Fujifilm X100vi Review:

Fuji X100Vi Review –

I’m starting this Fuji X100Vi review having owned several of the previous X100 series models.

As someone who has been drawn to Fujifilm’s X100 series for years, my experience with the latest model, the Fujifilm X100Vi, has only strengthened my admiration. This camera, with its 40MP sensor and thoughtful design, combines the simplicity of a fixed lens with the power of a high-resolution sensor, making it one of my go-to choices for documentary and travel photography, as well as an everyday carry for street photography. For anyone considering a compact, high-quality camera that allows you to focus on creativity without the distraction of switching lenses, the X100Vi is worth a closer look.

The 40MP Sensor: Versatile and Flexible

The X100Vi’s 40MP APS-C sensor is a significant upgrade from previous models, allowing for increased flexibility even with the fixed 23mm f/2 lens (35mm full-frame equivalent). The higher resolution offers the ability to crop images without a noticeable loss in quality—great for times when you need a tighter frame but only have one focal length. Whether shooting landscapes, portraits, or street scenes, the extra megapixels add flexibility that’s especially useful in a fixed-lens setup.

The Fuji X100Vi has A Sharp, Bright Lens with Classic Character

The built-in 23mm f/2 lens is sharp and handles a variety of lighting conditions well. The version on MyX100T was a little soft when shooting close up and wide open. This is no longer the case since the X100V.

At f/2, it’s bright enough to capture low-light scenes, yet offers pleasing bokeh that gives images character without compromising sharpness. This lens is versatile enough for landscapes, portraits, and street photography, and I’ve found it to be ideal for my documentary projects, where a natural look is often more impactful.

High-Quality Build, Even Without Japan-Made Label

Though the X100Vi is now manufactured in China, I’ve noticed no compromise in quality. It feels sturdy in hand, with a classic aesthetic that doesn’t draw unnecessary attention—a plus for candid street photography. The control dials for shutter speed, aperture, and ISO are tactile and easy to use, especially when shooting one-handed. Compared to my Fuji XT5, the ISO dial on the X100Vi is actually easier to adjust one-handed, a minor but noteworthy convenience.

Fuji X100Vi review: Leaf Shutter and Built-In ND Filter

One of my favorite features on the X100Vi is the leaf shutter, which allows for faster flash sync speeds—up to 1/2000 of a second. it is also subtle in use and offers a pleasing sound. This, combined with the built-in flash, enables subtle fill-flash effects that can be really helpful with outdoor, backlit portraits. The internal ND filter is another feature that shines, especially for bright conditions. Having previously used the X100T in the Philippines, I know how useful this ND filter can be in sunny climates, allowing for wide apertures without having to resort to the electronic shutter or worse still, over exposed photos.

In-Body Image Stabilization (IBIS): Enhanced Low-Light Capability

One of the notable upgrades with the X100Vi is the inclusion of in-body image stabilisation (IBIS). For a compact, fixed-lens camera, this is a significant feature, particularly for photographers who often find themselves shooting in low-light conditions. The IBIS system compensates for minor camera shakes, which is incredibly useful when shooting handheld at slower shutter speeds.

In practical terms, IBIS is especially beneficial when there’s limited ambient light, and you’re shooting a static scene. It allows you to lower the shutter speed without introducing motion blur, helping you capture sharp images while keeping ISO levels down. This is a feature I’ve found invaluable as the light fades during a shoot. Previously, with older models like the X100T, I’d often have to raise the ISO to maintain sharpness. With the X100Vi, I can drop the shutter speed, allowing the sensor to capture more light and keep noise levels to a minimum.

For a documentary and travel photographer, this enhancement makes the X100Vi even more versatile, especially when conditions aren’t ideal. It’s one more reason why this camera is proving to be my go-to choice for personal projects and spontaneous shoots alike.

Ergonomics and Customisation

The X100Vi has a solid ergonomic design, but I’ve added a SmallRig thumb rest and grip extension to make it truly comfortable for extended shoots. While the camera’s grip is pretty small on its own, these additions have made it much easier to handle for all-day use. The lack of a D-Pad is a minor drawback; the camera relies more on the touchscreen and joystick for adjustments, although the main settings are quick to access. I prefer the XT5’s extra custom functions. Nonetheless, the camera’s small size and weight are ideal for travel, and with these added accessories, it’s even better.

Battery Life: Good for a Day of Shooting

Despite using the older NP-W126s battery, I’ve found battery life to be better than expected. A single battery often lasts me through most of a day, which is impressive given that it now has IBIS. I still carry spares, especially for long shooting days, but I’m pleased with the performance overall. Of course it can also be charged by USB-C.

Film Simulations and the Joy of Simplified Shooting

One of the highlights of Fujifilm’s X100 series has always been the film simulations, and the X100Vi is no exception. Classic Chrome and Nostalgic Neg are my favourites, offering pleasing colours that work well for documentary and travel photography. These simulations simplify my workflow by allowing me to use the JPEGs a lot of the time with minimal post-processing—a benefit when trying to stay focused on capturing moments rather than editing.

Supply Issues and Alternatives

Fujifilm’s X100Vi has been difficult to find. Preorder numbers were huge and it is now sold out in a lot of places. It took me approximately 2-3 months to get mine. While Fujifilm moved production to China to increase output, demand still outpaces supply, leading to high resale prices. While I’m happy to pay retail, I wouldn’t pay the inflated prices from scalpers (Mainly on principle).

For those seeking alternatives, the Ricoh GRIII is another popular compact option but lacks a viewfinder and doesn’t match the X100Vi in physical appeal. Another alternative, especially for those wanting lens flexibility, is the Fuji XT5 paired with a small prime lens. And for those interested in full-frame, the Nikon ZF with a 28mm or 40mm lens is also a solid choice, although it’s heavier and doesn’t feel as comfortable to hold. I did a video on the alternatives to the X100Vi which goes into more detail.

The Fuji X100Vi in Practice: From Landscapes to Street Photography

Having spent over a year in 2015 using the Fuji X100T (my review here) while traveling in the Philippines, I came to appreciate the X100 series for its versatility and simplicity. I shot landscapes, street scenes, portraits, and travel images, and the 35mm equivalent focal length has proven more versatile than expected. While the X100 series has become trendy on Instagram, its popularity shouldn’t detract from its capabilities for serious photographers. This camera inspires creativity, encourages composition-focused shooting, and becomes an extension of the photographer as you learn to see the world in a 35mm frame.

Control Dials, Hybrid Viewfinder, and Customisation Options

The X100Vi’s dedicated dials for shutter speed, aperture, and ISO are a joy to use, offering a tactile shooting experience. The hybrid viewfinder, which combines an optical viewfinder with an electronic overlay, is a unique feature that works well for street photographers. Personally, I use the electronic viewfinder most of the time, but it’s nice to have the optical option for situations where seeing outside the frame is helpful. The focus ring can also be customised to adjust settings, though I turned off this function since it often got accidentally knocked in my bag.

Fuji X100Vi review Conclusion: A Camera I’ll Never Part With

After extensive use, especially during my recent documentary project in Devon, I’m convinced that the Fuji X100Vi will remain in my kit for the foreseeable future. It’s currently the camera I reach for most often because of its simplicity, size, and capability to produce beautiful images without the need to consider lens choices. While alternatives like the Nikon ZF offer full-frame performance and better low-light capability, the X100Vi wins for me in terms of portability and ease of use. I simply want to pick it up and use it more than other cameras that I own. I own some fantastic cameras so that is very high recommendation indeed.

If you’re a photographer looking for a camera that inspires you to shoot, one that simplifies your gear choices and makes you focus on the art of seeing, the Fuji X100Vi is worth every penny. Follow my journey with this camera as I continue to explore its potential in various projects and locations. I’ll be sharing more about my experience on my YouTube channel and Instagram, and you can also subscribe to my newsletter on my personal website to stay updated on upcoming projects, including more adventures with the X100Vi in the Philippines.

Fuji X100Vi for Documentary and travel Photography

Fuji X100Vi Documentary photography: How does it perform?

I’ve been using the Fuji X100Vi for Documentary photography and during my travels. Documentary photography often calls for a tool that’s as straightforward as it is capable, freeing the photographer from the complexities of gear decisions and allowing them to focus fully on the story they’re capturing. The Fuji X100Vi meets these needs exceptionally well. While it’s a camera known for its popularity with the instagram crowd, the X100Vi’s real strength lies in its simplicity and fixed-lens design, which strips away the distractions of lens choices, focal lengths, and heavy post-processing. Instead, it provides a direct, intuitive way to document life as it happens. This aspect of the Fuji X100Vi really helped me to focus on my photography while on a trip to Devon recently.

Fuji X100Vi: A Fixed-Lens Approach to documentary photographs

The Fuji X100Vi comes with a 23mm f/2 fixed lens, offering a 35mm equivalent focal length that many photographers find ideal for storytelling. This fixed lens does more than just limit choices; it encourages you to be fully present in your surroundings, knowing that you don’t have to worry about changing lenses or adjusting your gear. With just one focal length, you start to see the world differently, developing an intuitive sense of how each frame will look through the lens. This approach aligns perfectly with documentary photography, where capturing a scene’s authenticity is far more important than technical perfection.

As you get familiar with this focal length, compositions and perspectives start to come naturally. The constraints of a single lens push you to experiment with positioning, angles, and depth, ultimately enhancing your creative eye. You begin to recognize patterns, notice the subtleties of light and shadow, and instinctively capture moments as they unfold. This focus on storytelling through a single perspective is what makes the X100Vi an exceptional tool for documentary and travel photographers alike.

Compact and Unassuming: Blending Into the Scene

In documentary photography, the ability to capture genuine, unguarded moments is invaluable. The Fuji X100Vi’s small size and understated design make it perfect for this purpose. Unlike larger DSLR setups, which can be intimidating or disruptive, the X100Vi’s compact form allows photographers to blend into their surroundings. Its unassuming look makes it less likely to draw attention, enabling photographers to capture scenes without disturbing the natural flow of events. I’ve slimmed down my photography kit these days and have a great compact setup which you can see here.

Moreover, the camera’s leaf shutter is nearly silent, adding another layer of discretion. Whether photographing people on a busy street or capturing quiet moments indoors, this silent shutter helps maintain the scene’s authenticity, which is crucial in storytelling work. The X100Vi doesn’t demand attention, making it easier to capture real-life interactions and the nuances of everyday life.

Built-in ND Filter and Leaf Shutter: More Control in Every Condition

Two features that truly elevate the X100Vi for documentary photography are its built-in ND filter and leaf shutter. The built-in 4-stop ND filter allows you to shoot at wide apertures, even in bright daylight, which can add a beautiful separation between subject and background. This capability is especially useful in travel photography, where I am often in sunnier parts of the World.

The leaf shutter also enables high-speed flash sync up to 1/2000s, a unique advantage for a compact camera. This feature allows photographers to balance natural and artificial light easily, making it perfect for backlit portraits or scenes with complex lighting. Combined, these features provide a level of control that’s rare in compact cameras, giving documentary photographers more creative options without needing additional gear.

JPEG Quality: Shoot and Share Without the Hassle of Editing

One of the standout aspects of Fuji cameras is their outstanding in-camera JPEG processing. The X100Vi is no exception, featuring Fuji’s signature film simulations that produce beautiful images straight out of the camera. For photographers who prioritize storytelling over post-production, this is a game-changer. The X100Vi’s Classic Chrome film simulation, in particular, delivers muted tones and a cinematic feel, making it ideal for documentary work.

Because the camera produces such high-quality JPEGs, I often find I don’t need to use the RAW files, saving time and potentially storage. This emphasis on in-camera quality aligns perfectly with the philosophy of documentary photography—capturing the moment as it is, with minimal alteration. By reducing the need for post-processing, the X100Vi enables photographers to focus on shooting rather than editing, making it a perfect tool for photographers who want to stay present in the moment.

Documentary photography and Weather Sealing: Built for Real-World Conditions

Documentary projects often lead us to unpredictable environments. With the addition of a UV filter on the X100Vi’s lens, the camera becomes weather-sealed, adding a layer of protection against the elements. Whether you’re shooting on a windy coastline, in light rain, or in dusty conditions, the X100Vi can withstand a variety of climates. For travel photographers, this feature is invaluable. It allows you to shoot in diverse environments without worrying about damaging your equipment, so you can focus on your project instead.

The Fuji X100Vi as a Creative Partner

Ultimately, the Fuji X100Vi goes beyond its specs to become a true creative partner for photographers who value storytelling. By removing the complexities of interchangeable lenses, offering top-tier JPEG quality, and allowing me to blend into any setting, the X100Vi allows me to focus on what matters: capturing the world around me authentically. Its timeless design, reminiscent of classic film cameras, puts me in the right mindset for storytelling, helping me to approach my work with intention and focus.

For anyone looking to document real moments and tell impactful stories, the Fuji X100Vi offers a unique blend of simplicity, power, and reliability. With its thoughtful design and feature set, this camera proves that sometimes, less really is more.

Conclusion: More Than Just a Camera

The Fuji X100Vi for documentary photography is more than just a tool; it’s an invitation to slow down, to see, and to truly connect with each scene. Its features encourage photographers to be present, to focus on the story rather than the settings, and to capture images that resonate with authenticity. Whether you’re a seasoned professional or an enthusiast, the Fuji X100Vi offers a refreshing approach to photography, reminding us that sometimes, the best way to capture life is through simplicity.

Why I Chose the Fujifilm X100Vi and XT5 for My Documentary Photography Project

I chose the Fuji XT5 and X100Vi for documentary photography after considering a number of cameras and systems. To see why, read on below:

If you’d rather watch than read then see my video.

When it comes to documentary photography, especially for a personal project like mine, choosing the right camera is crucial. My current project is deeply personal—it’s about honoring my late father by photographing the places in Devon and Cornwall that were important to him. These locations, from rugged coastlines to misty moorlands, represent the life he lived, and I want to capture them with the same care and attention to detail that they deserve.

For this project, I’m using two exceptional cameras: the Fujifilm X100Vi and the Fujifilm XT5 paired with a 35mm f2 lens. These cameras were not chosen randomly; they each bring unique qualities that make them ideal tools for documentary work. In this post, I’ll explain why these Fujifilm cameras are my go-to for such a meaningful documentary project, and why any documentary photographer should consider them.

The Importance of Choosing the Right Camera for Documentary Photography

Documentary photography is all about storytelling. It’s about capturing real moments, often in challenging conditions, without the luxury of setting up the perfect shot. As a photographer, you need a camera that not only delivers exceptional image quality but also allows you to focus on the story unfolding in front of you, rather than getting bogged down by technical settings.

For this project, I needed a camera setup that could do just that. I wanted a combination that would allow me to capture high-quality images for large prints, offer a look that complements the documentary style, and be portable enough for the long treks across Dartmoor and the coastline where I’ll be shooting.

Why I Chose the Fujifilm X100Vi for This Project

The Fujifilm X100Vi is one of the most talked-about cameras in the photography world, and for good reason. For my father’s documentary project, it’s the perfect companion for several key reasons:

1. Fixed 35mm Focal Length

The X100Vi features a fixed 23mm f2 lens, equivalent to 35mm on a full-frame camera. This focal length is ideal for documentary photography—it’s wide enough to capture landscapes and environmental shots, yet intimate enough to photograph people and details. One of the best aspects of using a fixed focal length is that it removes the indecision that often comes with choosing lenses. For this project, I don’t want to be constantly switching lenses or wondering which one to take. I grab the X100Vi, and I’m ready to shoot, trusting the focal length to adapt to any situation.

2. Classic Chrome Film Simulation

Fujifilm is renowned for its film simulations, and for this project, I’m primarily using Classic Chrome. This film simulation provides a muted, cinematic look that’s perfect for documentary work. It gives my photos a timeless feel, which is exactly what I want when capturing places that hold such historical and emotional significance. The look of Classic Chrome aligns beautifully with the tone I’m trying to achieve—nothing overly stylized, but rather authentic and true to the environment.

3. Compact and Lightweight Design

Carrying gear across Dartmoor or along the rugged Cornish coastline requires something lightweight. The X100Vi is compact and easy to carry, which means I can focus more on the locations and the experience rather than lugging around heavy equipment. Its discreet size also allows me to shoot in more intimate or busy environments without drawing too much attention, which is crucial for capturing authentic, unposed moments.

4. Timeless Design and Emotional Connection

The X100Vi isn’t just a tool; it’s a camera that puts me in the right emotional space to work on such a personal project. Its rangefinder-style design feels timeless, like the places I’m documenting. The simplicity of its controls keeps the technical aspects out of the way, allowing me to focus on the emotional connection I have with the locations. The camera becomes an extension of my vision rather than a distraction.

Why I Pair the Fujifilm XT5 with a 35mm f2 Lens

While the X100Vi is fantastic for most of my needs, there are times when I want a little more flexibility, and that’s where the Fujifilm XT5 comes in. Paired with the 35mm f2 lens, it offers a perfect balance between versatility and simplicity for documentary work.

1. 40MP Sensor for High-Quality Prints

The XT5 boasts Fujifilm’s latest 40MP sensor, which is a huge advantage for a project like this. I plan to print many of these images for a zine and for large-format prints that will be displayed in my home and studio. The detail that the XT5 provides is perfect for creating high-quality prints, even at large sizes, without sacrificing sharpness or clarity.

2. Flexibility with the 35mm f2 Lens

Although the X100Vi’s fixed 35mm focal length is fantastic, the XT5 gives me the option to change lenses if needed. For this project, I’ve chosen to stick with the 35mm f2, which gives me a consistent field of view and allows for easy transitions between the two cameras. The 35mm focal length is one of the most versatile, making it ideal for capturing landscapes, architecture, and even more intimate portraits.

3. Classic Chrome for a Consistent Look

Just like with the X100Vi, I’m using Classic Chrome on the XT5 to maintain a consistent look throughout the project. This uniformity in color and tone is crucial when shooting across different locations and conditions. Whether I’m photographing the misty hills of Dartmoor or the sunlit shores of Cornwall, Classic Chrome ensures that my images remain cohesive.

4. Weather Sealing for Rugged Conditions

Much of this project will be shot in unpredictable weather, particularly on Dartmoor and the Cornish coastline. The XT5 is weather-sealed, making it perfect for shooting in rain, mist, or even strong coastal winds. I don’t want to worry about my gear when I’m out in the field, and the XT5 gives me the peace of mind that it can handle whatever conditions I encounter.

5. Controls That Get Out of the Way

One of the reasons I love Fujifilm cameras is that their controls are simple and intuitive. On the XT5, the dedicated dials for ISO, shutter speed, and aperture allow me to adjust settings quickly without diving into menus. For documentary photography, where moments can pass in an instant, these physical dials are invaluable. They allow me to stay focused on the scene in front of me, rather than on my camera.

The Perfect Combination for Documentary Photography

For this project, the combination of the Fujifilm X100Vi and XT5 with the 35mm f2 lens provides the perfect balance between simplicity, image quality, and versatility. Whether I’m shooting in challenging weather on Dartmoor or capturing the intimate details of a coastal scene, these cameras deliver everything I need.

Small and lightweight enough for long hikes and discrete shooting, weather-sealed for unpredictable conditions, and equipped with the Classic Chrome film simulation for a consistent, documentary-style look, these cameras are helping me tell a story that’s incredibly personal.

When it comes to documentary photography, I don’t want to be distracted by gear or technicalities. I want a camera setup that works seamlessly with my vision, and the Fujifilm X100Vi and XT5 do exactly that. Their timeless design and thoughtful controls put me in the right frame of mind to focus on what really matters—the story I’m trying to tell through my images.

Conclusion

If you’re a documentary photographer or simply working on a personal project that requires reliable, high-quality gear, I can’t recommend the Fujifilm X100Vi and XT5 enough. These cameras offer everything you need to create powerful images without getting in the way of your creative process. The 40MP sensor, Classic Chrome film simulation, compact size, and weather sealing make them ideal for any photographer looking to capture meaningful stories in unpredictable environments.

To follow along with my documentary photography projects and see the latest videos be sure to watch my Youtube channel. You can also get more personal stories by heading on over the my personal website.

If you want to see how to setup your Fuji XT5 then check out my article here

By simplifying my gear choices, I’ve been able to focus entirely on what matters most: the story. These cameras don’t just help me capture images—they help me stay connected to the project and honour my father’s memory through photography.

How to overcome Gear Acquisition Syndrome in Photography

How I Cured Gear Acquisition Syndrome (GAS) and Focused on My Photography Goals

I’ve finally learnt how to overcome gear acquisition syndrome in photography and I’d like to share what helped me.

In today’s fast-paced world of photography, it’s easy to get caught up in the endless cycle of buying new gear. Whether it’s the latest camera body, a new lens, or other accessories, many photographers experience Gear Acquisition Syndrome (GAS) at some point. I know I did. Over the last 10 years of my non-professional photography journey, I owned far too many cameras, constantly upgrading and switching gear in search of the next best thing. However, I realized something important: buying more gear wasn’t making me a better photographer.

In this blog post, I’ll explain how I cured GAS, simplified my photography kit, and redirected my focus towards what really matters: creating meaningful photographic work and achieving my personal photography goals. This shift has not only improved my photography but has also allowed me to regain the joy of shooting, unburdened by the pressure of owning the latest and greatest gear.

If you are already over the GAS stage then head on over to my personal blog where this week I discuss the work of Ernst Haas

How to overcome gear acquisition syndrome in photography.

Firstly, What Is Gear Acquisition Syndrome (GAS)?

Before we dive into how I cured it, let’s talk about what Gear Acquisition Syndrome (GAS) actually is. GAS is the constant desire to purchase new photography equipment, even when it’s not necessary. You might convince yourself that a new camera body or a specific lens will take your photography to the next level, or you feel pressure to keep up with the latest gear trends, thinking it will improve your work. While upgrading your gear can be useful in some cases, it often becomes a distraction from what truly matters: the art and purpose behind your photography.

My Personal Struggle with GAS

In the past 10 years, I fell into the trap of constantly upgrading my equipment. I’ve owned countless cameras, ranging from entry-level DSLRs to advanced mirrorless systems. I’d read reviews, watch videos, and believe that each new piece of gear would somehow transform my photography. However, during the 5 years I spent as a professional photographer, I only had two cameras—and that was more than enough. Back then, I was entirely focused on the work, not the gear.

Lightroom Metadata showing just some of my cameras

As I transitioned into a non-professional photography role, I found myself paying more attention to the latest gear releases and less attention to what I was actually photographing. I became obsessed with having the latest technology, thinking it would make me a better photographer. But deep down, I knew it wasn’t the gear that mattered—it was my vision and technique.

Notice how few shots I’m actually taking with each camera

The Turning Point: Focusing on What Matters

After years of chasing gear, I started asking myself some serious questions about what I really wanted from photography. What is the purpose of my work? What kind of photography do I want to create? The answer was clear: I wanted to create story-driven, meaningful photography, focusing on social and environmental projects. Gear was simply a tool to achieve those goals, not the goal itself.

Photographers Like Ernst Haas used minimal gear

At that moment, I decided to simplify my gear collection and focus on only what I needed to produce the kind of photographic work I care about. By streamlining my kit, I stopped thinking about the latest tech and started thinking more about the techniques and projects that would help me achieve my goals.

Simplifying My Gear

One of the first steps I took to cure GAS was to significantly reduce the number of cameras I owned. I now focus on just a few key pieces of equipment that I need for the work I want to do. Instead of constantly switching between camera bodies and lenses, I’ve honed in on a setup that works for me: the Fuji X100Vi and Fuji XT5, along with a couple of small, versatile prime lenses. These cameras allow me to capture the images I need without the distraction of having too many choices.

Don McCullin, a great photographer used simple gear to capture his incredible stories

By limiting my gear, I’ve noticed that my creativity and focus have increased. I’m no longer wasting time researching the next camera upgrade or worrying about whether my gear is good enough. I’m able to concentrate on my photography projects, honing my skills, and telling the stories that matter to me.

Refocusing My Photography and YouTube Channel

This shift in mindset has not only impacted my photography but also the direction of my YouTube channel. When I first started making videos, a lot of the content was focused on gear reviews and comparisons. But as I’ve re-evaluated my goals, I’ve realized that I don’t want my channel to be about gear anymore. Instead, I want to focus on photography techniques, the projects I’m working on, and the inspiration behind my work.

My future content will highlight photography as an art form and how we can use it to tell meaningful stories, whether those are personal projects or broader social or environmental issues. Of course, I’ll still mention gear when it’s relevant to a project, but it will no longer be the focus of my channel. My goal is to connect with like-minded people who care more about the purpose behind photography than the equipment we use.

How You Can Overcome GAS

If you’re struggling with Gear Acquisition Syndrome, here are a few tips to help you break free and refocus on your photography goals:

Ask yourself why you need new gear: Do you really need that new camera, or are you just upgrading because it’s the latest trend? Think critically about whether new gear will truly improve your photography or if you’re just falling into the trap of consumerism.
Focus on your photographic goals: What kind of photography do you want to create? Whether it’s street photography, documentary work, or creative portraiture, think about the type of work you want to produce and what gear you actually need to achieve those goals.
Simplify your kit: By reducing the amount of gear you own, you’ll spend less time thinking about equipment and more time taking photos. Limiting your options can also boost creativity by forcing you to work within constraints.
Shift your mindset: Stop thinking of gear as the answer to better photography. Instead, focus on improving your skills, mastering the tools you already have, and working on meaningful projects that inspire you.

Conclusion: Gear Isn’t Everything

For a long time, I thought that having the best gear would make me a better photographer, but I’ve since learned that this isn’t the case. Photography is about storytelling, creativity, and technique—not the latest camera or lens. By curing my Gear Acquisition Syndrome and focusing on my goals, I’ve rediscovered the joy of photography and am more motivated than ever to work on projects that truly matter.

If you’ve been struggling with GAS or feel like gear is distracting you from your creative goals, I hope this post helps you refocus on what’s really important in your photography journey.

To dive deeper into how I cured my own GAS and how I’m moving forward with my photography, check out my latest video: How I cured GAS and saved myself thousands

Fuji XT5 vs X100VI for Street Photography: A Detailed Comparison

When it comes to street photography, trying to decide between the Fuji XT5 vs X100Vi can be tough. Fujifilm has always been a top choice for photographers who want a balance of exceptional image quality and classic design. Two of the most popular options right now are the Fuji XT5 and the highly sought-after X100VI. Both of these cameras bring Fujifilm’s signature features and performance to the table, but in very different ways.

With the X100VI being notoriously hard to find in stock, many photographers are considering the XT5, paired with one of Fuji’s compact prime lenses like the 23mm f/2 or the 35mm f/2, as a potential alternative. While both cameras share the same 40MP X-Trans 5 sensor and the latest film simulations, they offer unique handling experiences. So, how do they compare, and which one might be the better fit for you?

In this post, I’ll dive into the key differences between the Fuji XT5 and X100VI for street photography. If you want to know which one I recommend, make sure to watch my YouTube video at the end for my full review and detailed opinion.

Fuji XT5 vs X100Vi – Image Quality: A Level Playing Field

First and foremost, let’s talk about image quality. Both the XT5 and X100VI are equipped with Fujifilm’s latest 40MP APS-C X-Trans 5 sensor, so you can expect the same level of image quality from both cameras. Whether you’re shooting in bright sunlight or low light, both cameras deliver sharp, detailed images with excellent color rendering and dynamic range.

One of the reasons I love Fujifilm is the variety of film simulations available, and both the XT5 and X100VI come with the full set, including the newer Reala Ace simulation. These film simulations are particularly useful in street photography, where you can quickly switch between different color tones or black and white without needing to spend time in post-processing.

In terms of autofocus performance, I’ve found both cameras to be very similar. They offer fast and accurate autofocus, which is essential for street photography when you need to capture moments quickly. The XT5, when paired with Fuji’s f/2 prime lenses, feels a little quicker because the lenses are virtually silent, whereas the X100VI’s fixed lens does produce a bit of noise due to its focus motors.

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Design and Handling: Compact vs. Versatile

Now, let’s get into where these cameras really differ – design and handling.

Fujifilm X100VI: Compact and Discreet

Notice how flush the LCD screen is on the X100Vi

The X100VI is known for its compact size and portability, making it an excellent choice for photographers who want to be discreet while shooting on the street. It features a fixed 23mm f/2 lens (35mm full-frame equivalent), which is a fantastic focal length for street photography, offering a good balance between wide-angle and standard field of view. I’ve shot everything from portraits to travel photos with this focal length, and it works well for most situations.

The hybrid viewfinder on the X100VI is one of its standout features. It gives you the option of an optical viewfinder with an electronic overlay, or a fully electronic viewfinder. The optical viewfinder can be particularly useful in street photography because it lets you see subjects entering the frame before they’re captured, helping you time your shots more effectively. It also offers focus aids like magnified view and focus peaking, which can help when you’re shooting manually.

However, the grip on the X100VI is small. While it contributes to the camera’s compact size, I’ve found it a bit uncomfortable for longer shooting sessions, especially when shooting one-handed. To improve handling, I’ve added a SmallRig thumb rest and a grip extender, which makes it much more comfortable to use over extended periods.

Fujifilm XT5: Versatility with Interchangeable Lenses

On the other hand, the Fuji XT5 offers a more traditional DSLR-like design, with a larger body and central viewfinder hump. While it’s not as compact as the X100VI, it’s still relatively small and portable, especially when paired with one of Fuji’s compact prime lenses, such as the 23mm f/2 or 35mm f/2. This gives the XT5 an edge in terms of versatility, as you can switch lenses to suit different shooting situations.

The grip on the XT5 is larger, providing a more comfortable hold for longer shoots. I prefer to add a SmallRig grip when I know I’ll be shooting for an extended period, but even without it, the XT5 offers enough purchase to hold the camera securely. The 3-way tilting screen on the XT5 is also a nice touch, allowing for more flexible shooting angles, especially in portrait orientation. In contrast, the X100VI’s screen only tilts in two directions, but it’s sleeker and flush to the body, giving the camera a very streamlined appearance.

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Controls and Customization: Traditional Fujifilm Dials

Both the XT5 and X100VI feature external control dials for shutter speed, ISO, and (when paired with a lens that has an aperture ring) aperture, which makes them both intuitive to use. This is one of the things I love most about Fujifilm cameras – the ability to quickly change settings without diving into menus.

X100VI: Compact Control Setup

The X100VI has a more streamlined control layout, with fewer physical buttons compared to the XT5. The ISO dial is integrated into the shutter speed dial, which can be adjusted with just one hand while shooting. I find this particularly useful in fast-paced environments like street photography, where every second counts. However, the X100VI relies more heavily on its touchscreen for navigating certain settings.

XT5: Extra Customization

The XT5 offers a bit more customization with the inclusion of a D-pad on the back, allowing for more function buttons and quicker access to frequently used settings. This can be a real advantage if you like to tweak your settings on the go. Additionally, the XT5 has dual SD card slots, which is useful if you’re shooting in RAW or want the peace of mind of having a backup card.

In-Use Experience: Portability vs. Flexibility

The X100vi’s LCD screen only articulates in two directions

The XT5’s 3 way articulating screen is more flexible

When it comes to real-world use, there are a few factors that might influence your decision.

Portability: X100VI

If you prioritize portability and discretion, the X100VI is hard to beat. Its leaf shutter is quieter than the XT5’s mechanical shutter, making it less noticeable in quiet environments. The fixed 23mm lens doesn’t protrude far from the camera body, giving the X100VI a very compact profile, and its built-in flash is great for adding a touch of fill light in backlit situations. The 4-stop ND filter is another handy feature that lets you shoot wide open in bright light without needing to attach any external accessories.

Flexibility: XT5

On the flip side, the XT5 offers much more flexibility thanks to its interchangeable lenses. While the 23mm f/2 lens on the XT5 gives a similar field of view to the X100VI, the ability to switch lenses gives you more creative options. Whether you’re looking to shoot wide-angle street scenes or zoom in for a tighter portrait, the XT5 can adapt to a wider range of scenarios.

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Battery Life and Storage

Both cameras offer USB-C charging, which is convenient when you’re out on a long day of shooting. The XT5 has a larger NP-W235 battery, which generally lasts longer than the X100VI’s NP-W126S battery. However, I find that both cameras last long enough for most street photography sessions but I always carry a spare battery in my bag.

The XT5’s dual SD card slots are a nice addition, especially if you shoot in RAW or need to back up your images on the go. The X100VI only has a single card slot, but for most street photography, this isn’t a dealbreaker.

The inclusion of the D-Pad on the XT5 means it’s more customisable

Fuji XT5 vs X100Vi – Which Camera is Best for Street Photography?

At the end of the day, both the Fuji XT5 and X100VI are excellent cameras for street photography, but they cater to slightly different needs. The X100VI offers simplicity and discretion, while the XT5 provides more versatility and customization.

If you’re still unsure which one is right for you, I’ve made a detailed video comparing these two cameras in action. Be sure to check it out on my YouTube channel, where I go into more depth about the strengths and weaknesses of each model and offer my personal recommendation based on real-world use.

if you would like to see how best to setup the Fuji XT5 for street photography then head on over to this article or this video

Fuji XT5 Street Photography Best Settings

Fuji XT5 Street Photography Best Settings: A Complete Guide

Are you ready to take your Fuji XT5 street photography to the next level? If you’ve been searching for the best settings to optimize your camera for dynamic, fast-paced environments, you’ve come to the right place. In this guide, I’ll walk you through the key settings I use on my Fujifilm XT5, including custom function buttons and film recipes that will give your photos a distinctive look.

But if you prefer video tutorials or want to see these settings in action, I’ve put together a detailed YouTube video where I go over my full setup for street photography, including tips and examples. You can watch the video here:

Now, let’s dive into the settings.

1. Image Quality Settings

Getting the right image quality is crucial for street photography, especially when you’re shooting fast and in varied light. Here are the settings I use to ensure I capture both JPEG and RAW files:

–Image Quality: Fine JPEG + RAW
–RAW Recording: Lossless Compressed
–JPEG/HEIF: JPEG
–Film Simulation: Classic Chrome (or your choice—check out my YouTube video for more film recipe options!)
– Grain Effect: Off
– Color Chrome Effect: Off
– Color Chrome FX Blue: Off
– Smooth Skin Effect: Off

If you want to see how these settings translate to real street photography scenarios, don’t forget to check out my YouTube video where I walk you through these settings in real-time on the street.

2. White Balance & Dynamic Range Settings

These settings will help you maintain accurate colors and prevent blown-out highlights or shadows in varying lighting conditions.

– White Balance: Daylight
– Dynamic Range: Auto
– D Range Priority: Off
– Tone Curve: Default (H: 0, S: 0)

Want to see how I adjust these settings on the go in fast-changing street scenes? Be sure to watch this YouTube video for live demonstrations!

3. Color & Sharpness

Neutral colors and sharpness are essential for clean, striking images. Here are the best settings to achieve that:

– Color: 0
– Sharpness: 0
– High ISO NR: -4
– Clarity:c0
– Color Space: Adobe RGB for printing, or sRGB for general use

4. Auto Focus Settings

Street photography often happens fast, and you need autofocus settings that can keep up. Here’s what I recommend:

– Focus Area: Zone
– AF Mode: Zone
– If Using Single Point AF: Set focus points to 425
– AF Illuminator: Off
– Face/Eye Detection: Off
– MF Assist: Peaking, Red High
– Interlock Spot AE & Focus Area: On

5. Drive & ISO Settings

Quick adjustments for burst shooting and ISO sensitivity are crucial in street photography. Here’s how I set them up:

– Drive Settings:

– CH (High Burst Speed): 10 FPS
– CL (Low Burst Speed): 5 FPS
– ISO Auto Setting 1:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/160
– ISO Auto Setting 2:
– Default Sensitivity: 125
– Max Sensitivity: 12800
– Min Shutter Speed: 1/100

6. Function Button Settings

Quick access to essential functions is important for efficient street shooting. Here’s my custom button setup:

– Fn1: Face Detect
– Fn2: AF Mode
– Fn3: Photometry
– Fn4: Film Simulations
– Fn5: White Balance
– AE-L: ISO Auto Setting

Film Simulations for Street Photography

One of the standout features of Fujifilm cameras is their ability to simulate classic film looks. Below are some of my favorite film simulations for street photography.

Kodak Tri-X 400
*Credit: Fuji X Weekly*

– Film Simulation: Acros
– Dynamic Range: DR200
– Grain Effect: Strong, Large
– Color Chrome Effect: Strong
– White Balance: Daylight, +9 Red, -9 Blue
– Highlight: 0
– Shadow: +3
– ISO: 1600 – 12800

This recipe gives you a timeless black-and-white look.

Kodak Ultramax 400

*Credit: Fuji X Weekly*

– Film Simulation: Classic Chrome
– Grain Effect: Strong, Large
– White Balance: Auto, +1 Red, -5 Blue
– Dynamic Range: DR Auto
– Highlight: +1
– Shadow: +1
– Color: +4

Daily Driver

This is my go-to recipe for everyday shooting:

– Film Simulation: Nostalgic Negative
– Grain Effect: Weak, Large
– Color Chrome Effect: Weak
– Dynamic Range: DR400
– Tone Curve: H -2, S +2
– Color: +3
– Sharpness: -4

It balances sharpness and color for consistent, high-quality results.

If you found these settings useful and want to see them in action, don’t miss my latest video, where I show you exactly how I set up my Fuji XT5 for street photography. Whether it’s customizing autofocus or choosing the right film simulation, I cover it all in real-time:

Watch the Video: Best Fujifilm XT5 Settings for Street Photography

Fuji XT5 street photography best settings: Final thoughts

The Fujifilm XT5 is an amazing camera for street photography, but having the right settings makes all the difference. I hope this guide helps you set up your camera for success.

Fuji XT5 street photography: Is It the Perfect Street camera

Fuji XT5 Street photography: Is this the perfect camera?

I have seen alot of Fuji XT5 street photography lately. As I dip my toes into the world of street photography, I find myself on the hunt to see why the XT5 is so often praised by street photographers. Recently, I’ve been exploring the Fujifilm XT5 for street photography, as it has garnered a lot of praise for its features and design. After shooting in the rainy streets of Coventry for my latest youtube video, I want to share my thoughts on how the XT5 might just be the perfect camera for someone like me who’s just starting out. If you want to see my rainy street photography experience, be sure to check out my YouTube video. For more photography tips and insights, visit my personal blog at David J. Fleet Photography Blog .

What Makes a Good Camera for Street Photography?

As a beginner (to street photography), I’ve learned that a camera for street photography should have several key characteristics:

Size and Portability

One of the first things I noticed about the Fuji XT5 is its size. It’s compact enough to carry around without feeling bulky, which is perfect for me as I wander through city streets. Being lightweight makes it easy to move quickly and blend into my surroundings, helping me capture genuine moments without drawing too much attention.

LCD Screen Design

The three-way tilt screen is another feature I love. As someone who is still getting comfortable with composing shots on the screen rather than viewfinder (for POV videos), this flexibility allows me to frame photos from different angles without attracting unwanted attention. Whether I’m shooting at waist level or getting low to the ground, this screen makes it easy to get the shot I envision.

User-Friendly Controls

The physical control dials on the XT5 offer an inspiring shooting experience. While they may feel slower than the typical PASM dials found on many cameras, I appreciate being able to check my settings visually without digging through menus. I’m often focused on capturing moments, so knowing that my settings are as I intended gives me peace of mind.

Image Quality

One of the most impressive aspects of the XT5 is its 40MP resolution. This high resolution allows me to crop images without losing quality, which is particularly useful when working with prime lenses on the street.

Discreet Design

I find the look of the XT5 appealing; it’s not as imposing as a large DSLR. This discretion is crucial for me, especially when I want to capture candid moments. A camera that looks less intimidating makes it easier to shoot natural scenes without disrupting the environment.

Custom Settings and Speed

The XT5 includes seven custom slots for saving various settings, which is incredibly helpful as I experiment with different styles and conditions. I appreciate the fact that the autofocus system is fast enough for my needs, especially when I’m out in the unpredictable nature of street photography.

Depth of Field

With its APS-C sensor, the XT5 provides extra depth of field for a given aperture compared with 35mm sensors. I find this a positive as I often want more depth of field in street shots.

Film Simulations

Fujifilm’s film simulations are very popular and for good reason. I love that I can tweak these settings to get the look I want, and often, I find myself just as happy with the JPEGs as I am with the RAW files. This feature allows me to have fun experimenting without too much editing later.

These colours are staright out of camera

My Experience Shooting in Coventry

During my recent adventure in Coventry, I was eager to test the XT5 in real-world conditions. The rain provided a unique atmosphere, and knowing the camera was weather-sealed gave me the confidence to shoot without worrying about the elements.

The compact size made it easy for me to navigate through the city, capturing spontaneous moments of daily life. The tilt screen proved invaluable as I crouched to shoot reflections in puddles, allowing me to get creative without drawing attention. The physical controls let me make quick adjustments, ensuring I was ready to capture fleeting moments.

The 40MP images I captured turned out beautifully, with rich colors and impressive details. Even after cropping for composition, the images held up remarkably well. Pairing the XT5 with Fujifilm’s compact f/2 primes made for a lightweight setup that excelled in the wet conditions.

Fujifilm XT5 street photography: is this the Perfect Camera for Beginners in Street Photography?

In my experience so far, the Fujifilm XT5 seems like a fantastic choice for someone just getting into street photography. Its combination of size, image quality, intuitive controls, and customizable features make it approachable for newcomers. My time shooting in Coventry reinforced my belief in its capabilities.

If you’re considering your first camera for street photography, I highly recommend giving the Fuji XT5 a shot. And don’t forget to check out my YouTube video for more insights and examples of the camera in action. For further discussions and tips on photography, feel free to explore my personal blog

Happy shooting, and may you capture many beautiful moments on the streets!

Fujifilm X100VI Alternatives That Are In Stock Now!

Are you looking for Fujifilm X100VI alternatives?

If you’re like me, you’ve probably been eyeing the Fujifilm X100VI with its stunning image quality and sleek design. But, like many, you might have found it nearly impossible to track one down due to its high demand and limited stock. It’s been a real challenge getting my hands on one, and I know I’m not alone in this struggle.

But here’s some good news: the perfect camera might still be within reach! While waiting for the X100VI to become available can be frustrating, I’ve been diving into the world of alternative cameras that could be just as exciting, if not more so, depending on what you’re looking for.

Imagine discovering a camera that offers innovative features and exceptional performance, all while being in stock and ready to ship. These alternatives might surprise you with their unique capabilities and design, potentially even surpassing the X100VI. Whether you’re seeking those beautiful Fuji film profiles, versatile shooting options, or a fresh take on compact camera design, there’s a whole range of choices out there.

I’ve put together an in-depth YouTube video where I explore some of the best alternatives to the Fujifilm X100VI. In this video, I share my personal insights and experiences with each camera, helping you find a great option that’s available right now.

[Watch Now: Top Alternatives to the Fujifilm X100VI – Find Your Perfect Camera Today!]

I’m excited to share these discoveries with you and help you navigate the world of compact cameras. Click the link to watch the video, and let’s find a fantastic camera that’s actually in stock and available today.

Some of these alternatives are smaller, lighter, and even more versatile than the X100VI. The best part? They all offer equal or better image quality, and you can buy them right now.

Happy shooting, and I hope you find a camera that’s perfect for you!

Title: Capturing Emotions: My Journey with the Fujifilm X-T5

I feel obliged to add a response to my previous article questioning the value of photography in this day and age.

You see, I’m a guy in my 40’s who has been a photographer for close to two decades. Over the years I have struggled with creative block as many creatives do. I have had periods of inactivity, exhaustion and non stop productivity. I have chased Instagram likes as a form of recognition for my work and also deleted all my social media. All this has often lead me to questioning the value of my photography.

A realisation came to me a few weeks ago when shooting a pre nuptial wedding shoot and looking at prints of my daugher. My photography has value in the moments and emotions captured in time. It doesn’t have to be perfect because the emotion that can be evoked when looking back through cherished photos goes deeper than technique, composition etc. Yes, all those things can add to a photo but it is the emotion captured that resonates most with the viewer.

In the past my perfectionism has lead to indecision and inaction and so I now try and live by the mantra of done is better than perfect. When I’m old and looking back on all the photos of my daughter I’ll be grateful to have so many memories, whether they are technically accomlished or not.

As a passionate photographer, I’ve embarked on a journey with the Fujifilm X-T5, a camera that goes beyond just being a tool—it’s a companion that has changed the way I see and feel about photography.

Discovering the Fujifilm X-T5:

From the moment I held the Fujifilm X-T5 in my hands, I knew there was something special about it. Its retro design, reminiscent of classic film cameras, instantly appealed to my aesthetic sensibilities. But it wasn’t just its appearance that drew me in; it was the promise of a photographic experience unlike any other. For me. photography has a soul and my cameras, or at least the best ones also have a soul and evoke emotion. The XT5 with its diminutive size, physical control dials and film simulations inspire me to create.

If you also want to feel that inspiration and are considering purchasing your own XT5 then please consider doing so through my Amazon link. This helps me to continue building this website and feed my family without costing you a penny more.

Embracing Creativity:

One of the most remarkable aspects of the Fujifilm X-T5 is its ability to inspire creativity. With its array of film simulation modes, I found myself exploring new artistic possibilities, each mode imbuing my images with a distinct mood and atmosphere. From the timeless elegance of Classic Chrome to the nostalgic warmth of Classic Neg, every frame became an expression of my creative vision.

Capturing Moments, Embracing Emotions:

What sets the Fujifilm X-T5 apart is its ability to capture not just images, but emotions. The camera’s exceptional image quality and color reproduction breathe life into every photograph, preserving the fleeting moments and emotions that define our lives. Whether it’s the joy of a my daughter’s laughter, the serenity of a sunset, or the intimacy of a candid portrait, the X-T5 elevates ordinary moments into extraordinary memories.

Connecting with the Past, Embracing the Future:

As I continue my journey with the Fujifilm X-T5, I can’t help but feel a deep connection to the rich legacy of photography. With its intuitive controls and tactile feel, the camera pays homage to the craftsmanship of analog cameras while embracing the cutting-edge technology of the digital age. It’s a perfect blend of past and present, reminding me that the true essence of photography lies not in pixels or megapixels, but in the emotions captured within each frame.

Conclusion:

In a world filled with endless distractions, the Fujifilm X-T5 along with a prime lens such as the 35mm f2, serves as a reminder to slow down, appreciate the beauty around me, and capture moments that matter. With its soulful design, unparalleled creativity, and ability to evoke emotions, it has become more than just a camera—it’s a gateway to a world of endless possibilities, where every click of the shutter is an invitation to explore, create, and connect with the world around us.

What is the point of Photography these days?

I just turned 41 and having sold my business in the last 6 months I find myself searching for a purpose in life. As a child many of us had ambitions of changing the World or making a difference in some way. I was no different. I grew up with a great sense of social justice. At the age of 6 or 7 I aksed my town mayor why, if he was so concerned about poverty, didn’t he just sell his expensive gold Mayors’ civic regalia ( a gold chain that UK mayors wear) and give the money to the poor. Everything seemed so simple at that age, with clear solutions to obvious problems.

Yet here I am in 2023 looking around me at the largest income divide since the 1930’s, inequality, corruption and a seemingly unfair World dominated by an elite ruling class that seems to sway everything in their favour including the laws of the land. I find myself wondering what on earth can I do to actually make a difference to these huge inequalities.

I’m often sat in my house in the Philippines watching the news from the UK (and to a lesser degree the US and Europe) and cannot quite believe the seeming apathy with which the masses are allowing our civil rights and liberties to be eroded by those in power. First we had the War on Terror, a seemingly noble cause. However the Governments of the West seemed to have taken this as an opportunity to consolidate power with the enactment of many invasive and overreaching laws that diminished people’s rights. Our right to protest in the UK is now being attacked at every opportunity. The ability to peacefully protest is absolutely fundamental to everything that we now consider to be ‘our rights’ as citizens. Without this right to protest we wouldn’t have the vote, minimum wage, workers rights or many other things that we currently take for granted.

The income gap between the rich and poor is now huge, much larger than it has ever been in my lifetime. The average cost of a home in many western countries makes it impossible for the average working person to own a place to live without incurring huge amounts of debt. Huge amounts of quantitative easing (printing money) benefits the rich for many reasons, not least because it acts as a huge inflationary boost which in turn increases the value of the stock market as well as their other assets such as housing and commercial property while the working classes are subjected to below inflation level pay rises (if any at all), yet still have to pay out for the increased cost of living. Should it all go a bit pear shaped then the Government will bail out the banks and the people will pick up the tab in years to come via increased taxes, exactly as happened during the global financial crisi. If you were one of the elite you would be laughing all the way to the bank (quite literally) at this no risk way of making a fotune.

Did you know that the average income of the top 0.1% of American earners increased by 345% between 1979 -2019 yet in that same time period the average salary of the bottom 90% of earners only increased by 26%.

The rich and powerful consistantly look to tilt everything in their favour, whether it be through shady business deals such as those regarding the purchase of PPE equipent in the UK, implemeting laws that take away our rights or just downright spying on us with no justification. The UK Government wastes billions of Pounds overpaying for defence and health contracts, purchasing their mates useless PPE equipment and through general incompetence. Yet, as we speak they are removing our right to protest, increasing the tax burden on the average working man at an alarming rate while removing us from the EU, mainly because those in power did not want their offshore, tax reducing accounts to be subjected to new EU laws that were due to come into force.

All this serves to highlight my generally jaded view of those in power around the World and my search for what I can do to make a difference. At 41, I am blessed with a lovely 6 year old daughter who is my best friend and quite honestly, sole purpose for getting up in the morning. I don’t want her to inherit a World that is ever more polarised, selfish, self serving (and quite honestly with the coming of social media), vacuous and vain. I spend my time trying to teach her morals, empathy and interest in the World around her but I must confess, sometimes it feels like a losing battle.

So what has all this got to do with photography? Photography has become so commonplace with the near total uptake of smartphones, as well as the constant posting of absolutely uninteresting and uninspiring photos on social media that I have found it very difficult to motivate myself to even go out and take photos anymore. It feels as though I am trying to fight the current of selfies and self promotion. In this World of 2 second attention spans how do you even create anything meaningful anymore? Everything has been shot to death, unless you’re a half naked, beautiful woman or you’re pretending to have an unobtainable ‘dream lifestyle’ then no one gives a shit about your photos. When did we all become so obsessed about what people think of us as well as so materialistic?

If I’m completely honest, I look around and it depresses me. I have to fight every day to keep my sanity as I find myself unable to comprehend a lot of people and their behaviour these days. Maybe every generation feels this as they age and are replaced with a younger generation who they fail to understand.
I no longer try and compete in that World. For me the answer is to come off social media, don’t give a toss about how many likes an image gets, don’t ask why this photo got liked and that one didn’t. Nothing makes sense in that World. Good photography is not about likes, popularity or recognition. The purpose of photography is to tell a story, to highlight it in a way that captures the imagination, causes one to stop and consider for a moment or it enables a change to happen in some small way. It should evoke a respone or emotion in the viewer and possibly make them reconsider what they thought they already knew.

Although photography could be considered an art form I don’t believe it is enough just to create a beautiful photo unless it has some other purpose. Now maybe that purpose is simply that the creator enjoys the process and I have no issue with that. We all need our therapy. For me, photography is just the medium to tell stories and the stories I intend to tell going forward will not be about pretty places or my ‘fantastic Instagram worthy life’ but of people and their struggles as well as those of our planets animals and environments.

The poverty and inequality that I see everyday in the Philippines is like an amplified version of the same inequalities found in the West. The divergence here is that it often means the difference between getting an education or not, eating or not, being subjected to abuse or not, getting justice or not and at the extreme, life and death. At the same time I see humanity’s almost total disregard or care for the environment and other animals that inhabit our planet. Resources are used and abused, things no longer of use are tossed aside with total disregard for the impact it is having on our planet. There are many deep rooted causes for these attitudes but at the crux of it, it is very difficult for someone to consider the well being of the planet or its creatures when they are worried whether they have anything to eat for dinner and may not even be aware of the impact of their actions because they have not received education on this topic.

In the future I plan to search out these stories and use my photography to observe and highlight them in my own small way. Whether that makes a difference is yet to be seen, but if it changes the outcome even just for one child here I’ll have made a difference and that’s all I can ask.

I will still be doing camera and lens reviews but only if and when I have something of note to say having used it extensively in the field.