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	<title>Nikon Z50II &#8211; The Cotswold Photographer</title>
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	<title>Nikon Z50II &#8211; The Cotswold Photographer</title>
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		<title>Field Notes: Nikon Z50II</title>
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		<dc:creator><![CDATA[David Fleet]]></dc:creator>
		<pubDate>Wed, 08 Jul 2026 10:49:33 +0000</pubDate>
				<category><![CDATA[Nikon Z]]></category>
		<category><![CDATA[Field notes]]></category>
		<category><![CDATA[Nikon Z50II]]></category>
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					<description><![CDATA[I’ve recently picked up a Nikon Z50II. Having mentioned my beginnings with photography and an entry-level Canon 450D (called the Canon EOS Rebel XSi in North America) many times on this website, I am genuinely interested to see how a camera labelled as a &#8220;beginner camera&#8221; performs nearly 20 years on from my own experience. ... <a title="Field Notes: Nikon Z50II" class="read-more" href="https://thecotswoldphotographer.com/field-notes-nikon-z50ii/" aria-label="Read more about Field Notes: Nikon Z50II">Read more</a>]]></description>
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<p class="wp-block-paragraph">I’ve recently picked up a Nikon Z50II. Having mentioned my beginnings with photography and an entry-level Canon 450D (called the Canon EOS Rebel XSi in North America) many times on this website, I am genuinely interested to see how a camera labelled as a &#8220;beginner camera&#8221; performs nearly 20 years on from my own experience.</p>



<p class="wp-block-paragraph">For a bit of context, if you have not read my site before, I shoot with the Nikon Z8 (<a href="https://thecotswoldphotographer.com/nikon-z8-review/" data-type="post" data-id="9783">full Z8 review here</a>) , Z6III (<a href="https://thecotswoldphotographer.com/nikon-z6iii-review/" data-type="post" data-id="7205">full Z6III review here</a>), and Zf (<a href="https://thecotswoldphotographer.com/nikon-zf-review/" data-type="post" data-id="8696">full Nikon Zf review here</a>). I’ve been using Nikon cameras for over 10 years, dating back to the DSLR days, and I’ve also shot a lot of different systems, including Fuji, Canon, Sony, OM Systems, and Panasonic, as well as the Ricoh GR series. I started off with entry-level cameras before moving to my first full-frame Canon 5D MK II while working as a professional landscape photographer before moving toward travel photography. My writing comes from the point of view of someone who is used to using professional-level tools.</p>



<p class="wp-block-paragraph"><em>Some of the links in this article may be affiliate links. If you click on them and make a purchase, I may earn a small commission at no additional cost to you</em></p>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1155-1024x683.webp" alt="A Nikon Z50II camera photographed on a black background with side-light creating dramatic shadows. " class="wp-image-10460" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1155-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1155-300x200.webp 300w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph">My <a href="https://amzn.to/4ve74dX" rel="nofollow sponsored noopener" target="_blank">Nikon Z50II + 16-50mm lens arrived from Amazon</a> on Monday; I paid £851.44 (just over US $1100). I don&#8217;t remember the exact price of my Canon 450D, but I recall it was somewhere in the region of £400 (just over US $500) back in 2008. These are my initial thoughts, from my notes, after having unboxed it, set it up, and taken it out for a couple of hours on a local walk in the countryside. I&#8217;ll be writing much more on the Nikon Z50II as I continue to use it.</p>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="456" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1151-1024x456.webp" alt="A Nikon Z50II with a Nikon Z6III to the left and a Nikon Z8 to the right of it. Photographed on a black background with sidelight. " class="wp-image-10461" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1151-1024x456.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1151-300x133.webp 300w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">The Nikon Z50II with the Nikon Z6III (left) and Z8 (right). </figcaption></figure>



<p class="wp-block-paragraph">It doesn&#8217;t, for the most part, feel like a beginner camera; it feels more like a miniaturized proper Nikon Z camera, almost like a miniature Z6III. The ergonomics feel familiar, with only a few things noticeable, one being the smaller battery, which on a two-hour walk with intermittent shooting, dropped one bar. Other differences include the memory card slot not being on the side of the grip but within the battery compartment, and the Z50II having a dedicated picture mode button on the top of the camera. The PASM dial also has an extra scene mode and is located on the right-hand side of the top plate where, on my Z6III and Z8, the top LCD screen would normally be.</p>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="519" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1153-1024x519.webp" alt="The top plate of the Nikon Z6III and Z50II next to each other to show the differences. Photo is taken on a black background. " class="wp-image-10462" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1153-1024x519.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSF1153-300x152.webp 300w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">The top of the Z50II compared to my Nikon Z6III (left). </figcaption></figure>



<h2 class="wp-block-heading">Handling Impressions</h2>



<p class="wp-block-paragraph">In terms of handling, it feels incredibly light and compact. Combined with the 16-50mm kit lens, I hardly even noticed it when it was clipped onto my <a href="https://amzn.to/4f6njDO" rel="nofollow sponsored noopener" target="_blank">Peak Design Capture clip</a>, attached to my backpack. At a combined weight of 685 grams (or about 1.51 lbs), it&#8217;s getting into compact camera territory.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/IMG_2651-1024x768.webp" alt="The Nikon Z50II shown attached to the Peak Design Capture Clip on the backpack of a photographer. " class="wp-image-10463" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/IMG_2651-1024x768.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/IMG_2651-300x225.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p class="wp-block-paragraph">First thoughts about the ergonomics are that they are way above what I was expecting; the grip is deep, really ergonomic, allowing my hand to get great purchase on the camera. The on/off switch is in the usual Nikon place, wrapping around the shutter button, and the top plate features the familiar 3-button setup just behind the shutter button—Record, ISO, and exposure compensation—exactly as my Z8 and Z6III. There are some other slight variations in button feel; they are not quite as solid as the higher-end cameras, but it feels very similar and coherent with the rest of the Nikon Z line.</p>



<h2 class="wp-block-heading">Setup</h2>



<p class="wp-block-paragraph">I already did an initial custom setup to replicate my Z8 (<a href="https://thecotswoldphotographer.com/best-nikon-z8-settings-for-wildlife-photography/" data-type="post" data-id="9042">I detailed my Z8 settings for wildlife here</a>) as closely as possible in terms of button functions so that I can swap pretty seamlessly between my full-frame Nikon Z cameras and the Z50II. The fact that this is even possible surprised me, and it shows Nikon&#8217;s intent to make the Z50II more than just an entry-level camera.</p>



<p class="wp-block-paragraph">I initially set the display button on the rear of the camera to activate single-point AF but found that the button is slightly awkward to activate due to the position my hand sits in. So, I am changing that customization and swapping that function to the AE-L/AF-L button instead, as that’s easier to reach more naturally. In terms of ergonomics, this is a world away from how I remember my beginner camera, the Canon EOS 450D. It feels refined, well-built, and capable. Surprisingly so, if I&#8217;m honest. I didn&#8217;t expect quite this level of customizability and feel from a camera aimed at this level.</p>



<h2 class="wp-block-heading">My First Outing</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0015-1024x683.webp" alt="A photo of a rural path in Perthshire, Scotland with large ttrees lining each side and a child and grandmother walking in the distance. Photo is taken on the Nikon Z50II camera. " class="wp-image-10465" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0015-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0015-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Nikon Z50II + 16-50mm. F/5.6, 1/80. ISO 280.</figcaption></figure>



<p class="wp-block-paragraph">For my first outing, I took the Z50II with just the 16-50mm kit lens on a walk where beavers are located. We knew we wouldn&#8217;t see them in the daytime, but I wanted to show Sofia their lodges. The walk there initially cuts through some farmland with beautiful ancient trees lining a narrow path before entering woodland and signs of beaver activity all around.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0020-1024x683.webp" alt="Three huge trees lining a perthshire walking path. Photo taken on the Nikon Z50II camera and Nikon Z 16-50mm lens. " class="wp-image-10466" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0020-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0020-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/6.3, 1/100, ISO 220. </figcaption></figure>



<p class="wp-block-paragraph"> We got slightly off-track due to the incredible amount of fern growth which has sprung up since the last time I was here. We ended up having to find our way through dense woodland, across the pools and bogs that the beaver activity has created. Eventually, and after pushing through foliage that dwarfed Sofia, we got back on track and made our way toward the lodges. All along the walk, I was picking out shots and getting a feel for what this camera and lens combination could do.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0027-1024x683.webp" alt="A chewed up tree, felled by beavers in the Scottish Highlands. Photo is taken on the Nikon Z50II camera. " class="wp-image-10467" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0027-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0027-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/6.3, 1/100, ISO 110. </figcaption></figure>



<p class="wp-block-paragraph">I&#8217;ve set the autofocus up exactly as I have it on my other Nikon Z cameras for familiarity. A couple of things immediately impressed me with the Z50II, the first being that it was even possible to so closely replicate the functionality and setup of professional-level Nikon Z cameras. The fact that Nikon has allowed this, rather than differentiating the Menu system between a beginner-level camera and pro-level cameras, is an inspired choice in my opinion. It allows someone like me, who uses top-of-the-line gear, to pass down my experience from those cameras and use it with the Z50II. I never got the feeling that the camera had been dumbed down, which in turn gave me a feeling not of &#8220;ah god, this is restrictive and basic,&#8221; but more so that Nikon genuinely set out to make a smaller, cheaper version of their pro-level bodies. It feels every bit a Nikon Z camera of this generation.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0042-1024x683.webp" alt="A dry stone wall lined with trees in Perthshire farmland. Photo is taken on the Nikon Z50II with the 16-50mm kit lens. " class="wp-image-10468" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0042-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0042-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/5.6, 1/100, ISO 100. </figcaption></figure>



<p class="wp-block-paragraph">My subjects were mainly trees, farmland, and the odd shot of Sofia, so I didn&#8217;t get to test out autofocus tracking, subject detection, or the more advanced AF elements yet. My default AF mode is Wide-Area AF S on all my Z cameras and so I set the Z50II up in exactly the same way. It feels responsive in my limited testing so far, but I will dig deeper into that in future outings.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0036-1024x683.webp" alt="A beaver lodge near Crieff in Scotland. Photo is taken on a Nikon Z50II camera. " class="wp-image-10469" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0036-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0036-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/8, 1/100, ISO 220. </figcaption></figure>



<p class="wp-block-paragraph">A lot of the time I used my custom setting button to activate Single-point AF to ensure accuracy when photographing the landscape and ensuring the correct depth of field in shots. Speaking of which, due to the smaller APS-C sized sensor, depth of field is naturally deeper than my full-frame Z cameras which makes it easier to get front-to-back sharpness with larger apertures, something quite useful for landscapes. So instead of shooting at my usual f/8, I found myself at f/5.6 more often. One issue of course is the variable aperture of the Nikon Z 16-50mm kit lens, which when zooming through the focal range, sometimes makes f/5.6 impossible. At the long end, you’re at f/6.3.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0028-1024x683.webp" alt="A foxglove with pink flowers in amongst woodland in Scotland. Photo is taken on the Nikon Z50II camera. " class="wp-image-10470" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0028-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0028-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/6.3, 1/100, ISO 100. </figcaption></figure>



<p class="wp-block-paragraph">Another factor I had to keep reminding myself of was that the Z50II does not have In-Body Image Stabilisation, so I had to remain aware of shutter speed so as to not introduce any camera shake into images. I rarely dropped below 1/30–50 of a second for this reason, and so on a couple of shots, the camera was at a higher ISO than I would normally have chosen.</p>



<h2 class="wp-block-heading">Image Quality: Initial Impressions</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0056-1024x683.webp" alt="Huge trees lining a path near Crieff in Scotland. " class="wp-image-10471" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0056-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0056-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/8, 1/60, ISO 320. </figcaption></figure>



<p class="wp-block-paragraph">Still, the image quality seems excellent, especially considering this is a kit lens. My initial instinct, although I will test this properly later, is that the lens is sharp in the centre, may soften slightly as you zoom towards the extreme end of its focal length, but as someone who uses some of Nikon&#8217;s top Z lenses, I never felt like the lens was terrible; in fact, for its tiny size, I was pleasantly surprised.</p>



<p class="wp-block-paragraph">I should mention that the weather for this walk was pretty grey and overcast for the most part with drizzle turning to more persistent rain as we headed back towards the car. The Z50II has weather sealing and so I simply left it out in the elements, either on my Capture clip or in my hand, and continued to shoot.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0044-1024x683.webp" alt="Trees frame a clearing in to fields in perthshire, Scotland. " class="wp-image-10472" srcset="https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0044-1024x683.webp 1024w, https://thecotswoldphotographer.com/wp-content/uploads/2026/07/DSC0044-300x200.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">F/8, 1/125, ISO 140. </figcaption></figure>



<p class="wp-block-paragraph">When I got home, I went through some of the files and applied my usual editing style in Lightroom on my iPad. The files look good; they seem to offer the same ability to edit in terms of colour, dynamic range, and malleability that I&#8217;ve come to expect from Nikon. Technically, I haven&#8217;t tested them side-by-side to the full-frame photos coming off my Z6III or Z8, and will do so in due time, but as an initial impression, they seem to be in the same ballpark, if you allow for the sensor size difference. Overall, so far, my initial impressions of the Nikon Z50II are that it&#8217;s every bit a modern Nikon Z camera, in a smaller package, not a stripped-down beginner camera. That&#8217;s what impressed me the most when I first unboxed it and after taking it out on an initial shoot.</p>



<p class="wp-block-paragraph"><a href="https://amzn.to/44jh7n3" rel="nofollow sponsored noopener" target="_blank">You can see the latest price for the Nikon Z50II kit I bought here. </a></p>



<div class="author-trust-block" style="border: 1px solid #ddd; padding: 1rem; margin-bottom: 1.5rem; border-radius: 8px; background: #fafafa; font-size: 0.95rem;">

  <strong>About Me</strong><br>

  <p style="margin: 0.5rem 0 0;">
    I’m <strong>David Fleet</strong>, a British photographer and writer based in Scotland. I began my photography journey as a landscape photographer in 2008 and have since worked with most major camera systems, including Fujifilm, Nikon, Canon, Sony, Panasonic, OM System and Ricoh.
  </p>

  <p style="margin: 0.5rem 0 0;">
    I&#8217;ve been shooting Nikon since the D600 era and chose the Nikon Z system as my full-frame platform thanks to its ergonomics, excellent image quality and outstanding prime lenses.
    <a href="https://thecotswoldphotographer.com/nikon-gear-experience/" target="_blank" rel="noopener noreferrer">Here’s my complete Nikon gear experience</a>.
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      I also write more personal photography essays, field notes, family photography pieces and project updates over at <strong>DavidJFleet.com</strong>.
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      If you enjoy the stories behind the photographs as much as the cameras and lenses used to make them, you can follow that work there.
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