Fujifilm X100vi Review:

Fuji X100Vi Review –

I’m starting this Fuji X100Vi review having owned several of the previous X100 series models.

As someone who has been drawn to Fujifilm’s X100 series for years, my experience with the latest model, the Fujifilm X100Vi, has only strengthened my admiration. This camera, with its 40MP sensor and thoughtful design, combines the simplicity of a fixed lens with the power of a high-resolution sensor, making it one of my go-to choices for documentary and travel photography, as well as an everyday carry for street photography. For anyone considering a compact, high-quality camera that allows you to focus on creativity without the distraction of switching lenses, the X100Vi is worth a closer look.

The 40MP Sensor: Versatile and Flexible

The X100Vi’s 40MP APS-C sensor is a significant upgrade from previous models, allowing for increased flexibility even with the fixed 23mm f/2 lens (35mm full-frame equivalent). The higher resolution offers the ability to crop images without a noticeable loss in quality—great for times when you need a tighter frame but only have one focal length. Whether shooting landscapes, portraits, or street scenes, the extra megapixels add flexibility that’s especially useful in a fixed-lens setup.

The Fuji X100Vi has A Sharp, Bright Lens with Classic Character

The built-in 23mm f/2 lens is sharp and handles a variety of lighting conditions well. The version on MyX100T was a little soft when shooting close up and wide open. This is no longer the case since the X100V.

At f/2, it’s bright enough to capture low-light scenes, yet offers pleasing bokeh that gives images character without compromising sharpness. This lens is versatile enough for landscapes, portraits, and street photography, and I’ve found it to be ideal for my documentary projects, where a natural look is often more impactful.

High-Quality Build, Even Without Japan-Made Label

Though the X100Vi is now manufactured in China, I’ve noticed no compromise in quality. It feels sturdy in hand, with a classic aesthetic that doesn’t draw unnecessary attention—a plus for candid street photography. The control dials for shutter speed, aperture, and ISO are tactile and easy to use, especially when shooting one-handed. Compared to my Fuji XT5, the ISO dial on the X100Vi is actually easier to adjust one-handed, a minor but noteworthy convenience.

Fuji X100Vi review: Leaf Shutter and Built-In ND Filter

One of my favorite features on the X100Vi is the leaf shutter, which allows for faster flash sync speeds—up to 1/2000 of a second. it is also subtle in use and offers a pleasing sound. This, combined with the built-in flash, enables subtle fill-flash effects that can be really helpful with outdoor, backlit portraits. The internal ND filter is another feature that shines, especially for bright conditions. Having previously used the X100T in the Philippines, I know how useful this ND filter can be in sunny climates, allowing for wide apertures without having to resort to the electronic shutter or worse still, over exposed photos.

In-Body Image Stabilization (IBIS): Enhanced Low-Light Capability

One of the notable upgrades with the X100Vi is the inclusion of in-body image stabilisation (IBIS). For a compact, fixed-lens camera, this is a significant feature, particularly for photographers who often find themselves shooting in low-light conditions. The IBIS system compensates for minor camera shakes, which is incredibly useful when shooting handheld at slower shutter speeds.

In practical terms, IBIS is especially beneficial when there’s limited ambient light, and you’re shooting a static scene. It allows you to lower the shutter speed without introducing motion blur, helping you capture sharp images while keeping ISO levels down. This is a feature I’ve found invaluable as the light fades during a shoot. Previously, with older models like the X100T, I’d often have to raise the ISO to maintain sharpness. With the X100Vi, I can drop the shutter speed, allowing the sensor to capture more light and keep noise levels to a minimum.

For a documentary and travel photographer, this enhancement makes the X100Vi even more versatile, especially when conditions aren’t ideal. It’s one more reason why this camera is proving to be my go-to choice for personal projects and spontaneous shoots alike.

Ergonomics and Customisation

The X100Vi has a solid ergonomic design, but I’ve added a SmallRig thumb rest and grip extension to make it truly comfortable for extended shoots. While the camera’s grip is pretty small on its own, these additions have made it much easier to handle for all-day use. The lack of a D-Pad is a minor drawback; the camera relies more on the touchscreen and joystick for adjustments, although the main settings are quick to access. I prefer the XT5’s extra custom functions. Nonetheless, the camera’s small size and weight are ideal for travel, and with these added accessories, it’s even better.

Battery Life: Good for a Day of Shooting

Despite using the older NP-W126s battery, I’ve found battery life to be better than expected. A single battery often lasts me through most of a day, which is impressive given that it now has IBIS. I still carry spares, especially for long shooting days, but I’m pleased with the performance overall. Of course it can also be charged by USB-C.

Film Simulations and the Joy of Simplified Shooting

One of the highlights of Fujifilm’s X100 series has always been the film simulations, and the X100Vi is no exception. Classic Chrome and Nostalgic Neg are my favourites, offering pleasing colours that work well for documentary and travel photography. These simulations simplify my workflow by allowing me to use the JPEGs a lot of the time with minimal post-processing—a benefit when trying to stay focused on capturing moments rather than editing.

Supply Issues and Alternatives

Fujifilm’s X100Vi has been difficult to find. Preorder numbers were huge and it is now sold out in a lot of places. It took me approximately 2-3 months to get mine. While Fujifilm moved production to China to increase output, demand still outpaces supply, leading to high resale prices. While I’m happy to pay retail, I wouldn’t pay the inflated prices from scalpers (Mainly on principle).

For those seeking alternatives, the Ricoh GRIII is another popular compact option but lacks a viewfinder and doesn’t match the X100Vi in physical appeal. Another alternative, especially for those wanting lens flexibility, is the Fuji XT5 paired with a small prime lens. And for those interested in full-frame, the Nikon ZF with a 28mm or 40mm lens is also a solid choice, although it’s heavier and doesn’t feel as comfortable to hold. I did a video on the alternatives to the X100Vi which goes into more detail.

The Fuji X100Vi in Practice: From Landscapes to Street Photography

Having spent over a year in 2015 using the Fuji X100T (my review here) while traveling in the Philippines, I came to appreciate the X100 series for its versatility and simplicity. I shot landscapes, street scenes, portraits, and travel images, and the 35mm equivalent focal length has proven more versatile than expected. While the X100 series has become trendy on Instagram, its popularity shouldn’t detract from its capabilities for serious photographers. This camera inspires creativity, encourages composition-focused shooting, and becomes an extension of the photographer as you learn to see the world in a 35mm frame.

Control Dials, Hybrid Viewfinder, and Customisation Options

The X100Vi’s dedicated dials for shutter speed, aperture, and ISO are a joy to use, offering a tactile shooting experience. The hybrid viewfinder, which combines an optical viewfinder with an electronic overlay, is a unique feature that works well for street photographers. Personally, I use the electronic viewfinder most of the time, but it’s nice to have the optical option for situations where seeing outside the frame is helpful. The focus ring can also be customised to adjust settings, though I turned off this function since it often got accidentally knocked in my bag.

Fuji X100Vi review Conclusion: A Camera I’ll Never Part With

After extensive use, especially during my recent documentary project in Devon, I’m convinced that the Fuji X100Vi will remain in my kit for the foreseeable future. It’s currently the camera I reach for most often because of its simplicity, size, and capability to produce beautiful images without the need to consider lens choices. While alternatives like the Nikon ZF offer full-frame performance and better low-light capability, the X100Vi wins for me in terms of portability and ease of use. I simply want to pick it up and use it more than other cameras that I own. I own some fantastic cameras so that is very high recommendation indeed.

If you’re a photographer looking for a camera that inspires you to shoot, one that simplifies your gear choices and makes you focus on the art of seeing, the Fuji X100Vi is worth every penny. Follow my journey with this camera as I continue to explore its potential in various projects and locations. I’ll be sharing more about my experience on my YouTube channel and Instagram, and you can also subscribe to my newsletter on my personal website to stay updated on upcoming projects, including more adventures with the X100Vi in the Philippines.

Fuji X100Vi for Documentary and travel Photography

Fuji X100Vi Documentary photography: How does it perform?

I’ve been using the Fuji X100Vi for Documentary photography and during my travels. Documentary photography often calls for a tool that’s as straightforward as it is capable, freeing the photographer from the complexities of gear decisions and allowing them to focus fully on the story they’re capturing. The Fuji X100Vi meets these needs exceptionally well. While it’s a camera known for its popularity with the instagram crowd, the X100Vi’s real strength lies in its simplicity and fixed-lens design, which strips away the distractions of lens choices, focal lengths, and heavy post-processing. Instead, it provides a direct, intuitive way to document life as it happens. This aspect of the Fuji X100Vi really helped me to focus on my photography while on a trip to Devon recently.

Fuji X100Vi: A Fixed-Lens Approach to documentary photographs

The Fuji X100Vi comes with a 23mm f/2 fixed lens, offering a 35mm equivalent focal length that many photographers find ideal for storytelling. This fixed lens does more than just limit choices; it encourages you to be fully present in your surroundings, knowing that you don’t have to worry about changing lenses or adjusting your gear. With just one focal length, you start to see the world differently, developing an intuitive sense of how each frame will look through the lens. This approach aligns perfectly with documentary photography, where capturing a scene’s authenticity is far more important than technical perfection.

As you get familiar with this focal length, compositions and perspectives start to come naturally. The constraints of a single lens push you to experiment with positioning, angles, and depth, ultimately enhancing your creative eye. You begin to recognize patterns, notice the subtleties of light and shadow, and instinctively capture moments as they unfold. This focus on storytelling through a single perspective is what makes the X100Vi an exceptional tool for documentary and travel photographers alike.

Compact and Unassuming: Blending Into the Scene

In documentary photography, the ability to capture genuine, unguarded moments is invaluable. The Fuji X100Vi’s small size and understated design make it perfect for this purpose. Unlike larger DSLR setups, which can be intimidating or disruptive, the X100Vi’s compact form allows photographers to blend into their surroundings. Its unassuming look makes it less likely to draw attention, enabling photographers to capture scenes without disturbing the natural flow of events. I’ve slimmed down my photography kit these days and have a great compact setup which you can see here.

Moreover, the camera’s leaf shutter is nearly silent, adding another layer of discretion. Whether photographing people on a busy street or capturing quiet moments indoors, this silent shutter helps maintain the scene’s authenticity, which is crucial in storytelling work. The X100Vi doesn’t demand attention, making it easier to capture real-life interactions and the nuances of everyday life.

Built-in ND Filter and Leaf Shutter: More Control in Every Condition

Two features that truly elevate the X100Vi for documentary photography are its built-in ND filter and leaf shutter. The built-in 4-stop ND filter allows you to shoot at wide apertures, even in bright daylight, which can add a beautiful separation between subject and background. This capability is especially useful in travel photography, where I am often in sunnier parts of the World.

The leaf shutter also enables high-speed flash sync up to 1/2000s, a unique advantage for a compact camera. This feature allows photographers to balance natural and artificial light easily, making it perfect for backlit portraits or scenes with complex lighting. Combined, these features provide a level of control that’s rare in compact cameras, giving documentary photographers more creative options without needing additional gear.

JPEG Quality: Shoot and Share Without the Hassle of Editing

One of the standout aspects of Fuji cameras is their outstanding in-camera JPEG processing. The X100Vi is no exception, featuring Fuji’s signature film simulations that produce beautiful images straight out of the camera. For photographers who prioritize storytelling over post-production, this is a game-changer. The X100Vi’s Classic Chrome film simulation, in particular, delivers muted tones and a cinematic feel, making it ideal for documentary work.

Because the camera produces such high-quality JPEGs, I often find I don’t need to use the RAW files, saving time and potentially storage. This emphasis on in-camera quality aligns perfectly with the philosophy of documentary photography—capturing the moment as it is, with minimal alteration. By reducing the need for post-processing, the X100Vi enables photographers to focus on shooting rather than editing, making it a perfect tool for photographers who want to stay present in the moment.

Documentary photography and Weather Sealing: Built for Real-World Conditions

Documentary projects often lead us to unpredictable environments. With the addition of a UV filter on the X100Vi’s lens, the camera becomes weather-sealed, adding a layer of protection against the elements. Whether you’re shooting on a windy coastline, in light rain, or in dusty conditions, the X100Vi can withstand a variety of climates. For travel photographers, this feature is invaluable. It allows you to shoot in diverse environments without worrying about damaging your equipment, so you can focus on your project instead.

The Fuji X100Vi as a Creative Partner

Ultimately, the Fuji X100Vi goes beyond its specs to become a true creative partner for photographers who value storytelling. By removing the complexities of interchangeable lenses, offering top-tier JPEG quality, and allowing me to blend into any setting, the X100Vi allows me to focus on what matters: capturing the world around me authentically. Its timeless design, reminiscent of classic film cameras, puts me in the right mindset for storytelling, helping me to approach my work with intention and focus.

For anyone looking to document real moments and tell impactful stories, the Fuji X100Vi offers a unique blend of simplicity, power, and reliability. With its thoughtful design and feature set, this camera proves that sometimes, less really is more.

Conclusion: More Than Just a Camera

The Fuji X100Vi for documentary photography is more than just a tool; it’s an invitation to slow down, to see, and to truly connect with each scene. Its features encourage photographers to be present, to focus on the story rather than the settings, and to capture images that resonate with authenticity. Whether you’re a seasoned professional or an enthusiast, the Fuji X100Vi offers a refreshing approach to photography, reminding us that sometimes, the best way to capture life is through simplicity.

Fuji XT5 Street Photography Best Settings

Fuji XT5 Street Photography Best Settings: A Complete Guide

Are you ready to take your Fuji XT5 street photography to the next level? If you’ve been searching for the best settings to optimize your camera for dynamic, fast-paced environments, you’ve come to the right place. In this guide, I’ll walk you through the key settings I use on my Fujifilm XT5, including custom function buttons and film recipes that will give your photos a distinctive look.

But if you prefer video tutorials or want to see these settings in action, I’ve put together a detailed YouTube video where I go over my full setup for street photography, including tips and examples. You can watch the video here:

Now, let’s dive into the settings.

1. Image Quality Settings

Getting the right image quality is crucial for street photography, especially when you’re shooting fast and in varied light. Here are the settings I use to ensure I capture both JPEG and RAW files:

–Image Quality: Fine JPEG + RAW
–RAW Recording: Lossless Compressed
–JPEG/HEIF: JPEG
–Film Simulation: Classic Chrome (or your choice—check out my YouTube video for more film recipe options!)
– Grain Effect: Off
– Color Chrome Effect: Off
– Color Chrome FX Blue: Off
– Smooth Skin Effect: Off

If you want to see how these settings translate to real street photography scenarios, don’t forget to check out my YouTube video where I walk you through these settings in real-time on the street.

2. White Balance & Dynamic Range Settings

These settings will help you maintain accurate colors and prevent blown-out highlights or shadows in varying lighting conditions.

– White Balance: Daylight
– Dynamic Range: Auto
– D Range Priority: Off
– Tone Curve: Default (H: 0, S: 0)

Want to see how I adjust these settings on the go in fast-changing street scenes? Be sure to watch this YouTube video for live demonstrations!

3. Color & Sharpness

Neutral colors and sharpness are essential for clean, striking images. Here are the best settings to achieve that:

– Color: 0
– Sharpness: 0
– High ISO NR: -4
– Clarity:c0
– Color Space: Adobe RGB for printing, or sRGB for general use

4. Auto Focus Settings

Street photography often happens fast, and you need autofocus settings that can keep up. Here’s what I recommend:

– Focus Area: Zone
– AF Mode: Zone
– If Using Single Point AF: Set focus points to 425
– AF Illuminator: Off
– Face/Eye Detection: Off
– MF Assist: Peaking, Red High
– Interlock Spot AE & Focus Area: On

5. Drive & ISO Settings

Quick adjustments for burst shooting and ISO sensitivity are crucial in street photography. Here’s how I set them up:

– Drive Settings:

– CH (High Burst Speed): 10 FPS
– CL (Low Burst Speed): 5 FPS
– ISO Auto Setting 1:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/160
– ISO Auto Setting 2:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/100

6. Function Button Settings

Quick access to essential functions is important for efficient street shooting. Here’s my custom button setup:

– Fn1: Face Detect
– Fn2: AF Mode
– Fn3: Photometry
– Fn4: Film Simulations
– Fn5: White Balance
– AE-L: ISO Auto Setting

Film Simulations for Street Photography

One of the standout features of Fujifilm cameras is their ability to simulate classic film looks. Below are some of my favorite film simulations for street photography.

Kodak Tri-X 400
*Credit: Fuji X Weekly*

– Film Simulation: Acros
– Dynamic Range: DR200
– Grain Effect: Strong, Large
– Color Chrome Effect: Strong
– White Balance: Daylight, +9 Red, -9 Blue
– Highlight: 0
– Shadow: +3
– ISO: 1600 – 12800

This recipe gives you a timeless black-and-white look.

Kodak Ultramax 400

*Credit: Fuji X Weekly*

– Film Simulation: Classic Chrome
– Grain Effect: Strong, Large
– White Balance: Auto, +1 Red, -5 Blue
– Dynamic Range: DR Auto
– Highlight: +1
– Shadow: +1
– Color: +4

Daily Driver

This is my go-to recipe for everyday shooting:

– Film Simulation: Nostalgic Negative
– Grain Effect: Weak, Large
– Color Chrome Effect: Weak
– Dynamic Range: DR400
– Tone Curve: H -2, S +2
– Color: +3
– Sharpness: -4

It balances sharpness and color for consistent, high-quality results.

If you found these settings useful and want to see them in action, don’t miss my latest video, where I show you exactly how I set up my Fuji XT5 for street photography. Whether it’s customizing autofocus or choosing the right film simulation, I cover it all in real-time:

Watch the Video: Best Fujifilm XT5 Settings for Street Photography

Fuji XT5 street photography best settings: Final thoughts

The Fujifilm XT5 is an amazing camera for street photography, but having the right settings makes all the difference. I hope this guide helps you set up your camera for success.

Fujifilm X100VI Alternatives That Are In Stock Now!

Are you looking for Fujifilm X100VI alternatives?

If you’re like me, you’ve probably been eyeing the Fujifilm X100VI with its stunning image quality and sleek design. But, like many, you might have found it nearly impossible to track one down due to its high demand and limited stock. It’s been a real challenge getting my hands on one, and I know I’m not alone in this struggle.

But here’s some good news: the perfect camera might still be within reach! While waiting for the X100VI to become available can be frustrating, I’ve been diving into the world of alternative cameras that could be just as exciting, if not more so, depending on what you’re looking for.

Imagine discovering a camera that offers innovative features and exceptional performance, all while being in stock and ready to ship. These alternatives might surprise you with their unique capabilities and design, potentially even surpassing the X100VI. Whether you’re seeking those beautiful Fuji film profiles, versatile shooting options, or a fresh take on compact camera design, there’s a whole range of choices out there.

I’ve put together an in-depth YouTube video where I explore some of the best alternatives to the Fujifilm X100VI. In this video, I share my personal insights and experiences with each camera, helping you find a great option that’s available right now.

[Watch Now: Top Alternatives to the Fujifilm X100VI – Find Your Perfect Camera Today!]

I’m excited to share these discoveries with you and help you navigate the world of compact cameras. Click the link to watch the video, and let’s find a fantastic camera that’s actually in stock and available today.

Some of these alternatives are smaller, lighter, and even more versatile than the X100VI. The best part? They all offer equal or better image quality, and you can buy them right now.

Happy shooting, and I hope you find a camera that’s perfect for you!

Title: Capturing Emotions: My Journey with the Fujifilm X-T5

I feel obliged to add a response to my previous article questioning the value of photography in this day and age.

You see, I’m a guy in my 40’s who has been a photographer for close to two decades. Over the years I have struggled with creative block as many creatives do. I have had periods of inactivity, exhaustion and non stop productivity. I have chased Instagram likes as a form of recognition for my work and also deleted all my social media. All this has often lead me to questioning the value of my photography.

A realisation came to me a few weeks ago when shooting a pre nuptial wedding shoot and looking at prints of my daugher. My photography has value in the moments and emotions captured in time. It doesn’t have to be perfect because the emotion that can be evoked when looking back through cherished photos goes deeper than technique, composition etc. Yes, all those things can add to a photo but it is the emotion captured that resonates most with the viewer.

In the past my perfectionism has lead to indecision and inaction and so I now try and live by the mantra of done is better than perfect. When I’m old and looking back on all the photos of my daughter I’ll be grateful to have so many memories, whether they are technically accomlished or not.

As a passionate photographer, I’ve embarked on a journey with the Fujifilm X-T5, a camera that goes beyond just being a tool—it’s a companion that has changed the way I see and feel about photography.

Discovering the Fujifilm X-T5:

From the moment I held the Fujifilm X-T5 in my hands, I knew there was something special about it. Its retro design, reminiscent of classic film cameras, instantly appealed to my aesthetic sensibilities. But it wasn’t just its appearance that drew me in; it was the promise of a photographic experience unlike any other. For me. photography has a soul and my cameras, or at least the best ones also have a soul and evoke emotion. The XT5 with its diminutive size, physical control dials and film simulations inspire me to create.

If you also want to feel that inspiration and are considering purchasing your own XT5 then please consider doing so through my Amazon link. This helps me to continue building this website and feed my family without costing you a penny more.

Embracing Creativity:

One of the most remarkable aspects of the Fujifilm X-T5 is its ability to inspire creativity. With its array of film simulation modes, I found myself exploring new artistic possibilities, each mode imbuing my images with a distinct mood and atmosphere. From the timeless elegance of Classic Chrome to the nostalgic warmth of Classic Neg, every frame became an expression of my creative vision.

Capturing Moments, Embracing Emotions:

What sets the Fujifilm X-T5 apart is its ability to capture not just images, but emotions. The camera’s exceptional image quality and color reproduction breathe life into every photograph, preserving the fleeting moments and emotions that define our lives. Whether it’s the joy of a my daughter’s laughter, the serenity of a sunset, or the intimacy of a candid portrait, the X-T5 elevates ordinary moments into extraordinary memories.

Connecting with the Past, Embracing the Future:

As I continue my journey with the Fujifilm X-T5, I can’t help but feel a deep connection to the rich legacy of photography. With its intuitive controls and tactile feel, the camera pays homage to the craftsmanship of analog cameras while embracing the cutting-edge technology of the digital age. It’s a perfect blend of past and present, reminding me that the true essence of photography lies not in pixels or megapixels, but in the emotions captured within each frame.

Conclusion:

In a world filled with endless distractions, the Fujifilm X-T5 along with a prime lens such as the 35mm f2, serves as a reminder to slow down, appreciate the beauty around me, and capture moments that matter. With its soulful design, unparalleled creativity, and ability to evoke emotions, it has become more than just a camera—it’s a gateway to a world of endless possibilities, where every click of the shutter is an invitation to explore, create, and connect with the world around us.

Fuji XT4 vs X Pro 3

If you are new to Fujifilm or simply looking to upgrade to the latest and greatest that Fuji has to offer you have probably looked for comparisons of the Fuji XT4 vs X Pro 3 but how do you choose between them. What are the main differences and more importantly what are they like to use?

I’m fortunate enough to own both of these top of the range APS-C models from Fujifilm and have used them both extensively. I bought mine from Amazon as I like their returns policy and customer service.

I love them both for very different reasons which I shall go through after explaining the more obvious differences in this Fuji XT4 vs X Pro 3 article. If you want a more detailed review of the Fuji XT4 then click here or watch my Fuji XT4 video review on youtube. You can also see the video version of this Fuji XT4 vs X Pro 3 article here

One thing that I should mention straight off the bat is that if you are a videographer then you can skip the rest of the article and just purchase the Fujifilm X-T4 as it is much more suited to video work due to its larger battery, fully articulating screen and better video specs including 4k 60 and 10 bit internal recording as well as IBIS.

For those of you who are primarily stills shooters then the choice is somewhat more difficult.

The Fuji X-T4 is like a sports saloon car, it can go fast and do virtually everything that a 2 seater convertible can do but with a bit less style and of course you can’t put the roof down on a sunny day (the roof in this case being the X-Pro 3’s hybrid viewfinder).

So let’s start with what the Fuji XT4 and X Pro 3 have in common:

26.1MP X-Trans IV CMOS APS-C sensor

X-Processor 4

weather resistance

maximum continuous shooting speed of 30fps (with crop) or 20fps when using the e-shutter

hybrid autofocus system with contrast and phase detection (max. 425 points)

dual SD card slot (UHS-II compatible)

Both cameras are using the same 26mp X-Trans IV sensor which results in identical image quality. They are both powered by the latest X-Processor 4 and offer the same hybrid AF system and in use they appear to be pretty much equally as fast. Neither are laggy when switching between menus items or indeed switching the camera on. The X-T4 may have a very slight edge in face detect AF due to the latest algorithm being employed but in the real world they are pretty much neck and neck.

Both are weather resistant and I have no issue using either of them in less than perfect weather. The feel in the hand offers very similar build quality but in a different way. The XT4 feels more dense and solid and it should as it weighs 609g vs the X-Pro 3 at 497g.

They are so similar in size that it is not even worth writing down the measurements. However when you pick them up they feel worlds apart.

The XT4 feels very solid, weighty and like a workhorse with its enlarged grip (compared to the XT3). It is a very nice design and I must admit that I do like the look of the camera. However the X-Pro 3 feels different to other cameras due to its range finder esque styling, beautifully machined and subtle finish. I should say that I have the standard black version not one of the Dura coated models.

The X-Pro 3 is probably the most beautiful camera that I have ever owned and that includes models such as the X100T (in silver) and a Silver Pen F, both of which are among the best looking digital cameras ever created. Pictures on the internet don’t do it justice. They really don’t.

In use there is no denying that the XT4 makes more sense for most people. It offers an individual ISO dial rather than the slightly fiddly design on the X-Pro 3 where you have to lift the shutter speed dial and twist it to your desired ISO speed. This also feels like a weak point that may be prone to break in the future but to be fair it hasn’t yet.

The XT4 also continues to use the D-Pad which offers up extra Fn buttons that can be programmed to your liking. I can happily accept cameras from Fuji with or without the D-Pad but if given the choice I would retain it.

That X-Pro 3 LCD Screen

The other main physical difference which may or may not affect you depending on your shooting style is the XT4’s fully articulating LCD screen vs the highly contentious inward facing screen on the X-Pro3. The Screen on the X-Pro 3 faces inward and only opens downward. This Is supposed to encourage you to use the viewfinder and avoid constantly chimping your images giving a pure and authentic photographic experience. Okay, I made that last bit up but I think that is the general idea.

The screen on the X-Pro3 while not conventional is actually not a dealbreaker for me unlike for some. It actually works well in practise and as I use the camera purely for stills, particularly, street, candid portraits and documentary photography it offers the only function I would ever want in those scenarios which is the ability to shoot from the hip on the street in order to be discreet. Plus if I want to review my photos I can easily do so via the EVF.

The rear of the screen has a second display which is permanently on and shows the current film simulation with what looks like the label of old Fujifilm film emulsions. Maybe it’s a bit cheesy but I quite like it. The display can also be changed to show your current shooting setting.

As much as I like the X-Pro 3’s rather novel LCD screen there’s no denying that for most, it is not as useful as the fully articulating one found on the XT4. If I was solely a street shooter or just taking travel/documentary type stills then my opinion would be different but as I shoot a lot of landscapes as well as some video too, the fully articulating screen offers more flexibility. I can reverse it to check framing when creating video and it offers a variety of positions should I be shooting at high or low angles as well as in portrait orientation. It also closes with the LCD screen facing inward which means it is protected and you can ignore it altogether should you wish.

In the end which screen you prefer will depend on what type of photographer you are and how you shoot. I imagine that someone coming from using their mobile phone for photography would find the X-Pro 3’s screen quite limiting. However I very rarely use the LCD screen on any camera to compose my photos so being forced to use the viewfinder simply is not an issue for me.

Prime or Zoom?

I choose whichever one will serve me best for whatever I plan to shoot on that occasion. If I’m heading out for landscapes I grab the XT4 along with the 10-24mm and 55-200mm lenses. If I am going on vacation with the family and just want a camera with me for candid shots of them and anything else encountered then I usually put the X-Pro3 with the 23mm 1.4 or 35mm f/2 in a small bag along with the 56mm 1.2, a spare battery and a powerbank. IMO the X-Pro 3 suits prime lenses and the XT4 works better with the zooms. Both of course can work well with either.

Fuji XT4 vs X Pro 3 EVF/OVF

The EVF on both models is virtually the same although the XT4 offers a little more magnification at 0.75x vs 0.66x and aa much larger viewfinder eye cup which helps to shield the viewfinder when shooting in bright sunlight. . In use the differences are hardly noticeable. Even though I am left eye dominant I am fortunate to be able to use either eye. The range finder style viewfinder on the left of the X-Pro 3 does have some advantages when shooting people as you are not quite so hidden behind the camera. This allows me to feel more connected with my subjects and be more aware of what is happening outside of the field of view of the viewfinder.

The hybrid viewfinder on the X-Pro 3 offers all the benefits of an EVF as well as providing an OVF. Using the lever on the front of the camera you can very quickly change between the two. You can also superimpose a small electronic image onto the OVF which can aid in focusing.

The design is excellent and although I have preferred EVF’s for sometime now the OVF can come in very useful when shooting on the street. For instance, it would allow you to perfectly time someone walking into frame and capture them in exactly the right position in your image due to the lack of any delay.

IBIS

Of course, the XT4 now has IBIS which can be useful when wanting to keep your ISO as low as possible as it allows you to shoot at shutter speeds not otherwise possible. If you shoot mostly people then the benefits of IBIS are probably not all that important as you will usually be using a faster shutter speed. It does allow for a little bit more creative control by enabling you to add motion to your images, for instance blurring the motion of subjects while retaining perfect sharpness of the surrounding scene.

If you are a travel/ landscape photographer and would rather not bring along your tripod then the IBIS in the XT4 is at its most useful. Allowing you to keep the ISO as low as possible to ensure the best possible image quality. I have found that with the Fuji 10-24mm lens I can consistantly handhold shots at the wide end down to 0.5 seconds. As useful as this is, if I am going out to do landscape photography then my tripod will be coming with me and so the IBIS becomes redundant. It is useful for grabbing quick shots which would otherwise require bumping up the ISO so it does add a level of flexibility that the X-Pro 3 lacks.

Staying Power

The XT4 also uses the larger capacity NP-W235 battery which offers significantly more shots than the NP-W236s used in the X-Pro 3. I get about 900 shots from the former and around 500 from the latter. Both cameras can be charged via USB-C so I usually only carry one spare for each and then recharge from a power bank. So although the new battery in the XT4 is definitely welcome it is perhaps not quite the deal breaker it would have been had neither of the cameras been capable of charging over USB-C.

The NP-W235 battery in the XT4 is much better.

When out and about shooting street and documentary photography I have noticed that I get a better reaction to the X-Pro 3 than the XT4. The design is minimalistic with no obvious Fuji logo on the front of the X-Pro3 and the classic range finder esque styling seems to be viewed as less threatening. I guess it looks more like an old film camera, a novelty if you will and so people pay it less attention or they enquire in a positive way about what camera it is. Yes you will get asked if it is a film camera quite a lot. Either way the reaction or lack of definitely makes me feel a little more confident and comfortable pointing it at strangers on the street.

Fuji XT4 vs X Pro 3 Conclusion

In the end the choice will come down to what type of photographer you are as much as the specs.

As an owner of both models my opinion is that for pure stills, perhaps with a focus on candid/street/documentary photography the sheer pleasure of owning and using such a unique camera would have me gravitate towards the X-Pro3 even though it is less flexible, less fully featured and actually more expensive than the XT4. For this type of photography I prefer using prime lenses and that is where the X-Pro 3 makes sense and shines. Attach the 23mm, 35mm or 50mm f/2 prime lens on the X-Pro 3 and you have a discreet, lightweight, weather sealed and very capable camera that (without sounding too poncy) epitomises the joy of photography, at least for me. It is a pleasure to use and it doesn’t hurt that it is as beautiful as it is capable.

With all that said, for 90% of photographers the XT4 is probably going to make more sense. It is cheaper, more capable, more comfortable to hold for long periods has better battery life and works better with Fuji’s zoom lenses (especially the red badge lenses) thanks to the larger grip and the option of a battery grip.

Add in the IBIS, fully articulating screen and better video options and it is one of the most well rounded mirrorless cameras available in any format and despite my love of the X-Pro 3, it is the one I would choose if I had to pick only one camera. However it doesn’t make me feel the way that the X-Pro 3 does and there is definitely something to be said for that.

Which one would you choose? I’d love to hear in the comments below.

My latest article on the Sony A7IV can be found here

Fujifilm XT4 Review in 2021

Fujilm XT4 Review in 2021

The Fujifilm XT4 was released in April 2020. In that time many other cameras have been released by various manufacturers. So I wanted to review the Fujifilm XT4 in 2021 to see how it performs. If you want to see how the Fuji XT4 compares with the X-Pro 3 then take a look at this article

If you would prefer to see a quick video on why you should buy the Fuji XT4 then you may want to check out my latest video instead. Alternatively you can see my Fuji XT4 video review which is now up on Youtube

The Fujifilm XT4 that I am reviewing is my own. I purchased it in October 2020 as it featured several important upgrades over the XT3 that convinced me that the XT series could finally be my main camera system. So here I am in 2021 reviewing the Fujifilm XT4. I now own the Fuji XT5 and have starting adding content about that camera here

The XT4 is Fujifilm’s top of the range X series camera. It uses the same 26mp X-Trans sensor as the previous generation of X series bodies. Having experience with the XT3 I already knew that the image quality that can be achieved with this sensor is excellent both in terms of resolution, dynamic range and high ISO performance. I will include sample images below just in case you are unaware of how this sensor performs.

100% crop of above image shows very little noise in the shadows

For me, the image quality that I would get was a known quantity and one that I knew I was happy with. However, the upgrades that made me look more closely at the XT4 were more on the handling side of things.

As I spend a lot of time out shooting with my family in tow, I often find that I don’t carry a tripod on these types of trips. Having been a long-time user of Olympus cameras and their excellent IBIS (in body image stabilisation) the inclusion of IBIS in the XT4 was a very welcome addition. So how well does the IBIS work? I wrote an OM System OM1 review too

With the Fuji 10-24mm f/4 lens attached the IBIS in the XT4 works alongside the OIS in the lens to give a claimed 6 stops of image stabilisation.

I took a series of images to see just how effective the IBIS was. Normally I can get sharp hand held images on the 10mm end of this lens shooting at 1/20^th second. If the shutter speed drops any lower then my keeper rate goes down. 1/15 of a second and below and it becomes a bit hit and miss.

With the IBIS turned on I found that I could consistently get sharp handheld photos at 1/3

to ½ a second. This is with excellent technique. If I shoot in a more casual manner, then I cannot achieve sharp images with slower shutter speeds than 1/5 second.

So, the XT4 IBIS in combination with the OIS in the 10-24mm lens is giving me approximately 4 stops of stabilisation at the wide end.

I repeated this experiment using the Fuji 55-200mm lens and found that I could consistently get sharp handheld images at the 200mm end at 1/10 second whereas normally I would have to be shooting at 1/320 giving me around 5 stops of stabilisation. This is pretty much in line with what Fuji says the XT4 IBIS will give you alone and about a stop under the 6 stops they claim the combined IBIS and OIS of the lens will give.

Overall the IBIS is not quite as effective as that found on the Olympus EM1 III where I could regularly handhold wide angel images at 1-2 seconds but I’m still happy with it when you take into account the larger APS-C sensor found in the XT4 giving you better ISO performance. It allows me to just about get down to speeds where I can add an element of motion to water which is the main reason I would be shooting at those shutter speeds.

Build quality and handling

When I first opened the slick black packaging of the Fuji XT4 and held the camera in my hand I was very pleasantly surprised. My previous experience with the XT series ( I have owned the XT1 and XT2 and tested out the XT3) was that they are well made but always felt a little hollow. I was not a fan of this feeling as I like a camera to feel solid in my hand. I take my gear all over the World and I want it to feel as if it can stand up to some serious work.

The XT4 immediately felt better and much more solid. Yes, it weighs a little more at 607g vs 539g for the XT3 but it feels much better built, does not have that hollow feeling and the grip has been enlarged which makes it much more comfortable in the hand. It is now 2mm wider and 5mm deeper than the XT3 at 135 x93x 64mm. The size now seems just about a perfect compromise between feeling solid, well-built and comfortable in the hand without being too bulky or heavy. Please do not change this Fuji as I think you nailed it this time.

The shutter mechanism is now rated to 300k actuations compared with 150k on the XT3. This alone speaks to the improved build quality and gives me confidence that the XT4 will easily cope with professional use.

LCD Screen

One of the most significant (and controversial) changes comes in the form of a fully articulating rear LCD. I know that some Fuji fans prefer a standard or 3-way tilt screen as found on previous generations, but I find a fully articulating rear screen to be the most flexible solution. It allows you to tilt up and down as well as front facing when horizontal and it also allows you to flip it 90 degrees to the camera body when shooting in portrait orientation. Not to mention that you can conveniently close it so that the screen faces in towards the body and is protected from being scratched or damaged. I understand that for ‘from the hip’ street shooting it may be less balanced and subtle but I rarely do that so don’t miss that ability.

The fully articulating screen is great but note the mic prot cover which is fiddly in use.

While I love the screen, I do have one gripe with it. Well actually its not with the screen itself but with the cheap flappy port covers for the mic and remote sockets. They get in the way when you are setup for video and then want to flip the screen from rear facing to forward facing. I wish Fuji would have made them removable but they didn’t. Inexplicably they did decide to make the memory card door removable. Surely that is the wrong way around.

Battery

Lastly the other change that was especially important to me was the use of the new NP-W235 battery which lasts much longer than the older generation NP-W126s found in the older generation cameras. I can now shoot well over 500 shots on one battery and as I have the battery grip and two additional batteries this can easily see me through a long weekend landscape photography shoot. The camera itself can also be charged by USB-C which is great as I have a ton of power banks lying around so I can just bring one or two power banks on my trips and charge all my devices including the camera.

Something that I am not so fond of is that Fuji does not include a proper charger in the box. Only a cheap looking Phone style USB charger and USB-C cable is included so you must charge the batteries up while in the camera. Not great if you need to charge batteries while using the camera. The same can be said of the batter grip as there is no way to charge this separately. You must attach it to the camera and then charge all 3 batteries together. Again, not really the best solution as it would be nice to be able to charge the batteries in the grip while using the camera. It’s not a big deal though because the batteries now easily get me through a day’s shooting and I can simply plug everything in to a power bank at night to charge them.

There are a few other additions to the XT4 which may be of interest to you but are not that significant for my use. One is the addition of Classic Chrome film simulation. This is a beautiful filmic looking preset that I find works very well for side lit scenes and Caucasian skin. However, as I shoot a lot of my portraits in Asia it doesn’t work so well for Asian skin tones, so I only tend to use it when I’m back in Europe.

Classic Chrome (used for this shot) suits Asian skintone better than the new Classic Neg but I tend to use one of the Pro Neg film simulations the most.

100% crop of above image using the 56mm 1.2@ 1.2, 1/125, ISO 160

The Fujifilm XT4 now also allows for 240 fps HD video capture but I must admit I have not used it thus far being primarily a stills shooter. The video specs of the XT4 are excellent and varied, offering a lot of options for professional video capture which I will be exploring more later in the year if I can get back to the UK once this damned pandemic is dealt with. The Eterna profile along with very good 10 bit 4k video means that the Xt4 is more than good enough for my video needs.

Image Quality

Finally, as promised here are some image quality samples for those of you who are unfamiliar with what the 26mp X-Trans sensor can produce. The image quality is basically unchanged from the XT3 and X-Pro 3. I own an X-Pro 3 and get exactly the same images from it as I do the XT4.

The AF performance and in particular face and eye detection is slightly improved in the XT4.

So why would I (and you) choose the Fujifilm XT4 over rivals such as the Sony A7II (which I have also owned)?

For me there are 3 main reasons.

Firstly, and most importantly (for me) the handling, ergonomics and joy of using the XT4 is beyond the A7III. The XT4 feels like a ‘real’ camera with its manual dials for ISO, shutter speed and aperture. The Sony feels like a smart phone on steroids and as a bit of a techno dinosaur I prefer the more analogue feel of Fujis. If I enjoy using a camera and it makes me feel inspired then I generally get better images with it.

Secondly, I wanted a rugged but lightweight camera system (note I said system) and while the XT4 may not be much smaller than the A7III/Z6/EOS R etc, when you combine it with the vast array of Fuji lenses (particularly the Zooms) then the kit as a whole is still significantly smaller than a full frame kit. My go to lenses for travel are the trio of 10-24mm, 18-55mm, 55-200mm and the 35mm f/2. This all fits easily in my bag ( Lowepro Flipside 400AW) with room for a spare body, batteries, filters, laptop, hard drives, mics, Mavic 2 Pro drone + 3x batteries and more.

You can build out quite a small full frame mirrorless kit but I always found it limiting to only stick to the smaller cheaper lenses and having used Sony cameras with the GM series of lenses in the past I found them unbalanced and unwieldy on the A7 series bodes. I understand why many use them and would never discourage that but for me the Fuji system does what I want at a size and weight that I am happy with.

Finally, an important factor in any decision is price. The Fuji system has options from cheap to expensive but overall, the cost of building a comprehensive kit around Fuji is cheaper than that of full frame and IMO the difference in image quality between APS-C and full frame is not worth the additional cost. In fact, I skipped it altogether and also added a medium format camera to my kit for those occasions where I need it.

For an alternative view from a talented photographer check out Jonas Rask’s Fuji XT4 article

Landscape photography with the Fujifilm XT4

I have just released a quick video on Youtube of a landscape photography session I had the other day using the Fujifilm XT4. If you are interested in what the Fuji XT4 or other Fuji cameras can do then please do take a look at the video.

https://youtu.be/Obvro3EtSfE