The X100Vi has a solid ergonomic design, but I’ve added a SmallRig thumb rest and grip extension to make it truly comfortable for extended shoots. While the camera’s grip is pretty small on its own, these additions have made it much easier to handle for all-day use. The lack of a D-Pad is a minor drawback; the camera relies more on the touchscreen and joystick for adjustments, although the main settings are quick to access.  I prefer the XT5’s extra custom functions. Nonetheless, the camera’s small size and weight are ideal for travel, and with these added accessories, it’s even better.

Battery Life: Good for a Day of Shooting

Despite using the older NP-W126s battery, I’ve found battery life to be better than expected. A single battery often lasts me through most of a day, which is impressive given that it now has IBIS. I still carry spares, especially for long shooting days, but I’m pleased with the performance overall. Of course it can also be charged by USB-C.

Film Simulations and the Joy of Simplified Shooting

One of the highlights of Fujifilm’s X100 series has always been the film simulations, and the X100Vi is no exception. Classic Chrome and Nostalgic Neg are my favourites, offering pleasing colours that work well for documentary and travel photography. These simulations simplify my workflow by allowing me to use the JPEGs a lot of the time with minimal post-processing—a benefit when trying to stay focused on capturing moments rather than editing.

Supply Issues and Alternatives

Fujifilm’s X100Vi has been difficult to find. Preorder numbers were huge and it is now sold out in a lot of places. It took me approximately 2-3 months to get mine. While Fujifilm moved production to China to increase output, demand still outpaces supply, leading to high resale prices. While I’m happy to pay retail, I wouldn’t pay the inflated prices from scalpers (Mainly on principle).

For those seeking alternatives, the Ricoh GRIII is another popular compact option but lacks a viewfinder and doesn’t match the X100Vi in physical appeal. Another alternative, especially for those wanting lens flexibility, is the Fuji XT5 paired with a small prime lens. And for those interested in full-frame, the Nikon ZF with a 28mm or 40mm lens is also a solid choice, although it’s heavier and doesn’t feel as comfortable to hold. I did a video on the alternatives to the X100Vi which goes into more detail.

The Fuji X100Vi in Practice: From Landscapes to Street Photography

Having spent over a year in 2015 using the Fuji X100T (my review here) while traveling in the Philippines, I came to appreciate the X100 series for its versatility and simplicity. I shot landscapes, street scenes, portraits, and travel images, and the 35mm equivalent focal length has proven more versatile than expected. While the X100 series has become trendy on Instagram, its popularity shouldn’t detract from its capabilities for serious photographers. This camera inspires creativity, encourages composition-focused shooting, and becomes an extension of the photographer as you learn to see the world in a 35mm frame.

Control Dials, Hybrid Viewfinder, and Customisation Options

The X100Vi’s dedicated dials for shutter speed, aperture, and ISO are a joy to use, offering a tactile shooting experience. The hybrid viewfinder, which combines an optical viewfinder with an electronic overlay, is a unique feature that works well for street photographers. Personally, I use the electronic viewfinder most of the time, but it’s nice to have the optical option for situations where seeing outside the frame is helpful. The focus ring can also be customised to adjust settings, though I turned off this function since it often got accidentally knocked in my bag.

Fuji X100Vi review Conclusion: A Camera I’ll Never Part With

After extensive use, especially during my recent documentary project in Devon, I’m convinced that the Fuji X100Vi will remain in my kit for the foreseeable future. It’s currently the camera I reach for most often because of its simplicity, size, and capability to produce beautiful images without the need to consider lens choices. While alternatives like the Nikon ZF offer full-frame performance and better low-light capability, the X100Vi wins for me in terms of portability and ease of use. I simply want to pick it up and use it more than other cameras that I own. I own some fantastic cameras so that is very high recommendation indeed.

If you’re a photographer looking for a camera that inspires you to shoot, one that simplifies your gear choices and makes you focus on the art of seeing, the Fuji X100Vi is worth every penny. Follow my journey with this camera as I continue to explore its potential in various projects and locations. I’ll be sharing more about my experience on my YouTube channel and Instagram, and you can also subscribe to my newsletter on my personal website to stay updated on upcoming projects, including more adventures with the X100Vi in the Philippines.

 

Fuji X100Vi for Documentary and travel Photography

Fuji X100Vi Documentary photography: How does it perform?

I’ve been using the Fuji X100Vi for Documentary photography and during my travels. Documentary photography often calls for a tool that’s as straightforward as it is capable, freeing the photographer from the complexities of gear decisions and allowing them to focus fully on the story they’re capturing. The Fuji X100Vi meets these needs exceptionally well. While it’s a camera known for its popularity with the instagram crowd, the X100Vi’s real strength lies in its simplicity and fixed-lens design, which strips away the distractions of lens choices, focal lengths, and heavy post-processing. Instead, it provides a direct, intuitive way to document life as it happens. This aspect of the Fuji X100Vi really helped me to focus on my photography while on a trip to Devon recently.

Fuji X100Vi: A Fixed-Lens Approach to documentary photographs

The Fuji X100Vi comes with a 23mm f/2 fixed lens, offering a 35mm equivalent focal length that many photographers find ideal for storytelling. This fixed lens does more than just limit choices; it encourages you to be fully present in your surroundings, knowing that you don’t have to worry about changing lenses or adjusting your gear. With just one focal length, you start to see the world differently, developing an intuitive sense of how each frame will look through the lens. This approach aligns perfectly with documentary photography, where capturing a scene’s authenticity is far more important than technical perfection.

As you get familiar with this focal length, compositions and perspectives start to come naturally. The constraints of a single lens push you to experiment with positioning, angles, and depth, ultimately enhancing your creative eye. You begin to recognize patterns, notice the subtleties of light and shadow, and instinctively capture moments as they unfold. This focus on storytelling through a single perspective is what makes the X100Vi an exceptional tool for documentary and travel photographers alike.

Compact and Unassuming: Blending Into the Scene

In documentary photography, the ability to capture genuine, unguarded moments is invaluable. The Fuji X100Vi’s small size and understated design make it perfect for this purpose. Unlike larger DSLR setups, which can be intimidating or disruptive, the X100Vi’s compact form allows photographers to blend into their surroundings. Its unassuming look makes it less likely to draw attention, enabling photographers to capture scenes without disturbing the natural flow of events. I’ve slimmed down my photography kit these days and have a great compact setup which you can see here.

Moreover, the camera’s leaf shutter is nearly silent, adding another layer of discretion. Whether photographing people on a busy street or capturing quiet moments indoors, this silent shutter helps maintain the scene’s authenticity, which is crucial in storytelling work. The X100Vi doesn’t demand attention, making it easier to capture real-life interactions and the nuances of everyday life.

Built-in ND Filter and Leaf Shutter: More Control in Every Condition

Two features that truly elevate the X100Vi for documentary photography are its built-in ND filter and leaf shutter. The built-in 4-stop ND filter allows you to shoot at wide apertures, even in bright daylight, which can add a beautiful separation between subject and background. This capability is especially useful in travel photography, where I am often in sunnier parts of the World.

The leaf shutter also enables high-speed flash sync up to 1/2000s, a unique advantage for a compact camera. This feature allows photographers to balance natural and artificial light easily, making it perfect for backlit portraits or scenes with complex lighting. Combined, these features provide a level of control that’s rare in compact cameras, giving documentary photographers more creative options without needing additional gear.

JPEG Quality: Shoot and Share Without the Hassle of Editing

One of the standout aspects of Fuji cameras is their outstanding in-camera JPEG processing. The X100Vi is no exception, featuring Fuji’s signature film simulations that produce beautiful images straight out of the camera. For photographers who prioritize storytelling over post-production, this is a game-changer. The X100Vi’s Classic Chrome film simulation, in particular, delivers muted tones and a cinematic feel, making it ideal for documentary work.

Because the camera produces such high-quality JPEGs, I often find I don’t need to use the RAW files, saving time and potentially storage. This emphasis on in-camera quality aligns perfectly with the philosophy of documentary photography—capturing the moment as it is, with minimal alteration. By reducing the need for post-processing, the X100Vi enables photographers to focus on shooting rather than editing, making it a perfect tool for photographers who want to stay present in the moment.

Documentary photography and Weather Sealing: Built for Real-World Conditions

Documentary projects often lead us to unpredictable environments. With the addition of a UV filter on the X100Vi’s lens, the camera becomes weather-sealed, adding a layer of protection against the elements. Whether you’re shooting on a windy coastline, in light rain, or in dusty conditions, the X100Vi can withstand a variety of climates. For travel photographers, this feature is invaluable. It allows you to shoot in diverse environments without worrying about damaging your equipment, so you can focus on your project instead.

The Fuji X100Vi as a Creative Partner

Ultimately, the Fuji X100Vi goes beyond its specs to become a true creative partner for photographers who value storytelling. By removing the complexities of interchangeable lenses, offering top-tier JPEG quality, and allowing me to blend into any setting, the X100Vi allows me to focus on what matters: capturing the world around me authentically. Its timeless design, reminiscent of classic film cameras, puts me in the right mindset for storytelling, helping me to approach my work with intention and focus.

For anyone looking to document real moments and tell impactful stories, the Fuji X100Vi offers a unique blend of simplicity, power, and reliability. With its thoughtful design and feature set, this camera proves that sometimes, less really is more.

Conclusion: More Than Just a Camera

The Fuji X100Vi for documentary photography is more than just a tool; it’s an invitation to slow down, to see, and to truly connect with each scene. Its features encourage photographers to be present, to focus on the story rather than the settings, and to capture images that resonate with authenticity. Whether you’re a seasoned professional or an enthusiast, the Fuji X100Vi offers a refreshing approach to photography, reminding us that sometimes, the best way to capture life is through simplicity.

Fuji XT5 vs X100VI for Street Photography: A Detailed Comparison

Fuji XT5 vs X100VI for Street Photography: A Detailed Comparison

When it comes to street photography, trying to decide between the Fuji XT5 vs X100Vi can be tough. Fujifilm has always been a top choice for photographers who want a balance of exceptional image quality and classic design. Two of the most popular options right now are the Fuji XT5 and the highly sought-after X100VI. Both of these cameras bring Fujifilm’s signature features and performance to the table, but in very different ways.

With the X100VI being notoriously hard to find in stock, many photographers are considering the XT5, paired with one of Fuji’s compact prime lenses like the 23mm f/2 or the 35mm f/2, as a potential alternative. While both cameras share the same 40MP X-Trans 5 sensor and the latest film simulations, they offer unique handling experiences. So, how do they compare, and which one might be the better fit for you?

In this post, I’ll dive into the key differences between the Fuji XT5 and X100VI for street photography. If you want to know which one I recommend, make sure to watch my YouTube video at the end for my full review and detailed opinion.

 

Fuji XT5 vs X100Vi – Image Quality: A Level Playing Field

 

First and foremost, let’s talk about image quality. Both the XT5 and X100VI are equipped with Fujifilm’s latest 40MP APS-C X-Trans 5 sensor, so you can expect the same level of image quality from both cameras. Whether you’re shooting in bright sunlight or low light, both cameras deliver sharp, detailed images with excellent color rendering and dynamic range.

One of the reasons I love Fujifilm is the variety of film simulations available, and both the XT5 and X100VI come with the full set, including the newer Reala Ace simulation. These film simulations are particularly useful in street photography, where you can quickly switch between different color tones or black and white without needing to spend time in post-processing.

In terms of autofocus performance, I’ve found both cameras to be very similar. They offer fast and accurate autofocus, which is essential for street photography when you need to capture moments quickly. The XT5, when paired with Fuji’s f/2 prime lenses, feels a little quicker because the lenses are virtually silent, whereas the X100VI’s fixed lens does produce a bit of noise due to its focus motors.

Design and Handling: Compact vs. Versatile

Now, let’s get into where these cameras really differ – design and handling.

Fujifilm X100VI: Compact and Discreet

Notice how flush the LCD screen is on the X100Vi

The X100VI is known for its compact size and portability, making it an excellent choice for photographers who want to be discreet while shooting on the street. It features a fixed 23mm f/2 lens (35mm full-frame equivalent), which is a fantastic focal length for street photography, offering a good balance between wide-angle and standard field of view. I’ve shot everything from portraits to travel photos with this focal length, and it works well for most situations.

The hybrid viewfinder on the X100VI is one of its standout features. It gives you the option of an optical viewfinder with an electronic overlay, or a fully electronic viewfinder. The optical viewfinder can be particularly useful in street photography because it lets you see subjects entering the frame before they’re captured, helping you time your shots more effectively. It also offers focus aids like magnified view and focus peaking, which can help when you’re shooting manually.

However, the grip on the X100VI is small. While it contributes to the camera’s compact size, I’ve found it a bit uncomfortable for longer shooting sessions, especially when shooting one-handed. To improve handling, I’ve added a SmallRig thumb rest and a grip extender, which makes it much more comfortable to use over extended periods.

Fujifilm XT5: Versatility with Interchangeable Lenses

On the other hand, the Fuji XT5 offers a more traditional DSLR-like design, with a larger body and central viewfinder hump. While it’s not as compact as the X100VI, it’s still relatively small and portable, especially when paired with one of Fuji’s compact prime lenses, such as the 23mm f/2 or 35mm f/2. This gives the XT5 an edge in terms of versatility, as you can switch lenses to suit different shooting situations.

The grip on the XT5 is larger, providing a more comfortable hold for longer shoots. I prefer to add a SmallRig grip when I know I’ll be shooting for an extended period, but even without it, the XT5 offers enough purchase to hold the camera securely. The 3-way tilting screen on the XT5 is also a nice touch, allowing for more flexible shooting angles, especially in portrait orientation. In contrast, the X100VI’s screen only tilts in two directions, but it’s sleeker and flush to the body, giving the camera a very streamlined appearance.

Controls and Customization: Traditional Fujifilm Dials

Both the XT5 and X100VI feature external control dials for shutter speed, ISO, and (when paired with a lens that has an aperture ring) aperture, which makes them both intuitive to use. This is one of the things I love most about Fujifilm cameras – the ability to quickly change settings without diving into menus.

X100VI: Compact Control Setup

The X100VI has a more streamlined control layout, with fewer physical buttons compared to the XT5. The ISO dial is integrated into the shutter speed dial, which can be adjusted with just one hand while shooting. I find this particularly useful in fast-paced environments like street photography, where every second counts. However, the X100VI relies more heavily on its touchscreen for navigating certain settings.

XT5: Extra Customization

The XT5 offers a bit more customization with the inclusion of a D-pad on the back, allowing for more function buttons and quicker access to frequently used settings. This can be a real advantage if you like to tweak your settings on the go. Additionally, the XT5 has dual SD card slots, which is useful if you’re shooting in RAW or want the peace of mind of having a backup card.

In-Use Experience: Portability vs. Flexibility

The X100vi’s LCD screen only articulates in two directions
The XT5’s 3 way articulating screen is more flexible

When it comes to real-world use, there are a few factors that might influence your decision.

Portability: X100VI

If you prioritize portability and discretion, the X100VI is hard to beat. Its leaf shutter is quieter than the XT5’s mechanical shutter, making it less noticeable in quiet environments. The fixed 23mm lens doesn’t protrude far from the camera body, giving the X100VI a very compact profile, and its built-in flash is great for adding a touch of fill light in backlit situations. The 4-stop ND filter is another handy feature that lets you shoot wide open in bright light without needing to attach any external accessories.

Flexibility: XT5

On the flip side, the XT5 offers much more flexibility thanks to its interchangeable lenses. While the 23mm f/2 lens on the XT5 gives a similar field of view to the X100VI, the ability to switch lenses gives you more creative options. Whether you’re looking to shoot wide-angle street scenes or zoom in for a tighter portrait, the XT5 can adapt to a wider range of scenarios.

Battery Life and Storage

Both cameras offer USB-C charging, which is convenient when you’re out on a long day of shooting. The XT5 has a larger NP-W235 battery, which generally lasts longer than the X100VI’s NP-W126S battery. However, I find that both cameras last long enough for most street photography sessions but I always carry a spare battery in my bag.

The XT5’s dual SD card slots are a nice addition, especially if you shoot in RAW or need to back up your images on the go. The X100VI only has a single card slot, but for most street photography, this isn’t a dealbreaker.

The inclusion of the D-Pad on the XT5 means it’s more customisable

Fuji XT5 vs X100Vi – Which Camera is Best for Street Photography?

At the end of the day, both the Fuji XT5 and X100VI are excellent cameras for street photography, but they cater to slightly different needs. The X100VI offers simplicity and discretion, while the XT5 provides more versatility and customization.

If you’re still unsure which one is right for you, I’ve made a detailed video comparing these two cameras in action. Be sure to check it out on my YouTube channel, where I go into more depth about the strengths and weaknesses of each model and offer my personal recommendation based on real-world use.

if you would like to see how best to setup the Fuji XT5 for street photography then head on over to this article or this video

 

Fujifilm X100VI Alternatives That Are In Stock Now!

Are you looking for Fujifilm X100VI alternatives?

If you’re like me, you’ve probably been eyeing the Fujifilm X100VI with its stunning image quality and sleek design. But, like many, you might have found it nearly impossible to track one down due to its high demand and limited stock. It’s been a real challenge getting my hands on one, and I know I’m not alone in this struggle.

But here’s some good news: the perfect camera might still be within reach! While waiting for the X100VI to become available can be frustrating, I’ve been diving into the world of alternative cameras that could be just as exciting, if not more so, depending on what you’re looking for.

Imagine discovering a camera that offers innovative features and exceptional performance, all while being in stock and ready to ship. These alternatives might surprise you with their unique capabilities and design, potentially even surpassing the X100VI. Whether you’re seeking those beautiful Fuji film profiles, versatile shooting options, or a fresh take on compact camera design, there’s a whole range of choices out there.

I’ve put together an in-depth YouTube video where I explore some of the best alternatives to the Fujifilm X100VI. In this video, I share my personal insights and experiences with each camera, helping you find a great option that’s available right now.

[Watch Now: Top Alternatives to the Fujifilm X100VI – Find Your Perfect Camera Today!]

I’m excited to share these discoveries with you and help you navigate the world of compact cameras. Click the link to watch the video, and let’s find a fantastic camera that’s actually in stock and available today.

Some of these alternatives are smaller, lighter, and even more versatile than the X100VI. The best part? They all offer equal or better image quality, and you can buy them right now.

Happy shooting, and I hope you find a camera that’s perfect for you!

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